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£140.80Belvedere Suite - Wilhelm Koenen
Part One: 'Danse mditerranenne'This part is composed of stylized folkmusic elements from several regions of Mediterra-nean countries. If this music recalls memories of your holidays on the sunny beaches, the composer will have reached his goal.Part Two: 'Impression'This part is meant as a contrast with the first and the third parts. The conductor should not stick to the metronome tempo, but he can express his own interpretation by means of 'rubato playing'. This 'impression' was inspired by the Provence landscape.Part Three: 'Marche grotesque'We deliberately used non-typical characteristics of the traditional march. The underlying idea is: A band starts playing a march at the ordinary marching tempo. There is already a mistake at measure 4 when some musicians play the wrong bar which causes the fifers to start too early with the drum and fife signals. A grumpy 'Stop' brings and end to the false start by means of a pathetic quaver (eighth note). The drummers however continue to play their drum beats, so the fifers start again and play very quickly in order to catch up with the drummers. They even manage to do so, thanks to that late quaver (eighth note). The band now also starts to play again and reacts to this chaos by laughter. The march that comes next does not match the metric characteristics of the usual march. The woodwinds, dreaming of holidays, get caught in a Tarantella. A compelling signal by the trumpets and the horns, soon joined by all band registers, leads the band back to reality. We deliberately chose well-known 'secondary parts' in order to make the audience accept the 'out-of-tune playing'. Original themes would not have had the same effect. The whole composition is just one great musical joke. If the audiance chuckles the composer will have achieved his aim. The third part is extremely well suited to end a concert or to be used as encore.
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£91.99Norwegian Woodn't - John Lennon
In Norwegian Woodn't, two extremely different but equally famousmelodies take turns. Initially, Morning Song from Grieg?s Peer GyntSuite No. 1 is presented followed by the melody of Norwegian Woodby the Beatles. The two melodies alternate a number of times andform a natural musical whole. With this work, arranger Ed Keeley hascreated a distinctive mix of classical and pop music which will thrillyour audience.
Estimated dispatch 7-14 working days
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£159.60Sci-Fi Suite of Dances - Bernhard Bogisch
1. Harvest Dance - Phoeboia II Like many of the inhabited planets Phoebia II was first colonized by the survivors of a spaceship crash. There is no certainty as to where these survivors originated from. In the late 21st century many spaceship were launched manned by people who were looking for a new future, away from an over-populated Earth. Some succeeded, some managed to return, some were never heard of again. In 2311 a survey ship had to make an emergency landing on Phoebia II and they found a triving colony there. Although the early history of the colony is shrouded in antiquity, certain aspects of the language, as well as physical features, seem to point to a south-east European origin. The harvest dance, in the aspects of rhythm, melody and harmony has many things in common with the music of what once were the countries of Macedonia, Greece and Turkey, little of which has unfortunately, been left due to primitive recording methods of the period.2. Ritual Seduction Dance - Rugel VWhen first discovered Rugel V was already a very civilized planet populated by a humanoid race and governed by a class of superior females. The first settlers from Earth were held as slaves but gained freedom over the years. It is assumed that this happened because the Earth people were all male and considered very attractive by the native females in comparison with the aboriginal males. The Earth males were evidently very attractive to the native women, who on their part used all their womanly wiles to entice them. We all know that Rugel V is now a very advanced and totally integrated society. The people have not forgotten their roots, and these Ritual Seduction Dances are performed on a regular basis in commemoration of the original Grand Seduction. Musically speaking Romanian origin influenced by native characteristics is virtually certain.3. Attack Dance - Planet Khi't'onThis is the only dance in this suite that is purely native. The natives people know as Khi't'och are now very civilized, but initial contact was difficult due to the difference in physical make-up between the two peoples. Suffice it to say that in the early stages Earth people referred to the Khi't'och as 'mosquito people'. We still don't know very much about them, other then that they have a history of violence but are now quite peaceful although they love to relive their past in a stylised way, not unlike the Maories of the former New Zealand, whose fearsome tattoos were later only painted on. This Attack Dance is, at best, an imitation due to the lack native instruments, and it was a very happy occasion for this composer when, at a concert at the House of Culture on Khi't'on, the Khi't'och showed their appreciation by clicking their feeding tubes and emitting loud shouts.4. Wedding Dance and Prayer - Planet B'lGarThere is little doubt that the people of this planet originate in the former country of Bulgaria. Several examples of similar pieces featuring the quaint 11/8 time signature have been found in old archives and recordings. Russian influence is also noticeable in the prayer the style of which is reminiscent of that of the now extinct sect of Raskolniky.
