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  • £137.99

    From the Highlands (Concert Band - Score and Parts) - Putz, Marco

    Enjoying his travels in Scotland, Marco Putz decided to compose a piece for wind band, based on Scottish folk songs. While in the airport at Glasgow, shortly before boarding his plane, Putz bought a collection of folk melodies from all over Scotland that had been arranged for flute. At first he harmonised several melodies in his own style, then he began to alter the resulting pieces (especially rhythmically). Eventually Putz added passages here and there and orchestrated the piece for wind band. Putz's resulting composition is an educational work that is both enjoyable and appealing to players of all ages, although it was written with young bands in mind. From the Highlands is part of a project to increase the repertoire available to youth and school bands, both in quantity and quality; an important personal and musical goal for the composer. This is Putz's third contribution of this sort to be added to the De Haske catalogue, following his successful Arrows of Lightning and Four Sketches for Band.Duration: 7:45

    Estimated dispatch 7-14 working days

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  • £76.99

    Ich bete an die Macht der Liebe (Concert Band - Score and Parts) - Bortnyansky, Dmitry - Bilkes, Michael

    The Ukrainian Dmitri Bortniansky (1751-1825) received lessons at the local singing school in his hometown of Hlukhiv, and soon his extraordinary talent was recognised. He was somewhat of a child prodigy, writing his first opera at a young age. Following his studies Bortniansky was appointed court composer and Kapellmeister of the Imperial Chapel Choir. In the period that followed, he wrote - in addition to a number of operas, instrumental works, and a cycle of songs - more than a hundred religious works for a cappella choir, in which he combined Russian-orthodox and Ukrainian traditions with late 18th century European music. The appealing melody of Ich bete an die Macht der Liebe (Prayer to the Power of Love) became well-known, especially in Germany, in combination with German text by Gerhard Tersteegen. This arrangement by Michael Bilkes reflects the atmosphere of the original work very well.Duration: 3:45

    Estimated dispatch 7-14 working days

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  • £87.99

    Largo (from Winter, The Four Seasons) (Concert Band - Score and Parts) - Vivaldi, Antonio - Sparke, Philip

    Antonio Vivaldi (1678-1741) stands, with Handel and J.S. Bach, as one of the titanic figures of late Baroque composition. Not only was he lauded as a composer of vocal and instrumental works both sacred and secular, he was without serious competition, the most prolific composer of his age. In addition to hundreds of vocal works, including forty-nine operas, he composed five hundred concertos. The Four Seasons are probably the best known of his concerti with the second movement, Largo, portraying time spent by a roaring fire listening to the rain pounding against the window. This arrangement for concert band retains all the warmth of the original.Duration: 3:45

    Estimated dispatch 7-14 working days

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  • £110.99

    Pastime with Good Company (Concert Band - Score and Parts) - Sparke, Philip

    The English king, Henry VIII (1491-1547), is mainly remembered for disposing of his wives on a regular basis and breaking with the Catholic Church when the Pope Clement VII refused to grant him a divorce so he could marry Anne Boleyn. As a young man he was a gifted athlete, dancer and composer, writing many songs, poems and consort pieces (though not Greensleeves, as is often believed). Pastime with Good Company is undoubtedly the best-known of these, written in the first years of the 16th century while he was still a handsome prince, newly married to Catherine of Aragon and the envy of Europe. The lyrics tell of the joys of hunting, dancing and singing and would have been sung as part of the court entertainment.This arrangement features a quartet of soloists and two solo drummers.Duration: 6:00

