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£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
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£134.99The Legend of Ratu Kidul - Filip Ceunen
The Legend of Ratu Kidul carries us into the world of Indonesian mythology, on the island of Java:Once upon a time, the Queen of the Southern Seas was a kind and beautiful princess. She was the daughter of Prabu Munding Wangi, the favourite ofthe entire court and the local people. Her royal father doted on his daughter. Her name was Dewi Kadita, but many called her Dewi Srengenge or the Angry Princess.Prabu Munding Wangi longed for an heir, but Dewi Kadita's mother couldn't fulfil thiswish. So he took a second wife, called Poetri Moentiara, who was very jealous of the lovely princess and her mother. She begged the king to banish both her rivals from court. However Prabu Munding Wangi didn't do as she asked. He loved his first wifeand her daughter. The second wife bore him a healthy heir, but the monarch remained firm. So Poetri Moentiara called upon the renowned witch, Djahil. She promised her a princely reward, if Dewi Kandita and her mother were banished. Djahil thought fora moment and incanted this rapal (spell): "May leprosy befall you both". Soon both mother and daughter began to suffer this dreadful disease. According to the law of the land, they were to be banished to the wild forest high on the mountain. With aheavy heart, King Munding Wangi saw the law carried out. So the two set off on their way to the forest, covered in terrible sores. A great sadness fell across the land, except for Poetri Moentiara, the second wife of the king, who had achieved heraim. The princess fell on hard times. In the forest lived a hermit, who took pity on the mother and daughter. The queen couldn't bear the shame and within a few days had died. Now Dewi Kandita was all alone in the world. There was still the hermit,however, who fortunately provided food and shelter in a cave temple. He bound her weeping sores but couldn't relieve her emotional pain. Dewi Kandita became increasingly bitter and eventually left the hermit. She travelled southward from village tovillage, further and further, until eventually she reached the shores of the Southern Sea. She climbed upon a high cliff and gazed out onto the sea that spread before her. She was tempted to dive into the deep green and blue. In the cool waters shewould be able to forget all her pain and suffering. Suddenly awaking from these thoughts, she jumped into the deep. The gods, who had looked on Dewi Kandita throughout her hardships, were filled with deep compassion. So they transformed her into apowerful spirit of the netherworld, Ratu Kidul, and to this day she resides in her grand palace under the sea.
Estimated dispatch 7-14 working days
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£189.95TUBA CONCERTO (Gregson) (Tuba/Concert Band) - Gregson, Edward
Score & Parts. The concerto is in three movements, following the usual quick-slow-quick pattern: Allegro deciso, Lento e mesto, Allegro giocoso. The first has a sonata form shell with two contrasting themes, the first rhythmic in character, the second lyrical. There is a reference made in the development section to the opening theme of Vaughan Williams's tuba concerto, but this merges into the other material in the development section. The second movement unfolds a long cantabile melody for the soloist, which contrasts to a ritornello idea. The central climax of the movement triumphantly heralds the main theme from the band. The last movement is in rondo form, alternating the main theme with two episodes. The first of these is a broad sweeping tune, the second is jazz-like in style. After a short cadenza, reference is made to the opening of the concerto, and the work ends with a triumphal flourish. Duration: 18 mins. American Grade 4.5
Estimated dispatch 7-14 working days
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£32.95
TUBA CONCERTO (Gregson) (Tuba/Concert Band) Extra Score - Gregson, Edward
Extra Score only. The concerto is in three movements, following the usual quick-slow-quick pattern: Allegro deciso, Lento e mesto, Allegro giocoso. The first has a sonata form shell with two contrasting themes, the first rhythmic in character, the second lyrical. There is a reference made in the development section to the opening theme of Vaughan Williams's tuba concerto, but this merges into the other material in the development section. The second movement unfolds a long cantabile melody for the soloist, which contrasts to a ritornello idea. The central climax of the movement triumphantly heralds the main theme from the band. The last movement is in rondo form, alternating the main theme with two episodes. The first of these is a broad sweeping tune, the second is jazz-like in style. After a short cadenza, reference is made to the opening of the concerto, and the work ends with a triumphal flourish. Duration: 18 mins.
