Results
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£204.99Out to Sea and The Shark Cage Fugue (from Jaws) - John Williams
Referring to the 1975 blockbuster Jaws, director Steven Spielberg states that John Williams' music was clearly responsible for half the success of the movie. This suite features two of the signature musical sequences. In Out toSea, the trio of shark hunters led by police chief Martin Brody (played by Roy Scheider) heads into open water to find the menacing beast. This is followed by the Shark Cage Fugue, a classically inspired and sophisticatedaccompaniment to a tense underwater scene in which Hooper (portrayed by Richard Dreyfuss) comes face-to-face with the great white in an all-too-fragile suspended cage. Performance time - ca. 3:40
Estimated dispatch 7-14 working days
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£79.99Hope Arises - James Barnes
Hope Arises is one of two new works requested in 2021 of composer James Barnes by Colonel Donald Schofield, to be written for the United States Air Force Band. It is a short piece intended to be used as an opener for AFB's tour concerts. It opens with a dramatic brass fanfare, based on consecutive perfect fourths first introduced by horns and euphoniums, followed by a short oboe solo. An ascending line in mallets and woodwind provide a rather celestial transition, taking the listener to a lively, melodic allegro, which is based on the same opening fourths. This allegro theme is developed until a return to the opening fanfare is powerfully re-announced in brass. The work concludes quite dramatically, and includes a return of the ascending line in woodwinds, mallets, harp and piano.
Estimated dispatch 7-14 working days
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£74.00Galop - Amilcare Ponchielli
La Gioconda, with a libretto by Arrigo Boito, is the most successful theatrical work by Amilcare Ponchielli (1844-1886). In this work there are two dance pieces: the Furlana at the conclusion of the 1st act and the Danza delle ore in the 3rd act. The Dance of the Hours has a precise choreographic outline: it is a masked ball which includes the "hours" of dawn, day, evening and night successively, and ends with a wild finale of galop. The latter is a sort of fast polka, in binary rhythm and unbridled pace. A French variant of it is the can-can. The finale in galop time of the Dance of the Hours recalls certain playful dances by the composer Jacques Offenbach, such as the famous Can-can that concludes the overture of the operetta Orphe au enfers.
Estimated dispatch 7-14 working days
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£84.99
Euphoria - Wim Laseroms
Euphoria is a bracing composition which concentrates its energy on the baritones/euphoniums. The solo parts require at least two soloists. This piece opens with a syncopated introduction followed by a statement of the simple melodic theme interpreted by the baritones/euphoniums. The style of performance is particularly affected by the alternation of staccato and legato passages. The finale of this work develops through a progression of accelerandos and crescendos leading to an amazing conclusion.
Estimated dispatch 7-14 working days
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£116.40
Paganini Variations - Niccolò Paganini
A lot of composers, such as Brahms, Rachmaninov, Lutoslavski and many others used the Caprice nr.24 for violin solo by Paganini, to write a series of variations. This time that favourite theme has been used to write a series of variations for band. This work, commissioned by SAMO Nederland lasts about 9 minutes.The theme is followed by eight variations and a coda. Two quick variations alternate twice with a slower variation, whereas the final is written in a waltz tempo leading to a magestic coda as conlusion. All variations are played without interruption.
Estimated dispatch 7-14 working days
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£90.30Salutations! - Alfred Reed
This powerful opening tune by the American composer Alfred reed was commissioned by the Rissho Kosei-kai Organization. The music is based on two contrasting groups of motifs.The first group consists of a number of fanfare-like figures that immediately suggest the festive character of the piece. The second group consists of the development of a long melodic line at times interrupted by the fanfare motifs of the first group. As the figures from both groups get more interwoven, the composition returns to the impressive character of the opening and gets more powerful towards the mighty conclusion.