    Estimated dispatch 7-14 working days

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  • £149.99

    Nemu-Susato (Concert Band - Score and Parts) - Van der Roost, Jan

    Commissioned by the Japan Band Clinic Committee of Yamaha for the Nemu Band Directors Clinic in Nemu no Sato, May 18-20, 1997. The surprising title of this work is an indication of its content. By combining the somewhat similar names 'Nemu no Sato' and 'Susato' into a new word, Jan Van der Roost has produced a significant and interesting subject. The Yamaha corporation has extensive facilities in Nemu no Sato, Japan, including a concert hall, recording studios, hotel and so on. Concerts, workshops, clinics and other events are held here, including the annual Nemu Band Directors Clinic, which consists of numerous musical events. Jan Van der Roost served as guest conductor and speaker in 1994. He was invited again for the 1997 clinic, this time with a composition assignment. The difficulty level of his piece was to be Grade 2 - 3 bands. With this in mind, Mr. Van der Roost strove to create a renaissance-like sound. Simultaneously he wished to create a tribute to Tielman Susato who, like Jan Van der Roost, lived and worked in Antwerp in the 16th century. The first performance of Nemu-Susato was conducted by the composer, performed by the Tokyo Metropolitan Police Band, and took place during the Nemu Band Directors Clinic on May 19, 1997.Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £128.00

    Ratatouille Satirique (Concert Band - Score and Parts) - Satie, Erik - De Meij, Johan

    Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However his piano pieces, such as Trois Gymnopedies or Gnossiennes will remain his most popular compositions. Satie co-operated with almost all great artists of his time: Pablo Picasso, Jean Cocteau, Sergej Diaghilev and Georges Braque and the composers Darius Milhaud (Le Groupe des Six) and Claude Debussy. Johan de Meij made an orchestration of three short pieces by Erik Satie: I. Prelude (from: Jack in the Box) II. Reverie (from: Trois petites pieces montees) III. Marche: Le Piccadilly (1904) It was only after Satie's death in 1925 that the manuscript of the piano piece Jack in the Box was recovered. Satie himself thought he had lost the manuscript in a bus. When his flat in Arceuil was cleaned out, a small notebook was discovered behind his piano and it contained the manuscript which was assumed to be lost forever. The R?verie (De l'Enfance de Pantagruel) is an extract from Trois petites pieces montees, originally composed for small symphony orchestra. In this suite it is meant as a restful intermezzo. It is clear that, as with Milhaud (La Creation du Monde) and Debussy (Golliwogg's Cakewalk; Le Petit Negre), it is hard to deny obvious influences of jazz music in Erik Satie's compositions. Le Piccadilly, dating from 1904, displays a lot of similarities with the compositions of Scott Joplin. Duration: 7.00

    Estimated dispatch 7-14 working days

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  • £154.99

    Deux Mouvements (Alto Saxophone Solo with Concert Band - Score and Parts) - Waignein, Andre

    Early in 1989 Jean Baily, director of the Royal Conservatoire in Bruxelles, asked his very close friend Andre Waignein to compose a piece which could be performed by the conservatoire's saxophone class. Andre Waignein was readily agreeable. Not only was his father a saxophone player, but himself felt strongly attracted to the instrument and he was further encouraged into accepting the commission by his friend Alain Crepin, saxophone teacher at the Bruxelles Conservatoire.The piece he composed consists of two movements, hence the title. An elegy is expressed by means of a melody which is full with pronounced magnanimity, full of spectacular musical freedom enabling the soloist to express himself to the full. In this movement the melodic element is of the utmost importance.The capriccio, the second movement is musically disconcerting. The band's accompaniment is particularly important. Due to the high notes, the soloist brings this capriccio to a close with enthusiastic virtuosity.Duration: 9:15

    Estimated dispatch 7-14 working days
  • £54.95

    FANTASY ON THEMES FROM TCHAIKOVSKY (Young Band) - Erickson, Frank

    Tchaikovsky's musical progress was based upon impulse, rather than upon intellectual conviction. It was his sincere response to emotional impulse and the freedom with which he ranged over almost every field of musical creation which made him as great as he was. Frank Erickson passed away before he could provide rehearsal suggestions for this piece. This was one of his final numbers.

