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£37.00Ballet of the Dinosaur Hatchlings
Ballet of the Dinosaur Hatchlingsisan imaginative and funselection for a beginning band with less than one year of instruction. Wind parts use only five pitches and only the percussion partsuse eighth notes. Two sound effects are required in the piece.First, the hatching eggs are portrayed by a ratchet, and second, the snapping dinosaurs jaws are represented by a slapstick. Ballet of the Dinosaur Hatchlings isan intriguing piece that beginning students are sure to love.
Estimated dispatch 12-14 working days
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£79.50Joy Dance - Scott Watson
Joy Dance, by Scott Watson, musically conveys an unrestrained expression of happiness and exhilaration. Inspired by David's ecstatic dance of praise in 2 Samuel 6:14 ("And David danced before the Lord with all his might..."), the piece combines artifacts of popular and contemporary music, including bold syncopations, a driving 5/4 meter groove, and use of contemporary and gospel harmonies. A large percussion section (7 players, including two mallet parts and timpani) adds essential color and energy. Whether it's worship, thankfulness, celebration, or blissful abandon, this composition reflects the radiant rejoicing of those who revel in all life's goodness! (4:10)
Estimated dispatch 7-14 working days
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£152.99A Midsummer Night's Dream - Felix Mendelssohn Bartholdy
Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The first British performance of the overture was conducted by Mendelssohn himself on June 24, 1829, at the Argyll Rooms in London. After the concert, Thomas Attwood was given the score of the overture for safekeeping, but left it in a taxi and was never found. Mendelssohn later rewrote the overture entirely from memory.
Estimated dispatch 7-14 working days
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£79.99Serpent Sea - Robert Buckley
The fourth movement of Robert Buckley's grandly cinematic suite describing impressions of the seas of the moon, Serpent Sea is animated, exuberant and somewhat over-the-top. It was inspired by the idea of two huge winged serpentsrising out of the waves and frolicking together in a wild, barbaric dance. The pair do, however, show a more graceful side every once in a while - represented by an exotic theme that starts in the clarinet and flute. The movementends with a wild flurry as the serpents vanish back into the sea. Dur: 3:50
Estimated dispatch 7-14 working days
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£174.99The Graces of Love - Oliver Waespi
"The Graces of Love" (Le Gratie d'Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milanese court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune 'Il bianco fior' (The White Flower) on which the first movement of Oliver Waespi's piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune 'Vaghe bellezze ...' (Veiled Beauty ...). Widely spaced melodic parts surround two solos during which the tune is varied anddeveloped. Finally, the third movement contains a Saltarello based on a tune by Vincenzo Galilei, the father of the famous astronomer, Galileo Galilei. It brings the work to a close with a hypnotic rhythm which is noble and virtuosic at the same time.
Estimated dispatch 7-14 working days
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£84.99A Golden Jubilation - Satoshi Yagisawa
This work was composed as a commission by the Aikodai Meiden High School Symphonic Band, for the 50th anniversary of their annual concert; the title A Golden Jubilation is a reference to this. The close friendship between Hiroki Ito, theconductor of the band, and Satoshi Yagisawa resulted in this brilliant and exhilarating fanfare of approximately two minutes in length; the piece is ideal to use as a concert opener. The original composition was arranged for an extremely wide rangeof instruments and a band of 200 musicians, including a separate 'banda', harp and a variety of special instruments. This new version has been rescored for standard band instrumentation by the composer himself.
Estimated dispatch 7-14 working days
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£79.00Poem for Flute and Concert Band - Charles Tomlinson Griffes
Poem, originally for flute and piano, composed by Charles Tomlinson Griffes (1884 - 1920). This wind ensemble arrangement is designed to make this composition playable by most high school clarinetists and instrumentalists. Please note that the B-flat instruments are written with a key signature of 3 flats, not one of six sharps. This was done to keep the clarinets playing in a familiar key with ample accidentals to ease the reading of the parts. The bass clarinets and the bassoons play identical parts and can be substituted or augmented as desired. Though a minimum of two double bassists is ideal, an alternate part for tuba is also provided (also divisi).
Estimated dispatch 7-14 working days
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£98.99
Canterbury Suite - Tatgenhorst
Two principal folk-like melodies have been woven together in this little suite. After a brief brass opening a rich chorale is played by woodwinds followed by the development section using sharp accented rhythms. The themes and their variations are added individually as they build for an exciting full band climax.
Estimated dispatch 7-14 working days
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£78.99Double Concerto - Antonio Vivaldi
This famous Allegro movement from a Vivaldi concerto for two trumpets is presented here in an arrangement loaded with flexibility as to choice of soloists and even the accompanying ensemble. May be performed as a solo or as a duet, and it includes solo/duet parts for Bb instruments: Trumpets or Clarinets; C Instruments: Flutes, Oboes, or Violins; Eb Instruments: Alto Saxophones; F Instruments: Horns; and Bass Clef instruments: Bassoons or Trombones. The accompaniment is cleverly scored so that it is playable by a full, traditional concert band; or by a "chamber wind ensemble" of woodwinds, horns, and timpani (ideal for accompanying upper woodwind soloists.) A great way to feature outstanding soloists from your band!
Estimated dispatch 7-14 working days
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£495.00Concertango - Luis Serrano Alarcón
Opus III is proud to announce that we are now the exclusive distributor for North America and Asia of Concertango, by Luis Serrano Alarcn. A 25 minute work exploring musical fusion on multiple levels through the contrast of symphonic winds to a jazz trio (piano, bass, drums). Both groups are independent at times followed by a merge into a single unique musical force. The alto saxophone soloist stands as the uniting musical element between the two groups. The omnipresent and uniting musical force is the tango and, in particular, the works of Astor Piazzolla. Luis Serrano Alarcn has transformed the rhythms, ensemble settings and stylistic idioms into a powerful artistic statement that communicates to all. A highly effective work for mature ensembles.
Estimated dispatch 7-14 working days
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