Results
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£84.99Os Justi (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner is probably best known today as a symphonist however he was also a significant composer of religious works, motets and masses, and the composer of the great Te Deum. These choral works portray equally as much of Anton Bruckner's power as his symphonies. With his unique gift for unlocking the secret and beauty of choir singing he was a true master in this genre. This arrangement for concert band by Thomas Doss retains the character and homogeneity of the original choral work and is a stunning addition to the concert band repertoire.Duration: 3:45
Estimated dispatch 7-14 working days
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£36.95Through the fair (Vocal Solo with Concert Band - Score and Parts) - Wiffin, Rob
The traditional Irish folk song set for voice and band. This haunting melody tells the sad story of two Irish lovers. The boy fell in love when he saw her as she 'moved through the fair'. Despite their differing social standing they received parental permission to marry but the girl did not return. In the closing verse of the song he dreams of her moving through the fair but realises that she has, in fact, died. This arrangement is for voice and band and featured on the RAF Massed Bands Tour 2000 and was recorded on Festival of Music 2000 Polyphonic QPRM 136D.Duration: 3.29
Estimated dispatch 7-14 working days
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£55.50Manhattan Beach (Concert Band - Score and Parts) - Sousa, John Philip - Story, Michael
Although John Philip Sousa is stereotyped as a march writer, he composed music in many forms. But, of course, it's his marches that have brought his name to millions of performers and listeners the world over. Of the hundreds of marches he wrote, many are still among the most performed of the medium. Michael Story has chosen this classic Sousa work and removed the technical difficulties so it can be enjoyed by even the youngest ensemble or band. Relish this music of the "March King"! Duration: 1.30
Estimated dispatch 7-14 working days
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£58.50Peer Gynt Suite (Concert Band - Score and Parts) - Grieg, Edvard - Sayre, Charles
Edvard Grieg's early musical training took place in Germany, but philosophical constraints sent him back to his native Norway, where he began what is now referred to as the Norwegian School. He is best known for his Peery Gynt Suites, No. 1 & No. 2, originally written as orchestral suites and as incidental accompaniments for Ibsen's epic drama. This sparkling scoring includes Morning Mood, The Death of Ase, Anitra's Dance, and In The Hall Of The Mountain King. Duration: 5.00
Estimated dispatch 7-14 working days
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£76.99Goodnight Saigon (Concert Band - Score and Parts) - Joel, Billy - Foster, Larry
Billy Joel began piano lessons when he was only 4 years old. At the age of 13 he discovered rock n roll and went on to produce countless hits in both rock and gentler styles. With this arrangement by Larry Foster De Haske has added on of Joel's most beautiful ballads to the concert band repertoire.Duration: 4.00
Estimated dispatch 7-14 working days
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£18.99CONDUCTOR'S INTERPRETIVE ANALYSIS OF MASTERWORKS FOR BAND, A - Fennell, Frederick
Frederick Fennell, widely acknowledged as the 'dean of American band conductors,' has freely shared what he called'"long-distilled thoughts' about the world's greatest music for band. In this collection, he covers original scores by Persichetti, Hanson, Schuman and Chance, as well as classic works by Wagner and Holst. Fennell's clear and to-the-point analysis/interpretations are based on a lifetime of careful research, rehearsals, and professional performances. In this informative work, you will find inspiration for a truly superior presentation of these masterworks for band. Includes: Divertimento for Band (Persichetti) Symphony for Band (Persichetti) Elsa's Procession to the Cathedral (Wagner) Chorale and Alleluia (Hanson) George Washington Bridge (W. Schuman) A Moorside Suite (Holst) Variations on a Korean Folk Song (Chance) I Really Do Love Marches! (Fennell).
Estimated dispatch 7-14 working days
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£89.10From the Eye of the Storm
Mississippi composer, Ayatey Shabazz is a survivor of hurricane Katrina who lost both his home and the school where he taught to the storm. Soon after the storm was over Shabazz composed this stimulating and descriptive composition that explores the wide range of events and emotions he experienced during the tragic hurricane. Full of remarkable music that is sure to challenge your students, it is also a superior programming choice for better bands! Very highly recommended!
Estimated dispatch 7-14 working days
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£49.95SHE MOVED THROUGH THE FAIR (Soprano Sax) (Programme Concert Band) - Wiffin, Rob
This haunting melody tells the sad story of two irish lovers. The boy fell in love when he saw her as she 'moved through the fair'. Despite their differing social standing they received parental permission to marry but the girl did not return. In the closing verse of the song he dreams of her moving through the fair but realises that she has in fact died. This is a tune that will live with you for ever. American Grade 3. Duration 3:47
Estimated dispatch 7-14 working days
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£104.99
The Great Gate of Kiev Wind Band Set (Score & Parts)
The Russian composer Modest Mussorgsky (1839-1881) was self-educated to a large extent but went on to become one of the ?Mighty Five? which also included Balakirev, Cui, Borodin and Rimsky-Korsakov. Today he is considered the innovator of Russian music par excellence. He composed Pictures at an Exhibition in 1874, inspired by ten pictures produced by his then recently deceased friend, the Russian architect and artist Victor Hartmann. The French composer Maurice Ravel made an orchestration of Mussorgsky?s composition in 1922 which is now more well-known and more performed than the original piano suite. For his transcription of Pictures at an Exhibition, Tohru Takahashi made use of the original piano composition by Mussorgsky. The Great Gate of Kiev, issued here separately, is probably the best known melody from this classical masterpiece. 0:05:45
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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