Results
-
£37.62Battle Hymn of the Republic (Concert Band - Score and Parts)
James Swearingen knows how to make a very young group sound terrific, and he displays his writing talents beautifully in this well-crafted concert piece for very young bands. Students are highly motivated by Swearingen's music and you'll have no trouble getting them to work hard on this one!
Estimated dispatch 7-14 working days
-
£109.99Boreas Wind Band Set (Score & Parts)
In Greek mythology, Boreas is the God of the North Wind. When thinking of the north wind we particularly think of the bleak wind coming from the freezing cold north, but in Homers' work we see a more varied picture. As shown in the following two stories, Boreas often does play the role of a storm wind that blows forth heavy dark clouds while whipping up the dark waves of the tempestuous sea to mountainous heights. When the stake of the fallen Patroclos refuses to burn, Achilles begs for some wind. When Iris, the swift messenger of the Gods, asks the winds for assistance, they raise themselves up with tremendous roaring and rush to Troy. Upon their arrival they blow the divine fire of Patroclos' stake far up into the sky. When Troy was destroyed, the Greeks returned home. After many wanderings, Odysseus, however, ends up with the beautiful nymph, Calypso, who keeps him as a prisoner. As ordered by Zeus, Calypso frees him and sends him off on a handmade wooden raft. At sea, Odysseus is threatened by the aggressive sea god, Poseidon, who stirs up the winds and thrashes the waves with his trident. The goddess, Athena, stems the violence of all the winds except for the north wind, and thus it is Boreas, who sends Odysseus to the land of the hospitable Phaiakes. Jan Bosveld composed Boreas for OLTO, a music association in Loenen, The Netherlands, for which he had served as conductor for many years. Turbulent movement in both tempo and dynamics characterize this composition. The result is a whirling piece that races by in a positive manner. Boreas is in de Griekse mythologie de god van de noordenwind. Bij noordenwind denken wij vooral aan de gure wind uit het ijskoude noorden, bij Homerus echter zien we een meer gevari?erd beeld. Natuurlijk speelt Boreas, zoals uit de twee onderstaande verhalen blijkt, meestal de rol van de stormwind die de zware zwarte wolken voor zich uit blaast en de donkere golven van de onstuimige zee torenhoog opzwiept. 05:00
Estimated dispatch 7-14 working days
-
£4.95Carols for Band (1st F Horn) - Sparke, Philip
Designed to be playable by any combination from quartet to full brass band, wind band or orchestra, the arrangements in this book with provide a practical solution to all your carolling needs. Parts are divided into Soprano, Alto, Tenor and Bass so that any suitable instrumentation will sound well, providing an equal balance of players per voice is maintained. The carols are printed in alphabetical order so they are easy to find, and comprehensively indexed under both first line and name of tune.Instrumentation is as follows: Brass BandWind BandStringsSopranoEb Soprano CornetSolo Bb CornetBb Repiano & Flugel1st Flute & Piccolo2nd FluteOboe1st Bb Clarinet1st Bb Trumpet/Cornet1st ViolinAlto2nd & 3rd Bb CornetSolo Eb Horn1st Bb Trombone2nd & 3rd Bb ClarinetsEb Alto Saxophone2nd Bb Trumpet/Cornet1st F Horn2nd ViolinTenor1st & 2nd Eb Horns1st & 2nd Bb Baritones2nd Bb Trombone1st Bb EuphoniumEb Alto ClarinetBb Tenor Saxophone2nd F Horn1st & 2nd TrombonesViolaBassBass Trombone2nd Bb EuphoniumEb BassBb BassBassoonBb Bass ClarinetEb Baritone SaxophoneBass TromboneEuphoniumTubaCello/BassTitles included:Angels from the Realms of GloryAs with Gladness Men of OldAway in a MangerBrightest and BestChristians AwakeCoventry CarolDeck the HallsDing Dong, Merrily on HighFirst NowellGod Rest ye Merry, GentlemenGood King WenceslasHark the Glad SoundHark, the Herald Angels SingHolly and the IvyI Saw Three ShipsIn Dulci JubiloIn the Bleak Mid-WinterInfant HolyInfant KingIt Came Upon a Midnight ClearJingle BellsLo, He Comes with Clouds DescendingLove Came Down at ChristmasO Come, All ye FaithfulO Come, O Come, EmmanuelO Little Town of BethlehemOf the Father's Love BegottenOnce in Royal David's CitySans Day CarolSee Amid the Winter's SnowSilent NightSussex CarolThou Didst Leave Thy ThroneUnto Us is Born a SonWe Wish You a Merry ChristmasWhile Shepherds Watched
Estimated dispatch 7-14 working days
-
£115.00NAME PERPETUAL, A (Concert Band) - Pierce, Eseld
Under the leadership of Michael An Gof and Thomas Flamanck, a Cornish host, sometimes estimated to number as many as 15,000, marched to London in protest against excessive taxation. Arriving at Blackheath, they were attacked by the King's army and defeated, and the two rebel leaders were hung, drawn and quartered. On his way to his death, An Gof stated that he would have "a name perpetual and a fame permanent and immortal". A Name Perpetual tells the story of the Rebellion in four connected scenes. The music includes strong elements of the Celtic music tradition, being structured around an old Cornish folk tune. The first scene introduces fragments of the folk theme and reflects the anguish of the Cornish people. The second scene opens with the folk theme on solo piccolo and, as different instruments enter one by one, the march is depicted with its accumulation of forces en route. The march halts suddenly as the Cornishmen discover the unexpected arrival of the English army and the subsequent music portrays the Blackheath Skirmish. In this scene the orchestra is divided into four parts, each working independently to create a sense of chaos, with the stronger elements of the brass and bass instruments representing the English, while the woodwind and saxophones represent the Cornish, struggling to sustain the folk tune throughout the battle. Eventually all the parts come together and the final section is a lament for the lost Cornishmen, fading away to leave only a haunting off-stage trumpet solo.