Estimated dispatch 7-14 working days
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£104.99Crime Time - Les Humphries
Tatort (Scene of the Crime), Derrick and Ein Fall fr zwei (A Case for Two) are three classic crime series on German television. Two of the themes, are from the pen of Klaus Doldinger and the third theme, Derrick was written by Les Humphries, an Englishman, who had great success with the Les Humphries Singers. In Crime Scene Stefan Schwalgin has faithfully adapted the original sound of the melodies to produce a thrilling medley.
Estimated dispatch 7-14 working days
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£168.50Trois Nuances - Scott L. Hines
TROIS NUANCES is a three movement work composed by Scott L. Hines for the Memphis Ballet Company in 2004. Originally for Piano only,it is a three movement work. The two fast movements surround a blues-like second movement. While it was not the composer's initial intent to write a movement based in the blues, that's what happened and it was very appropriate as Trois Nuances was danced on thestage of W.C. Handy Park on Beale Street, the site of the birth of the blues publishing industry. Hines was given a week to present a draft to the ballet company to be performed as it's opening piece of the 2004 season debut. Once the draft was approved, he had two days to finalize it. The first and third movements reflect the hurried and excited pace at which it was composed. Excellent repertoire from a contemporary American composer! Symphonic Orchestra. Instrument Parts. Grade: 4 Duration: 12:29
Estimated dispatch 7-14 working days
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£84.99Toccata - Claudio Monteverdi
Claudio Monteverdi composed this toccata as an instrumental introduction for the opera L'Orfeo (1607). According to the composer, this introduction should be played three times before the rising of the curtain. This is actually the first overture in the history of opera.)The story of Orfeo, who enchanted nature with his music, is tragic, as he loses his beloved Eurydice and decides to retrieve her from the underworld. On their return journey, one glance back at her is fatal: he loses her for the second time.)This arrangement for wind band is very suitable as a concert opener. The toccata is played three times just like the original. The first time it is played by a quintetconsisting of two trumpets and three trombones.)Various ways of performing this toccata are possible. The tension builds up more intensely if the quintet starts off stage. Eventually, these five players join the band, after which the tutti version follows two times. You can also have the brass play from the gallery during the second or third time for a double choir effect.
Estimated dispatch 7-14 working days
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£169.99Olympica - Jan Van der Roost
This "Grand Overture" was commissioned by the "Nagano Community Band" - Japan- on occasion of its jubilee in 1992 and is dedicated to the band's conductor, Ikuo Inagaki.The work is based upon three main themes, each symbolising a certain theme. The first part is characterized by its bright themes played mainly by the brass, accompanied by the woodwinds and festive percussion. This part symbolizes the jubilee which is the origin of the composition. This is followed by a bouncing allegro, in which each register of the band displays brilliant techniques. Especially the woodwinds come to the fore! This movement depicts the industriousness and enthousiasm shown by the members of the"Nagano Community Band" in the carrying out of their hobby. A third, main theme, is choral-like in character and is displayed both in the (soft) brass as well as in the warm medium register of the reeds. Here, nature's beaty in and around the city of Nagano is musically celebrated. Following a "chamber-music episode" (featuring the flute, oboe, clarinet, alto-saxophone and horn) the initial allegro re-occurs, weaving its way towards a grandiose finale, in which the two previous themes are once again apparent. Due to its very colourful scoring and the enormous diversity of musical thoughts and ideas, this composition is a fascinating and memorable piece, worthy a jubilee overture!
Estimated dispatch 7-14 working days
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£91.99Guardians of the Waves - Philip Sparke
Guardians of the Waves was commissioned by the Japan Coast Guard Band to celebrate their 30th anniversary in 2018. They gave the premiere as part of a 30th anniversary concert on November 8th that year. Set in traditional march form, Guardians of the Waves opens with a short introduction, which leads to the main theme, played initially by the brass and then repeated with a florid woodwind descant. The theme is extended and morphs into a second theme, first played tutti and then quietly repeated by bassoon, tenor sax and euphonium. This leads to a conventional 'bass strain', played twice with varying accompaniments. A quieter trio section follows, delicately scored and featuring the tenor instruments of the band. Taken up by the full band, this leads back to a recall of the introduction and a return to the main two themes, which lead to a triumphal close.Recorded by the Kobe College Wind Orchestra and its conductor Osama Matsuura
Estimated dispatch 7-14 working days
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£407.00Symphony Nr. 3 Urban Landscapes Op. 55 - Franco Cesarini
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City".
Estimated dispatch 7-14 working days
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