Intensity - Sean O'Loughlin

Beautiful, lyrical and fresh best describe this very nice piece by Alan Lee Silva. With his signature open and lyrical compositional style, Silva's works are unlike others in the field, which make his pieces such a breath offeresh air. Developing bands will really soar at contests with this one.

Intenso - Victor Lopez

Intenso, by Victor Lpez, is an exciting composition full of contrasts. Following a soft and solemn opening, thundering interruptions set the tone for the melody and intertwined percussive patterns. An aggressive display of emotions sparks the juxtaposition of bold and lyrical themes, leading to a powerful ending. A great addition to the concert band repertoire.

Interlude - Andrew Pearce

As a young man, Andrew Pearce had fond memories of playing cornet in the local Youth Brass Band, where he first experienced the power and beauty of brass music. After completing 'The Maestro' concertino for Philip Cobb, he decided to write a more gentle and lyrical piece for him, which paid homage to his musical roots in the Salvation Army. 'Interlude' is ideal for a proficient solo cornet player in any brass band: tuneful, reflective and elegiac with lots of expression.

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Interlude - Franz Schubert

Of Schubert, Franz Liszt once said "Such is the spell of your emotional world that it very nearly blinds us to the greatness of your craftsmanship." The subtle beauty and superb compositional skill of this Schubert INTERLUDE are perfectly captured in a masterful arrangement by William Bellis. Certain to become a standard of concert and contest literature, you owe it to your band and yourself to explore this little jewel from one of the all time great masters of melody. Nourish your young musicians on the finest literature. You'll never regret it!

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Interlude - Walter Alan Finlayson

Interlude - Wilhem Stenhammar

Wilhelm Stenhammar (1871-1927) was a Swedish pianist, conductor and composer. His compositions include incidental music, operas, concerts, two symphonies and choral works. Initially influenced above all by Wagner and Bruckner, Stenhammar increasingly welcomed in his music a Nordic colour as well as melodic and rhythmic characters typical of Swedish folklore. Completed in 1921, the cantata Sngen (The Song) was Stenhammar's last major work, and its combination of harmonic richness and contrapuntal dexterity ensured it a warm reception.The Interlude connecting the two halves of the work is the only part frequently performed today. It begins by creating a serious and intimate atmosphere, then the music gradually unfolds in increasingly powerful sonorities. Towards the middle a noble brass chorale emerges, but neither this nor the following finely crafted climax manage to change the prevailing mood of subtle melancholy typical of late Romantic Scandinavian composers. This arrangement by Franco Cesarini will allow your audience to get to know this great composer unknown to most.

Interlude for Band - Franco Cesarini

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Interlude for Band - John Brakstad

"Interlude for Band" is an arrangement based on the theme from "Affinity and Fellowship"."Affinity and Fellowship" was commissioned by Nord-Odal Concert Band, and published by Warner/Chappell Music Norway (Noteservice)."Interlude for Band" is a piece with elements of ensemble, including an important solo part.Independent of the chosen tempo, let the music flow forward, but give time for the triplets to sound.

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Interludium

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Intermedio (Guitar Solo) - Gerónimo Giménez