Estimated dispatch 7-14 working days
-
£135.95NAPOLI Variations on a Neopolitan Song (Cornet Solo with Intermediate Concert Band) - Hunsberger, Donald
Born in Germany, Hermann Bellstedt immigrated to America in 1867, where his family settled in Cincinnati. A prodigy on the cornet, he played with Patrick Gilmore as cornet soloist and assistant to the famous Ben Bolt, and, in 1904, joined the Sousa Band, playing alongside Walter Rogers and Herbert L. Clarke. Bellstedt's variations on Napoli feature the popular Neopolitan song "Finiculi, Finicula" (composed by Luigi Denza in 1880) that celebrated the funicular railway built up the side of Mt. Vesuvius in 1880. Other popular Amalfi Coast songs include "'O Solo Mio" and "Torna a Sorriento." A variety of solo textures, whimsical to intense, are demonstrated by this Donald Hunsberger arrangement dedicated to Wynton Marsalis as a part of the "Carnaval" project. A grandiose opportunity to feature your cornet or trumpet soloist! (5:45)
Estimated dispatch 7-14 working days
-
£84.99
Remembrance Day Wind Band Set (Score & Parts)
Remembrance Day (Totengedenken) is a chorale-like piece in memory of those who have died in service. Jacob de Haan composed this work for a concert by the symphonic wind orchestra Symphonic Winds, which he conducted in Germany on Volkstrauertag (national remembrance day). The composition is based on a text from Totengedenken (Commemoration of Those Who Have Died). This narrative text is provided in four languages, and is intended to be spoken (using a microphone) ad libitum during the performance. Choir parts are also available to complement the performance. 0:04:30
Estimated dispatch 7-14 working days
-
£89.99
Unity Fanfare (Concert Band - Score and Parts)
The Musikkapelle St. Johann in Tyrol commissioned Otto M Schwarz to compose an energetic and exciting fanfare for their band and that is exactly what they got. If you are looking for a work to open your concert with, this is it! Otto M. Schwarz' passion for lm scoring is evident as he e ectively mixes movie sounds into this fanfare. Festive chorales and heart warming melodies culminate in an exciting Finale Furioso! 03:47
Estimated dispatch 7-14 working days
-
£76.99
Uptown Girl Wind Band Set (Score & Parts)
Apparently Billy Joel's muses when he wrote Uptown Girl were the model, Elle MacPherson, and then his later wife, model Christie Brinkley. With this catchy pop song about a simple guy who loves a rich girl from downtown, Joel wanted to encourage the ugly guy to win the heart of the most beautiful woman. In Billy Joel's case, his great talent in writing hit songs was obviously also a factor! And now Stefan Schwalgin has arranged this chart-topper into a lively and compelling performance piece. 03:20
Estimated dispatch 7-14 working days
-
£51.95Hallelujah Chorus (Concert Band with Optional Chorus - Score and Parts) - Handel, George Frideric - Kinyon, John
The Hallelujah Chorus is the best known and most dramatic section from The Messiah, an oratorio first performed in Dublin in 1742 with the composer conducting. In addition to the chorus, the original orchestration called for two oboes, two bassoons, two horns, timpani, strings and keyboard instruments. King George III, in attendance at the premier performance, is said to have suddenly leaped to his feet on hearing the opening chords. Historians disagree, however, as to whether his majesty was merely showing his appreciation of the music or whether, as one story goes, he had been startled out of a sound sleep. Whichever, the entire audience followed the regal example, thereby instituting a tradition which has persisted for more than two centuries. Even today it is customary for an audience to rise during the performance of this exciting work. Duration: 4.00
Estimated dispatch 7-14 working days
-
£1.95Hallelujah Chorus (SATB Choral Octavo) - Handel, George Frideric - Kinyon, John
The Hallelujah Chorus is the best known and most dramatic section from The Messiah, an oratorio first performed in Dublin in 1742 with the composer conducting. In addition to the chorus, the original orchestration called for two oboes, two bassoons, two horns, timpani, strings and keyboard instruments. King George III, in attendance at the premier performance, is said to have suddenly leaped to his feet on hearing the opening chords. Historians disagree, however, as to whether his majesty was merely showing his appreciation of the music or whether, as one story goes, he had been startled out of a sound sleep. Whichever, the entire audience followed the regal example, thereby instituting a tradition which has persisted for more than two centuries. Even today it is customary for an audience to rise during the performance of this exciting work. Duration: 4.00
Estimated dispatch 7-14 working days
View Music