Estimated dispatch 7-14 working days
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£74.99Fanfare for an Occasion - Philip Sparke
Fanfare for an Occasion was written to celebrate the 20th anniversary of the founding of Anglo Music Press, the publishing company dedicated to the works of British composer, Philip Sparke. It is a bright and festive work in which the main theme starts on the tenor instruments of the band before appearing as canonical imitation by all sections in turn. A short, repeated bridge passage leads to a second theme on the saxes that is taken up by the full band and leads back to a return of the main theme and a repeat of the second subject, which brings the fanfare to a brilliant close.
Estimated dispatch 7-14 working days
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£407.00Symphony Nr. 3 Urban Landscapes Op. 55 - Franco Cesarini
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City".
Estimated dispatch 7-14 working days
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£102.70Faber Suite - Michele Grassani
Faber is the ancient Latin name that was used to designate artisans. The Suite, which is divided into three movements, pays tribute to them, in the hope that their activities will not completely disappear. The first movement (Maestoso) represents the carpenter who, after completing his creation admires it with satisfaction. The second movement (Adagio) describes the work of the tailor: the first part is more meditative and portrays the use of needle and thread, while the second, characterized by forceful rhythmic strettos, describes the ancient and complex use of the weighted loom. The last movement (Presto), characterized by irregular rhythms and constant changes of tempo, introduces us to a blacksmith's shop full of intense and loud metallic noises.
Estimated dispatch 7-14 working days
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£52.99I'll Love My Love
Was Holst's Second Suite in F the work that made you fall in love with the sound of the concert band? Now, you can share that feeling with your developing musicians with this accessible setting of the achingly beautiful tune from its second movement. Carefully crafted, "I'll Love My Love" will expand your ensemble's technical and emotional range with its rich harmonies and engaging countermelodies. Not just a watered-down version of Holst's masterpiece, "I'll Love My Love" is an original treatment that will give you, your students, and your audience a new perspective on a familiar tune.
Estimated dispatch 7-14 working days
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£49.50
Allegro - Jay Chattaway
Powerful dynamic effects and dramatic sweeping melodic lines characterize this bold composition. Great as a individual selection or as the second movement of Jay's Second Suite for Band.
Estimated dispatch 7-14 working days
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£174.99Excelsior - Rob Goorhuis
Excelsior was composed by Rob Goorhuis in the year 2000 on the occasion of the 75th anniversary in 2001 of the Amsterdam-based concert-band Jong Excelsior. Excelsior is a one-movement fantasia, consisting of contrasting themes. The first theme (the Excelsior theme) is characterized by angular figures moving in an upward direction. The second theme is playful and humorous in nature. Rob Goorhuis, who was born and bred in Amsterdan, may even have utilized memories of his own juvenile pranks in this second theme. The third theme, which is introduced by the cor anglais is melancholy and melodious. The elements mentioned above interchange in a thoroughlycaptivating manner, which ultimately results in an attractive composition fully capable of adding lustre to an anniversary. Excelsior werd door Rob Goorhuis gecomponeerd ter gelegenheid van het 75-jarig jubileum van muziekvereniging Jong Excelsior te Amsterdam. Excelsior is een doorgecomponeerde fantasie, bestaande uit met elkaar contrasterende themas. Het eerste (Excelsior)thema wordt gekenmerkt door hoekige stijgende figuren. Het tweede thema is speels en humoristisch van karakter. Rob Goorhuis, geboren en getogen Amsterdammer, verwerkte hierin wellicht herinneringen aan de kwajongensstreken uit zijn jeugd in Amsterdam. Het derde thema, ge?ntroduceerd door de Engelse hoorn, is melancholiek en zangerig. Genoemde elementen wisselen elkaar op boeiende wijze af, zodat een attractieve compositie is ontstaan. Dit werk is opgenomen in het Klein repertorium, harmonie - 1e divisie
Estimated dispatch 7-14 working days
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