Results
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£58.50An American Celebration (Concert Band with Optional Choir - Score and Parts) - Strommen, Carl
This medley was composed for the combination of your two- or three-part choir and your young band. The instrumental part can be performed by intermediate bands or by more advanced ensembles with limited rehearsal, while not appearing transparent. The choral parts are sold separately (SVM01082) and are attainable by intermediate level performers through high school. A great addition to the patriotic literature, this medley includes "America the Beautiful," "When Johnny Comes Marching Home," "Yankee Doodle," "The Battle Hymn of the Republic," "You're a Grand Old Flag," and "America." The instrumental transitions significantly contribute to the musical effect and offer an opportunity for the ensemble to perform as well as provide vocal accompaniment. An absolute must for all of your patriotic performance needs. Duration: 5.30
Estimated dispatch 7-14 working days
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£48.95Echoes of Christmas (Concert Band - Score and Parts) - Black, Dave
Echoes of Christmas combines two Christmas favourites, While by My Sheep (or The Echo Carol) and God Rest Ye Merry, Gentlemen. The Echo Carol, so named because it is written in a call and response format, is presented here with initial statement by the brass which are then immediately echoed by the woodwinds. God Rest Ye Merry, Gentlemen features a canonic treatment of this holiday favorite, first in the flutes and clarinets and then the entire ensemble. Your audience will be echoing these Christmas carols long after your next holiday concert is over! Duration: 3.00
Estimated dispatch 7-14 working days
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£48.95Carolina Tribute (Concert Band - Score and Parts) - Hodges, Steve
Two contrasting movements provide ample opportunity for each section to shine in this tasteful work by Steve Hodges. The sensitive first movement features optional solos by the saxophone and clarinet. Following a soaring presentation by the full band, the soloist entwine in a duet to end the movement in a peaceful, reverent manner. The second movement begins with a strong bass introduction before settling into a vibrant, "alla breve" march. Carolina Tribute is ideally suited for the developing young band. A real winner! Duration: 4.15
Estimated dispatch 7-14 working days
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£89.99Minerva (Concert Band - Score and Parts) - Van der Roost, Jan
Minerva by Jan Van der Roost was composed on the commission of the German "Musikverein Braunshausen" on the occasion of the 75th anniversary of the orchestra. The composition, first performed on September 17, 1999, is not a street march but a concert march, just like Mercury and Arsenal. The use and variation of different rhythmic patterns gives the first part of this march a distinctly dynamic character. Two main themes are presented in several instrumental combinations. The theme from the trio, on the other hand, is characterized by a broad melodic approach using large intervals. This theme, wreathed by high woodwinds, is heard one more time after a contrasting new part, but now in a somewhat slower tempo. The counterpoint in this part refers to the first part of the march. The brilliant ending suits a festive anniversary march!Duration: 4:00
Estimated dispatch 7-14 working days
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£53.95Grays Harbor March (Concert Band - Score and Parts) - Hodges, Steve
Here's an energetic concert or festival opener by Steve Hodges. Grays Harbor March was commissioned by the George B. Miller Junior High School in Aberdeen, Washington. This exciting march was written in two distinct styles. Set in the minor mode, the driving opening will give your trumpets a chance to show off their rhythmic skill. Then, a graceful transition leads to the flowing middle section in the relative major, only to return back to the original theme for the fantastic finish. Open your next concert by taking your audience to Grays Harbor! Duration: 3.30
Estimated dispatch 7-14 working days
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£164.95Sinfonietta No.2 (Concert Band - Score and Parts) - Sparke, Philip
Commissioned by the National Youth Orchestra of Great Britain and first performed by them on 6th August 1992.1. Overture: VivaceA bustling opening movement in sonata form. After an introduction in which a syncopated theme is tossed around the band, the first subject proper gives way to a more legato second theme. A scherzando bridge passage leads to the recapitulation.2. Serenade: Lento ExpressivoA short introduction leads to a sonorous theme from the middle of the band. A slightly more rhythmic central 5/8 section leads to a short cadenza-like duet for two alto saxes which reintroduces the opening of the movement.3. Finale: Molto VivaceA fast and furious finale which fails to settle long enough for a real theme to develop as motivic ideas are thrown from player to player. Eventually a violently syncopated tune emerges from the middle of the band but this is interrupted by a reflective interlude. In time the faster music returns and the movement hurtles to a close.Duration: 16.10Recorded on QPRM124D MIGHTY VOICE, Great British Music for Wind Band Vol.3
