Annie Laurie - Anonymous

The song "Annie Laurie" was written to her by William Douglas, and amended by Lady John Scott. This song was a favorite with Scottish soldiers during the Crimean War. Composer Carl Strommen gives us a wonderful new setting of this popular folk song that explores all of the glorious colors of the modern concert band. A great change of pace piece for any concert and a great way to improve the musicianship of your students.

Antagonist

In every great story there is always an antagonist, the character of opposing force who is central to the success of the story. Larry Clark has applied this concept to music in a new beginning band piece, fascinating in sound and an excellent cross-curricular tie with English classes, musically illustrating the structure of a good story. This piece is aggressive and at times, purposely antagonizing. Designed with the youngest of players in mind, it works on simple repeated eighth note patterns as the foundation for the melodic material. As is typical in a Larry Clark piece, interesting parts are provided for all instruments, and everyone gets to play the melody.

Anthem of the Mountain Yeti

Anthem of the Mountain Yeti imagines the mysterious and wild spirit of the legendary creature. The piece features the signature yeti call in the trombone and horn sections, evoking the untamed wilderness and towering cliffs. Most of the notes are played in a staccato style, with a contrasting legato section in m. 21. The trombone and horn glissandi add to the chaotic, unpredictable nature of the yeti, with a sudden change to a calmer section before returning to the wild energy. This exciting and vibrant work captures the legendary creature's essence.

Anthracite Blaze

Antiquitas - Bill Calhoun

Antiquitus

Set in a Roman style, this aggressive Joseph Compello piece is sure to be one of your band's favaorites. It is a full and powerful piece that is much easier to play than it sounds.

Apollo Arise

Appalachian Folk Song Suite

Arachnophobia and Fugue

Imagine Bach trying to compose in his studio while being pestered by a spider! Arachnophobia and Fugue exposes students to the Baroque style of music using dramatic contrasts, light articulation, chorale-style sections, and multiple references to Bach's works. The spider is represented by the xylophone and/or marimba supported by the flutes. As a humorous bonus, auxiliary percussion includes rolled-up newspapers to swat the pesky spider throughout the piece.

Archrival

Archrival is a rhythmically driven piece with lots of cinematic excitement. You will hear the mysterious opening followed by angular themes and rhythmic drive that builds up to sweeping majestic moments. A stunning new piece from composer Peter Terry, this is quality sophisticated musical material for highlighting your band at contest or festival.