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£244.99Variations on a Pentatonic Theme - Rob Goorhuis
Rob Goorhuis wrote his Variations on a Pentatonic Theme (1987) for the Royal Wind band of Thorn, conductor Jan Cober. The work consists of five character variations on a pentatonic (five-tone) theme. The basic elements of the theme are the descending minor third and the descending major second, which in the course of the composition build up to a broad melody, unfolding itself in the final variation. The first variation resembles minimal music in its repetitive rhythmic motives. The second variation is explosive in character: rapid broken chords provide a background for soft solo motifs. The third variation is a quiet intermezzo on a slow chorale theme, creatingtwo contrasting moods. The fourth variation is a light-hearted scherzo. The final variation is a brilliant finale with all the necessary ingredients, or, in the composer's words, "the works" Testpiece WMC 2005 Concert Division.
Estimated dispatch 7-14 working days
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£60.99Dreams and Fancies - Timothy Broege
These four contrasting vignettes written in contemporary style greatly enhance your programming options. The colorful movements are: I. First Dream, II. First Fancy, III. Second Dream, and IV. Second Fancy.
Estimated dispatch 7-14 working days
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£84.50
Adagio Sostenuto - Vincent Persichetti
From Persichetti's many offerings for band, the Adagio Sostenuto movement of his Symphony is a particular favorite for festivals and contests. The second movement of this popular work is one of the most beautiful pieces in the wind band reportoire. This movement is offered as a stand alone publication, so that bands that are not technically ready for the entire piece can still perform this lyrical "gem." Without question, the second movement is technically easier but musically challenging. The piece is well worth the effort.
Estimated dispatch 7-14 working days
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£289.99Divertimento - Oliver Waespi
This grand work contains four contrasting movements. The first movement, Prelude, takes the form of an overture: it raises the curtains and marks the beginning of the piece. The brilliant motifs of the opening are contrasted by a calmer and more lyrical central section, after which the triumphant opening returns for the movement's end. The second movement, Meditation, explores the intimate sounds of the oboe, as well as those of the flute and French horn, backed by a rich orchestral accompaniment. The third movement presents a more upbeat Procession, but not a Procession of the Nobles, as written by Rimsky-Korsakov. Quite the opposite, Procession resembles a "second line"procession from New Orleans, whose up-beat rhythms invite everyone to dance in the streets rather than the measured pacing of a march. Divertimento ends with a Hoedown, the tradition American folk dance idiom, when the band has the opportunity for both vivacity and virtuosity and may play as fast as it can. It is important to play all four movements with precision, clarity and, most importantly, enthusiasm.
Estimated dispatch 7-14 working days
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£139.99Singapura Suite - Jan Van der Roost
Singapura Suite was commissioned by Singapore's Ministry of Education Extracurricular Activities Branch to serve as a compulsory piece for the 1999 Singapore Youth Festival."Singapura" is the original name of Singapore in Malay, the native language there. Because Singapore is one of the most important harbors in the world, this two-piece work opens with a seaman's dance. An authentic melody, Chan Mali Chan, is woven into the middle of this first part, whose ABA form becomes clear through the recapitulation of the seaman's dance in a somewhat altered form.Singapore is also a dynamic city-state alive with excitement, thus the second part begins with a fitting dance, a fastbourre. As contrast there is a second authentic melody, Dayung Sampan, a more easygoing sailing song. This short but curious suite ends in high spirits with a recapitulation of the beginning.
Estimated dispatch 7-14 working days
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£84.99Toccata - Claudio Monteverdi
Claudio Monteverdi composed this toccata as an instrumental introduction for the opera L'Orfeo (1607). According to the composer, this introduction should be played three times before the rising of the curtain. This is actually the first overture in the history of opera.)The story of Orfeo, who enchanted nature with his music, is tragic, as he loses his beloved Eurydice and decides to retrieve her from the underworld. On their return journey, one glance back at her is fatal: he loses her for the second time.)This arrangement for wind band is very suitable as a concert opener. The toccata is played three times just like the original. The first time it is played by a quintetconsisting of two trumpets and three trombones.)Various ways of performing this toccata are possible. The tension builds up more intensely if the quintet starts off stage. Eventually, these five players join the band, after which the tutti version follows two times. You can also have the brass play from the gallery during the second or third time for a double choir effect.
Estimated dispatch 7-14 working days
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£179.99Spartacus - Jan Van der Roost
Spartacus is a "Symphonic Tone Poem" with 3 joints. Each section has its own melodical materials, however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical stuctures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his loveby giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad andwide character and refers slightly to filmmusic. In this part of the composition, a special attention is given to the orchestration. The final section is more agressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement, an accumulation of the 12 tones symbolizes the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J), as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R), but has been worked out rhytmically.
Estimated dispatch 7-14 working days
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£50.00Goblin Dance (Concert Band - Score and Parts) - McBride, Jonathan
Goblin Dance for beginning band uses only the first six notes learned in band instruction, and is an ideal bridge from method book exercises to concert music! Unison themes are introduced so each member of the band gets to play the melody, before dividing into melody and harmony provided by the low brass and woodwinds. A second theme is introduced in unison, followed by the Goblin Dance finale when all three parts: melody, harmony, and second theme join together for an exciting and mature-sounding finish. You and your bands will enjoy working on this catchy and rhythmic beginning band piece that your audiences will love. Spooky fun! Duration: 1.30
Estimated dispatch 7-14 working days
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£74.99Fanfare for an Occasion (Concert Band - Score and Parts) - Sparke, Philip
Fanfare for an Occasion was written to celebrate the 20th anniversary of the founding of Anglo Music Press, the publishing company dedicated to the works of British composer, Philip Sparke. It is a bright and festive work in which the main theme starts on the tenor instruments of the band before appearing as canonical imitation by all sections in turn. A short, repeated bridge passage leads to a second theme on the saxes that is taken up by the full band and leads back to a return of the main theme and a repeat of the second subject, which brings the fanfare to a brilliant close. Duration: 2.00
Estimated dispatch 7-14 working days
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£52.95A Woodland Celebration (Concert Band - Score and Parts) - Sheldon, Robert
Perfect for opening or closing a concert for first-year band students, A Woodland Celebration by Robert Sheldon lends a light rhythmic style to a tuneful melody. As soon as young students can play a concert B-flat scale and learn the note concert A-flat, this piece is easily playable. Second clarinet does not go over the break, and second trumpet and horn have limited ranges as well. Duration: 1.45
Estimated dispatch 7-14 working days
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