Results
-
£109.99
Dublimania - Menno Bosgra
This new work is based on Irish folk music.In the first part, the main theme is presented as a ballad, starting with the piccolo (as replacement for the flute which is widely used in Ireland), moving on the wood section to end with the entire orchestra.It then changes to a kind of rock style theme: powerful, rhythmic accompaniment with effects in dampers, a pedal point and the use of the spoons which is typical of Irish music (Irish pub), high-range bongo drum (replacement for the Bodhran), etc.In this second part I introduced a second theme as a counterbalance, played by several groups, which has clearly a more legato character and therefore sounds more melodious.The climaxof the work starts in the low-range brass section with its marcato theme that is developed with a great deal of rhythmicity in the accompaniment, clusters, etc. into a percussion solo interspersed by the orchestra in five-eight time with frequent parallel movement in chords (folk music style).Towards the end, theme 2 recurs twice: first as heard earlier with an extra counter melody and accompaniment pattern, then in a canonical form, in which the theme is played by three groups. The conclusion is a repeat of the middle section in five-eight time.I have tried to use many of the colours of a wind orchestra by having the wood sections and brass section play alone and making extensive use of dampers. Percussion also has a prominent role throughout the work.
Estimated dispatch 7-14 working days
-
£244.99Variations on a Pentatonic Theme - Rob Goorhuis
Rob Goorhuis wrote his Variations on a Pentatonic Theme (1987) for the Royal Wind band of Thorn, conductor Jan Cober. The work consists of five character variations on a pentatonic (five-tone) theme. The basic elements of the theme are the descending minor third and the descending major second, which in the course of the composition build up to a broad melody, unfolding itself in the final variation. The first variation resembles minimal music in its repetitive rhythmic motives. The second variation is explosive in character: rapid broken chords provide a background for soft solo motifs. The third variation is a quiet intermezzo on a slow chorale theme, creatingtwo contrasting moods. The fourth variation is a light-hearted scherzo. The final variation is a brilliant finale with all the necessary ingredients, or, in the composer's words, "the works" Testpiece WMC 2005 Concert Division.
Estimated dispatch 7-14 working days
-
£84.50
Adagio Sostenuto - Vincent Persichetti
From Persichetti's many offerings for band, the Adagio Sostenuto movement of his Symphony is a particular favorite for festivals and contests. The second movement of this popular work is one of the most beautiful pieces in the wind band reportoire. This movement is offered as a stand alone publication, so that bands that are not technically ready for the entire piece can still perform this lyrical "gem." Without question, the second movement is technically easier but musically challenging. The piece is well worth the effort.
Estimated dispatch 7-14 working days
-
£79.99
Scherzo from Symphony No. 5 - Dmitri Shostakovich
The second movement of Shostakovich's masterful and subversive Fifth Symphony, written as his career as a composer in communist Russia teetered in the balance, could suggest a barely literate composer from the Bureau of Artists coming to the great Shostakovich to demonstrate, through a most grotesque dance, how simple it is to compose great music under the Soviet System. This transcription of the Scherzo movement was produced by Mark Rogers, who also transcribed the complete symphony. In the transcription of the complete work, all of the music remains in the original key, while in this publication, the second movement is transposed down a whole tone to G minor. Other than the transposition and the removal of some of the more rarely found instruments (E flat clarinet, contrabassoon and harp), the music is intact, and represents the composer's intentions in every way. Conductors who choose to perform this piece will introduce their players to this important voice in Twentieth Century music and bring major issues about political life and its impact on creative life to their students in the most relevant fashion.