Estimated dispatch 7-14 working days
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£32.95Sinfonietta No.2 (Concert Band - Score only) - Sparke, Philip
Commissioned by the National Youth Orchestra of Great Britain and first performed by them on 6th August 1992.1. Overture: VivaceA bustling opening movement in sonata form. After an introduction in which a syncopated theme is tossed around the band, the first subject proper gives way to a more legato second theme. A scherzando bridge passage leads to the recapitulation.2. Serenade: Lento ExpressivoA short introduction leads to a sonorous theme from the middle of the band. A slightly more rhythmic central 5/8 section leads to a short cadenza-like duet for two alto saxes which reintroduces the opening of the movement.3. Finale: Molto VivaceA fast and furious finale which fails to settle long enough for a real theme to develop as motivic ideas are thrown from player to player. Eventually a violently syncopated tune emerges from the middle of the band but this is interrupted by a reflective interlude. In time the faster music returns and the movement hurtles to a close.Duration: 16.10Recorded on QPRM124D MIGHTY VOICE, Great British Music for Wind Band Vol.3
Estimated dispatch 7-14 working days
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£154.99Deux Mouvements (Alto Saxophone Solo with Concert Band - Score and Parts) - Waignein, Andre
Early in 1989 Jean Baily, director of the Royal Conservatoire in Bruxelles, asked his very close friend Andre Waignein to compose a piece which could be performed by the conservatoire's saxophone class. Andre Waignein was readily agreeable. Not only was his father a saxophone player, but himself felt strongly attracted to the instrument and he was further encouraged into accepting the commission by his friend Alain Crepin, saxophone teacher at the Bruxelles Conservatoire.The piece he composed consists of two movements, hence the title. An elegy is expressed by means of a melody which is full with pronounced magnanimity, full of spectacular musical freedom enabling the soloist to express himself to the full. In this movement the melodic element is of the utmost importance.The capriccio, the second movement is musically disconcerting. The band's accompaniment is particularly important. Due to the high notes, the soloist brings this capriccio to a close with enthusiastic virtuosity.Duration: 9:15
Estimated dispatch 7-14 working days
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£84.99Als die alte Mutter (Soprano Solo with Concert Band - Score and Parts) - Dvorak, Antonin - Takahashi, Tohru
Als die alte Mutter (Songs My Mother Taught Me) is the fourth of Antonn Dvorak's Gypsy Songs (Opus 55), a cycle he composed in the year 1880. This moving song was written to a German poem by Adolf Heyduk, and in the course of time, it has been performed and recorded by great singers like Nellie Melba, Joan Sutherland and Rene Fleming. The appealing melody is known to a large public. In this edition, two versions have been combined: an instrumental adaptation of the song, and an adaptation for soprano with a concert band accompaniment - both made by Tohru Takahashi.Duration: 2:00
Estimated dispatch 7-14 working days
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£109.99Boreas Wind Band Set (Score & Parts)
In Greek mythology, Boreas is the God of the North Wind. When thinking of the north wind we particularly think of the bleak wind coming from the freezing cold north, but in Homers' work we see a more varied picture. As shown in the following two stories, Boreas often does play the role of a storm wind that blows forth heavy dark clouds while whipping up the dark waves of the tempestuous sea to mountainous heights. When the stake of the fallen Patroclos refuses to burn, Achilles begs for some wind. When Iris, the swift messenger of the Gods, asks the winds for assistance, they raise themselves up with tremendous roaring and rush to Troy. Upon their arrival they blow the divine fire of Patroclos' stake far up into the sky. When Troy was destroyed, the Greeks returned home. After many wanderings, Odysseus, however, ends up with the beautiful nymph, Calypso, who keeps him as a prisoner. As ordered by Zeus, Calypso frees him and sends him off on a handmade wooden raft. At sea, Odysseus is threatened by the aggressive sea god, Poseidon, who stirs up the winds and thrashes the waves with his trident. The goddess, Athena, stems the violence of all the winds except for the north wind, and thus it is Boreas, who sends Odysseus to the land of the hospitable Phaiakes. Jan Bosveld composed Boreas for OLTO, a music association in Loenen, The Netherlands, for which he had served as conductor for many years. Turbulent movement in both tempo and dynamics characterize this composition. The result is a whirling piece that races by in a positive manner. Boreas is in de Griekse mythologie de god van de noordenwind. Bij noordenwind denken wij vooral aan de gure wind uit het ijskoude noorden, bij Homerus echter zien we een meer gevari?erd beeld. Natuurlijk speelt Boreas, zoals uit de twee onderstaande verhalen blijkt, meestal de rol van de stormwind die de zware zwarte wolken voor zich uit blaast en de donkere golven van de onstuimige zee torenhoog opzwiept. 05:00
Estimated dispatch 7-14 working days
