Results
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£8.95Slaidburn (March) (Concert Band - Score Only) - Rimmer, William - Brand, Michael
For many, Lancastrian William Rimmer is Britain's 'March King.' His marches are wonderful, every one with its own unique personality and form. Like Sousa, he also created and played a vast catalogue of band music ranging from waltzes and solos to great selections from the masters, but it is for his marches that he is remembered today. Slaidburn is a village in the county of Lancashire, England, but was originally part of the West Riding of Yorkshire. Rimmer composer this easy but effective and much-loved march for the village band.
Estimated dispatch 7-14 working days
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£84.99Libertango (Concert Band - Score and Parts) - Piazzolla, Astor - Bocci, Lorenzo
Astor Piazzolla (1921-1992) revolutionised the tango: with his bandoneon (instrument similar to the accordion), he dared where others did not. During his career, which started in the 1950's, Piazzolla produced a real revolution, developing the musical structure of the tango in a truly innovative way. He also understood from the very beginning the huge expressiveness of tango. In recent years the tango has again become extremely popular and this arrangement of one of Piazzolla's most famous pieces will be an instant hit with both band and audience.Duration: 3:15
Estimated dispatch 7-14 working days
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£118.99The African Sound of Bert Kaempfert (Concert Band - Score and Parts) - Kaempfert, Bert - Kernen, Roland
The composer, arranger and band leader Bert Kaempfert is considered a giant in the field of easy listening music. He wrote songs for world renowned stars such as Ella Fitzgerald, Peggy Lee, Shirley Bassey, Anita Kerr, Frank Sinatra and many others. He created his own unique sound with the Bert Kaempfert Orchestra and had huge international success. His affinity with 'black music' is significant and his fascination with South African sounds led to their incorporation into several of his compositions and arrangements. Roland Kernen has used the following well-known tunes in this medley:ZambesiAfrican BeatWimowehHappy TrumpeterSkokiaan
Estimated dispatch 7-14 working days
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£46.95Aeolian Winds (Concert Band - Score and Parts) - Edmunds, John F.
In Greek mythology Aeolus was called 'god of the winds.' Legend has it he was visited by Odysseus and his crew, and that he provided for a west wind to carry them home. The E-flat major scale is fully exploited in this skilfully composed and orchestrated melody, whose brief excursions into foreign tonal centres are clearly notated with accidentals rather than new key signatures. With grateful ranges and limited technical demands throughout, dramatic impact is achieved through a variety of dynamic levels and non-harmonic tones.Duration: 2.30
Estimated dispatch 7-14 working days
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£69.99Jubelklnge (Concert Band - Score and Parts)
Ernst Uebel (1882-1959) was born in Klingenthal in Vogtland (Germany), where he spent most of his life working as an instrument maker and conducted the municipal concert band, a task he performed for more than 30 years. In the year 1926 Ernst Uebel composed the march Jubelkl?nge and gained worldwide fame with it. The march, with its beautiful melodies and exciting drive, was played at many occasions around the world including the coronation festivities for Queen Elizabeth II in London and the Winter Olympics in Sapporo. In this arrangement the march has been adapted to suit the demands of a modern concert band whilst successfully maintaining the traditional character of the original. 04:15
Estimated dispatch 7-14 working days
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£134.99
L'Italiana in Algeri Wind Band Set (Score & Parts)
Gioacchino Rossini was a musical prodigy, composing his first operawhen he was eighteen years old. At the age of 37, after having written39 operas in all, he almost completely stopped composing anddevoted himself to the culinary art and the mysteries of wine! In hisopera L'Italiana in Algeri, Rossini shows the difference in mentalitybetween two countries on both sides of the Mediterranean, Turkeyand Italy. The exotic themes and oriental sound colours of thisopera have ensured that it is still loved today by a wide audience.This transcription for concert band retains the exotic and orientalfeel of the original opera. 0:08:30
Estimated dispatch 7-14 working days
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£159.99
Selections from Boris Godunov Wind Band Set (Score & Parts) - Takahashi, Tohru
Composer Modest Moussorgsky (1839-1881) came from the prosperous environment of Russian nobility. In 1865, after his officer's education, he joined the guard's regiment in St. Petersburg. Here he met a number of well-known colleague-composers, including Balakirev, Cui, Rimsky- Korsakov and Borodin. They strived to develop a "classical style" of composing while at the same time retaining a strong Russian influence. His opera Boris Godunov tells the tale of Boris, who with the support of the people, declared himself Tsar, but totally fell short of the role. The opera became popular in the re-orchestrated version produced by Rimsky-Korsakov in 1896. Tohru Takahashi has used the beautiful musical themes of this opera in Selections from Boris Godunov - a captivating work for concert band. 0:11:40
Estimated dispatch 7-14 working days
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£72.99Memories of the Past (Concert Band - Score and Parts) - Yagisawa, Satoshi
This beautiful chorale was commissioned by the Temasek Junior College Alumni Band from Singapore and is dedicated to its conductor, Mr. Lin Ah Leck, who sadly passed away in 2019. The music pays homage to Maestro Lin-sheng, as he was affectionately called by the band members. Mr. Lin, a devotee of Yagisawa's music, selected many of his works for their concerts. Having visited Singapore many times, the composer has had the opportunity to listen to Mr. Lin and his band perform and was deeply moved by their expressive and warm performances, leading to him writing this chorale work about the 'eternal bond' between a teacher and his students. The world premiere of this piece in Singapore by the Temasek Junior College Alumni Band was titled Echoes of Temasek - In Memory of Meastro Lin-sheng. For this publication, it has been revised and retitled Memories of the Past.Duration: 5.00
Estimated dispatch 7-14 working days
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£150.00A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul
A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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