Results
-
£82.95And in the End It Was Earth - Roland Barrett
Inspired by the Native American proverb, "We do not inherit the earth from our ancestors, we borrow it from our children." Roland Barrett has scored this original composition to musically reflect that sentiment conveying the inherent beauty, majesty, and grandeur of planet Earth. Combining fluid moving melodic components with energetic and driving rhythmic pulse, the work will capture the imagination of all. (5:30) This title is available in SmartMusic.
Estimated dispatch 7-14 working days
-
£82.95And In the End It Was Earth (Concert Band - Score and Parts) - Barrett, Roland
Inspired by the Native American proverb, "We do not inherit the earth from our ancestors, we borrow it from our children." Roland Barrett has scored this original composition to musically reflect that sentiment conveying the inherent beauty, majesty, and grandeur of planet Earth. Combining fluid moving melodic components with energetic and driving rhythmic pulse, the work will capture the imagination of all.Duration: 5:30
Estimated dispatch 7-14 working days
-
£55.50In the Valley of the Ancients (Concert Band - Score and Parts) - Story, Michael
This delightfully colorful work begins mysteriously and moves into an intermediate section studded with dynamic flourishes and driving rhythms that support the flowing melody. In the end, it diminishes to an emotional conclusion. Duration: 3.45
Estimated dispatch 7-14 working days
-
£79.99At the End of the Rainbow - Richard L. Saucedo
Referring to the ongoing quest in which we all embark when trying to find our place in the world, Richard Saucedo's At The End Of The Rainbow takes us on a journey of varied moods and styles. After the stark and dramatic opening unison statements, this imaginative works features a lighthearted and spirited 12/8 section with plenty of rhythmic vitality. This is beautifully paired with a lyric middle section that showcases a solo for Horn and flowing melodic lines that build to an emotional climax. The fast 12/8 section returns with an exciting and energized finish. Dur: 4:10.
Estimated dispatch 7-14 working days
-
£79.99At the End of the Rainbow (Concert Band - Score and Parts) - Saucedo, Richard L.
Referring to the ongoing quest in which we all embark when trying to find our place in the world, Richard Saucedo's At the End of the Rainbow takes us on a journey of varied moods and styles. After the stark and dramatic opening unison statements, this imaginative works features a lighthearted and spirited 12/8 section with plenty of rhythmic vitality. This is beautifully paired with a lyric middle section that showcases a solo for horn and flowing melodic lines that build to an emotional climax. The fast 12/8 section returns with an exciting and energised finish.Duration: 4:15
Estimated dispatch 7-14 working days
-
£104.99Voyage to the End of the Earth - Benjamin Yeo
This miniature tone poem for concert band is a sequel of Benjamin Yeo's earlier work Flight. Voyage to the End of the Earth depicts a voyage by ship across the sea. The music expresses the calm of the sea before the ship sets sail towards the horizon. The ringing of the ship's bell and the blowing of the ship's horn signal the start of the journey. Now we hear the lyrical song of the sea, with lovely views of the ocean accompanied by whale song and seagull calls. Let yourself succumb to Mother Nature's beauty through this music! The piano part in this composition is optional.
Estimated dispatch 7-14 working days
-
£72.95
Angels In The Bleak Midwinter - Larry Clark
Larry Clark has a certain knack for combining beloved Christmas carols and making them sound as if they always belonged together. In this work, your students will get to play not only Holst's haunting, lovely In the Bleak Midwinter, but also the joyous Angels We Have Heard on High. This is the perfect piece to end your holiday concert with a feeling of warmth and joy.
Estimated dispatch 7-14 working days
-
£79.99Beyond the Clouds and Into the Heavens! (Concert Band - Score and Parts) - Saucedo, Richard L.
Richard takes the listener and performer on an extended journey through various mood styles in this impressive work for mature ensembles. The stately opening strains gather momentum and intensity, leading to a fast-paced section that features intertwining solo and small group fragments passed throughout the texture. An overall soaring theme adds a tone of triumph and grandeur throughout, and the final push to the end is both exhilarating and rhythmically dynamic.Duration: 7.00
Estimated dispatch 7-14 working days
-
£53.95Monsters, Unite! (Concert Band - Score and Parts) - Dugger, Kelly
Monsters, Unite! by Kelly Dugger is a fun beginning band piece that is sure to be a hit, not only at Halloween time but all year round. Monsters all around the world are waking up to a calling to unite. Some are big, hairy creatures, and others are delicate and fairy-like. They walk and fly long distances to find each other. In the end, they all come together, marching as one. Just when you think they've marched off into the distance, they come together to surprise the audience. Unique percussion effects, timpani glissando and theremin (or flexatone) add to the spooky sound. A tuba solo at the end is followed by a surprising scream that will leave the performers and the audience giggling! Duration: 1.30
Estimated dispatch 7-14 working days
-
£104.99Prelude and Polonaise - Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov (1844-1908) composed his opera The Night before Christmas in 1894-95. The premiere took place on December 10 1895 in St. Petersburg. The libretto to the opera came from Rimsky-Korsakov himself and is based on a tale by Nikolai Gogol, which some years earlier had already served as operatic material for Pjotr Tchaikovsky. The opera tells the story of Vakula, the blacksmith of a small Ukranian village. He is madly in love with Oxana who demands - as proof of his love - a most unusual Christmas present: the magnificent slippers of the Empress. Knowing full well that, in normal circumstances, he would never be able to fulfil Oxana's wish, Vakula seekssupernatural assistance and finds it in the shape of the devil, who comes up with a ploy to help him. The devil carries him on his back to St. Petersburg, where during a lavish reception at court Vakula finds an opportunity to present his request to the empress. The Empress actually agrees to Vakula's wish and hands over her slippers to him. Thereupon he returns to his own village. Here, in the meantime, he had been given up for dead, and Oxana had been plunged into great sorrow as she had come to realise that she also truly loved Vakula. In the end, however, all misunderstandings are resolved and all adversities overcome: Oxana receives her extravagant present, the lovers are united, and the church bells call the villagers to the Christmas service.The vibrant Polonaise is played in the 3rd act of the opera at the entrance of the Empress, whose appearance is anticipated in the prelude by the fanfare motives. The music paints a vivid picture of the party atmosphere and the marvellous dcor at the imperial court of St. Petersburg, which Rimsky-Korsakov conjures up in his opera and which can also be played outside of the Advent and Christmas season, for example as an opening piece to any festive concert.
Estimated dispatch 7-14 working days
View Music