Estimated dispatch 7-14 working days
-
£139.99Singapura Suite - Jan Van der Roost
Singapura Suite was commissioned by Singapore's Ministry of Education Extracurricular Activities Branch to serve as a compulsory piece for the 1999 Singapore Youth Festival."Singapura" is the original name of Singapore in Malay, the native language there. Because Singapore is one of the most important harbors in the world, this two-piece work opens with a seaman's dance. An authentic melody, Chan Mali Chan, is woven into the middle of this first part, whose ABA form becomes clear through the recapitulation of the seaman's dance in a somewhat altered form.Singapore is also a dynamic city-state alive with excitement, thus the second part begins with a fitting dance, a fastbourre. As contrast there is a second authentic melody, Dayung Sampan, a more easygoing sailing song. This short but curious suite ends in high spirits with a recapitulation of the beginning.
Estimated dispatch 7-14 working days
-
£84.99Toccata - Claudio Monteverdi
Claudio Monteverdi composed this toccata as an instrumental introduction for the opera L'Orfeo (1607). According to the composer, this introduction should be played three times before the rising of the curtain. This is actually the first overture in the history of opera.)The story of Orfeo, who enchanted nature with his music, is tragic, as he loses his beloved Eurydice and decides to retrieve her from the underworld. On their return journey, one glance back at her is fatal: he loses her for the second time.)This arrangement for wind band is very suitable as a concert opener. The toccata is played three times just like the original. The first time it is played by a quintetconsisting of two trumpets and three trombones.)Various ways of performing this toccata are possible. The tension builds up more intensely if the quintet starts off stage. Eventually, these five players join the band, after which the tutti version follows two times. You can also have the brass play from the gallery during the second or third time for a double choir effect.
Estimated dispatch 7-14 working days
-
£60.99Dreams and Fancies - Timothy Broege
These four contrasting vignettes written in contemporary style greatly enhance your programming options. The colorful movements are: I. First Dream, II. First Fancy, III. Second Dream, and IV. Second Fancy.
Estimated dispatch 7-14 working days
-
£91.99Exultation - Philip Sparke
Exultation is a short and energetic concert opener that is similar to a palindrome. A fanfare opens the work, juxtaposing 3/4 and 6/8, reminiscent of Latin-American music.The main theme is first heard on the euphonium, horns and saxophones which is very bluesy. The contrasting second theme is short and spikey and played by the bass instruments of the band. A lyric melody emerges as the rest of the orchestra joins in.The second theme reappears which leads back to the 'blues' melody, which leads back to the opening fanfare. Palindromic!
Estimated dispatch 7-14 working days
-
£168.50Manhattan - Philip Sparke
Version for Concert BandManhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall, New York, in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night. While writing the second movement, Sunday Scherzo, the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Eachmovement can also be played individually when a shorter solo is required.
Estimated dispatch 7-14 working days
-
£129.99Aquarium - Johan de Meij
The Suite 'Aquarium' is Johan de Meij's third composition for symphonic band and features six tropical fishes, each of them represented by a motif, and surfacing as such in several guises. The composition consists of three movements of which the second and third merge uninterruptedly into each other. I) Allegretto grazioso (Neon Tetra, Electric Eel and Angelfish) II) Andante / Adagio (Sea Horse and Zebrafish) III) Finale: Allegro giocoso (Guppy & Co.) The Neon Tetra motif functions as a kind of 'Leitmotiv' and descibes the beautifully coloured, frisky fish: A number of variants have been derived from this theme and will also appear in the other movements.The Electric Eel in fact is not represented by a motif, but by a rhythm based on the restless electric pulses made audible in some aquaria. The Angel fish is represented by elegant cluster chords. In the second movement the Sea Horse emerges out of the water vegetation and starts a dialogue with the Zebrafish, which is represented by one melodic phrase in unison, getting more and more threatening by added parallel fifths and octaves. Simultaneously with the Sea Horse motif the Neon Tetra theme emerges, this time in 3/4 time and in Eb minor. The third movement starts with only two instruments (trumpet and xylophone), but as it is often the case with Guppies their number rapidly increases. Piccolo and Alto Saxophone introduce the Guppy Theme followed by several instrumental combinations. Every theme from the first movement 'swims by' once more, after which the principal motif leads us to a brilliant ending.
Estimated dispatch 7-14 working days
View Music