    Estimated dispatch 7-14 working days
  • £149.99

    Heaven and Earth Wind Band Set (Score & Parts)

    An Astrological Composition. Astrology is based on the principle that each sort of time has its own quality. In order to determine the quality of a particular moment, an astrologer looks at the position of the planets in the solar sustem at that moment. Each planet has specific types of energies and its location provides unique information for a certain moment on Earth. Thus: its position in the sky tells something about what happens on Earth. In this composition the types of energies of four planets are musically translated. The four planet were not randomly chosen. There are two pairs, whose influence and energy are opposite. Venus and Mars. Venus represents the feminine principle: harmony, beauty, art, and the ability to make relationships and to keep the peace. Venus connects, and communicates in order to maintain the balance. Mars represent the masculine principle: winning, impulsiveness, enthusiasm, and sexual energy for procreation. He creates war enabling the strongest to triumph. Mars is musically depicted in a stirring march in which enthusiasm characterises the masculine character. Saturn and Jupiter. Saturn represents concentration and withdrawal: the strong notion of responsibility, seriousness, self-discipline and melancholy. Saturn is the hermit who will conquer his fears and worries in minimal conditions and by self-chastisement. This contemplative character is depicted in the music as if it is almost standing still, which also reflects the given character of this planet. Jupiter represents growth and expansion: the positive, self-confidence, the good Samaritan, the healer. Jupiter is the philosopher who will make the world a better place, sees future possibilities, and searches for eternal values. He is the prophet who sometimes rants and raves his doctrine and proclamations, resulting musically in a whirling and upbeat finale. not looking back at what has been but searching for new challenges. "Heaven and Earth" was commisioned by the Music Lending and Information Centre (MUI), a department of the library for the province of Gelderland in Arnhem, The Netherlands.Een astrologische compositie. Astrologie is gebaseerd op het principe dat elke tijd zijn eigen kwaliteit heeft. ""Tijd voor koffie"" of ""het was je tijd nog niet"" als bijvoorbeeld een baan aan je neus voorbij is gegaan. Om de kwaliteit van een moment te lezen kijkt de astroloog naar de stand van de planeten in ons zonnestelsel op dat tijdstip. Elke planeet heeft specifieke energie?n en de plaats aan de hemel geeft unieke informatie over een bepaald moment op aarde. Oftewel: de stand aan de hemel (Ouranos) vertelt iets over wat er op aarde (Gaia) gebeurt. In deze compositie worden de energie?n van vier planeten muzikaal vertaald. De vier planeten zijn niet lukraak gekozen. Het zijn twee paren, die qua invloed en energie tegenovergesteld zijn. Venus en Mars. Venus vertegenwoordigt het vrouwelijke principe: harmonieus, schoonheid, de kunst, het vermogen om verbindingen aan te gaan en de vrede te bewaren. Venus geeft door en verbindt om de balans te bewaren. Mars vertegenwoordigt het mannelijke principe: winnen, anderen aftroeven, impulsief en enthousiast, seksuele energie voor de voortplanting. Mars cre?ert oorlog om de sterkste te laten zegevieren. Venus staat tot Mars als vrede staat tot oorlog, als verbinden staat tot verbreken, als harmonie staat tot competitie. Jupiter en Saturnus. Jupiter vertegenwoordigt groei en expansie: het positieve zelfvertrouwen, de weldoener, de genezer. Jupiter is de filosoof die de wereld wil verbeteren, vooruitkijkend en zoekend naar eeuwige waarden, de profeet die soms al te bombastisch zijn leer verkondigt. Saturnus vertegenwoordigt concentratie en inkrimping: het sterke verantwoordelijkheidsbesef, soberheid, zelfdiscipline en melancholie. Saturnus is de kluizenaar die onder minimale voorwaarden en zelfkastijding zijn angsten wil overwinnen. De harde, serieuze werker die volgens vaste regels stug doorgaat om aan zijn hoge eisen te voldoen. Jupiter staat tot Saturnus als uitbreiding staat tot inkrimping, als zelfvertrouwen staat tot faalangst, als vrijheid staat tot structuur. 11:00

    Estimated dispatch 7-14 working days

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  • £118.99

    Jacques Brel Toujours! Wind Band Set (Score & Parts)

    The French-speaking Flemish singer, composer and lyricist Jacques Brel was born in Brussels in 1929. In the 1950s, he broke away from his bourgeois social background of his family and started an artist's life in Paris, where he initially wrote chansons and earned a living by performing in small cabarets and bars. Over the following years he achieved worldwide fame with his chansons, which were alternately harsh and melancholic Roland Kernen has selected a number of the wonderful chansons written by this most creative artist to produce this unforgettable chanson medley. 0:07:25

    Estimated dispatch 7-14 working days

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