Estimated dispatch 7-14 working days
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£286.40Fifth Symphony - Alfred Reed
This work was commissioned by the Senzoku Gakuen College of Music in Tokyo in celebration of its 70th anniversary in 1994. However, in view of the invitation by WASBE (World Association of Symphonic Bands and Ensembles) for its Wind Orchestra to perform at the 7th annual convention of this association, to be held in Hamamatsu, Japan, in the summer of 1995, it was decided to premiere the music at that time instead of the anniversary year itself. The symphony is in three movements, with an introduction marked 'Moderately and sustained' leading to the first movement proper, a driving 'Allegro assai' whose main thematic material is first heard in the timpani and mallet percussion. The second movement, from which the symphony drives its sub-title, is an extended treatment of one of the oldest and most beloved Japanese folk songs 'Sakura' ('Cherry Blossoms'), a long-breathed elegiac melody taken as the basis for a free variation development through all the individual sections of the orchestra. The third movement is a brilliant rondo form (Allegro Molto, con fuoco) in which some elements of the preceding two movements are incorporated to bring the entire work to a breath-taking conclusion in a final burst of virtuoso performance from every instrument in the ensemble. The 'Fifth Symphony (Sakura)' was first performed on July 26th 1995, by the Senzoku Gakuen Symphonic Wind Orchestra under the direction of the composer, at the 7th WASBE Conference in Hamamatsu, Japan.
Estimated dispatch 7-14 working days
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£109.99Boreas - Jan Bosveld
In Greek mythology, Boreas is the God of the North Wind. When thinking of the north wind we particularly think of the bleak wind coming from the freezing cold north, but in Homers' work we see a more varied picture. As shown in the following two stories, Boreas often does play the role of a storm wind that blows forth heavy dark clouds while whipping up the dark waves of the tempestuous sea to mountainous heights. When the stake of the fallen Patroclos refuses to burn, Achilles begs for some wind. When Iris, the swift messenger of the Gods, asks the winds for assistance, they raise themselves up with tremendous roaring and rush to Troy. Upon theirarrival they blow the divine fire of Patroclos' stake far up into the sky. When Troy was destroyed, the Greeks returned home. After many wanderings, Odysseus, however, ends up with the beautiful nymph, Calypso, who keeps him as a prisoner. As ordered by Zeus, Calypso frees him and sends him off on a handmade wooden raft. At sea, Odysseus is threatened by the aggressive sea god, Poseidon, who stirs up the winds and thrashes the waves with his trident. The goddess, Athena, stems the violence of all the winds except for the north wind, and thus it is Boreas, who sends Odysseus to the land of the hospitable Phaiakes. Jan Bosveld composed Boreas for OLTO, a music association in Loenen, The Netherlands, for which he had served as conductor for many years. Turbulent movement in both tempo and dynamics characterize this composition. The result is a whirling piece that races by in a positive manner. Boreas is in de Griekse mythologie de god van de noordenwind. Bij noordenwind denken wij vooral aan de gure wind uit het ijskoude noorden, bij Homerus echter zien we een meer gevarierd beeld. Natuurlijk speelt Boreas, zoals uit de twee onderstaande verhalen blijkt, meestal de rol van de stormwind die de zware zwarte wolken voor zich uit blaast en de donkere golven van de onstuimige zee torenhoog opzwiept.
Estimated dispatch 7-14 working days
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£147.10Ouverture 2000 for band - Henk van Lijnschooten
The number 2000 - to begin with - stands for the magic year, that is drawing near so swiftly. Another fact represented by this number is that this overture makes the two thousandth work published by MOLENAARS MUZIEKCENTRALE since its foundation in 1933. 'Ouverture 2000' was written to commemorate this occasion and it is dedicated to the Molenaar family.The music displays a pithy, festive and dynamic character.The opening fanfare is succeeded by a fast and virtuoso movement in which a 'pull-out of all stops' of the various windband registers can be heard.
Estimated dispatch 7-14 working days
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£140.80Concerto pour Harpe - Serge Lancen
It was his charming wife Raphale, a fine harpist, who drew Serge Lancen's attention to the harp. He has written various works for this instrument, such as: 'Pour Raphale', 'Duo Concertant' for harp and flute, 'Crpuscule' for two harps, 'Concerto Champtre' for solo harp and chamber orchestra, and many pieces in a lighter vein for harp quintet and this Harp Concerto. The initial cadenza was inspired by Camille Saint-Sans Second Piano Concerto a work which Serge Lancen studied as a young boy. The Harp Concerto can be played with a symphonic band, a string orchestra or the piano.This work, dedicated to his wife, was premiered in July 1990 during the First Le Havre International Wind Band Festival , by Marie-Pierre Cochereau and the Le Havre Municipal Symphonic Band, conducted by Philippe Langlet.
Estimated dispatch 7-14 working days
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