Results
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£89.991861 (Concert Band) - Newman, Jonathan
1861 is a lyric hymn/fantasia for young concert bands, based on the beautiful 19th century Anglican hymn "Lead Me, Lord" (written in 1861 by Charles Sebastian Wesley). The hymn itself features a gorgeous melodic line over biting harmonies and striking counterpoint, and provides the pillars for this work. First is a soloistic treatment, followed with a dramatic full band tutti, and finally a section of evocative humming. Throughout are unique textures and colourful improvisitory accompaniments.
Estimated dispatch 7-14 working days
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£102.99Three Blind Mice (Concert Band - Score and Parts) - Appermont, Bert
This composition is based on the children's song Three Blind Mice, of which the melody is featured in a range of variations: in a canon, in inversion, in minor, transformed, with changing harmonisations and orchestrations, and in different times and tempi. The work consists of three continuous, contrasting movements:Mouse March: The mice cheerfully set off while the original melody is presented as a marchHymn: In a tuneful hymn, the wonderful praises of the life of mice are sungCatch Me If You Can: In an animated chase, the farmer's wife is trying to catch the mice. Following a stirring acceleration, she cuts off their tails in accordance with the lyrics of the songThis work, with its humorous touch, will be a welcome contribution to the expansion of interesting repertoire for the lower divisions.Duration: 6.45
Estimated dispatch 7-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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£59.95Blue Jeans (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
In 2008 the trombonist, Chris Jeans, was invited to be a featured soloist at a British Trombone Society event. He contacted Stan Kitchen at Studio Music Company to see if he had any new material for trombone. Stan then got in touch with me, as I had already written a piece for another trombone player, Brett Baker. This piece, 'Shout' was programmed for the same event so we needed to find something new for Chris.The title 'Blue Jeans' came to my mind, thus linking a blues-style piece with the obvious reference to Chris's surname. I spoke to Chris and he liked the sound of it so then I had to go away and write a solo to match the title!I managed to get a version with piano accompaniment done in time for Chris to perform at the trombone event and have now had a chance to complete the band version. Chris is a great chap, a good friend and a wonderful trombone player so I hope people enjoy listening to this solo that bears his name.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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£225.00Five Orchestral Meditations (Concert Band - Score and Parts) - Rutter, John - Noble, Paul
The Five Orchestral Meditations are all based on John Rutter's choral pieces, which he re-scored for orchestra, and on which these arrangements are based. They are offered as a suite, but the audio tracks have been separated to make it easier to hear each title. These lovely pieces will present a perfect exercise for band blending, balance, interpretation, intonation, and finesse, while offering your audience some of the typically gorgeous music for which John Rutter is so noted. They may be performed as a suite, or as independent pieces: 1. What Sweeter Music; 2. Blow, blow, thou winter wind; 3. Candlelight; 4. Lord, make me an instrument of thy peace; 5. The Lord bless you and keep you. John Rutter's compositions are in a class by themselves, and this adaptation is sure to find its way into the repertoire of outstanding bands around the world.
Estimated dispatch 7-14 working days
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£72.99Hello, Goodbye (Concert Band - Score and Parts) - Ricketts, Ted
Songs of the Beatles in Concert. The music of the Beatles reaches across generations and is now more popular than ever. This well-paced medley can be performed with chorus and/or strings, or as a stand-alone arrangement for band. Includes: Hello, Goodbye; Ticket to Ride; Penny Lane; Can't Buy Me Love.Duration: 5:00.
Estimated dispatch 7-14 working days
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£79.99A Sullivan Ballad (Flute and Alto Saxophone (or Clarinet) Duet with Concert Band - Score and Parts) - Sullivan, Arthur - Sparke, Philip
The Pirates of Penzance is perhaps Gilbert and Sullivan's most popular operetta, and tells the story of Frederic, who was apprenticed to a band of tender-hearted, orphaned pirates. A Sullivan Ballad uses a hauntingly simple love duet, from the end of Act 2, Ah, leave me not to pine alone and desolate, which is arranged here as a duet for flute and alto saxophone (or clarinet). Both performers and audience alike will love this beautiful duet.Duration: 2:30
Estimated dispatch 7-14 working days
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£64.50A Day at Disneyland (Concert Band - Score and Parts) - Story, Michael
What could be more joyous than a musical visit to Disneyland? Gathering all the sounds of the world's most beloved theme park in one exciting young band medley. This medley is packed with Disney classics! Make your concert venue the happiest place on Earth! Titles:Mickey Mouse MarchThe Great OutdoorsIt's a Small WorldYou Can Fly! You Can Fly! You Can Fly!The Best Time of Your LifeYo Ho (A Pirate's Life for Me)Duration: 5.30
Estimated dispatch 7-14 working days
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£99.99Veni Immanuel (Concert Band - Score and Parts) - Sparke, Philip
Mediation on O Come, O Come ImmanuelThe Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.Duration: 5:30
Estimated dispatch 7-14 working days
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£93.10Impressions from a Journey (Concert Band - Score and Parts) - Stahli, Urs
I'm in the mountains... in Switzerland - in the Valais - on the Riederalp. I'm enjoying the view of the surrounding mountain peaks on this late summer afternoon.A alphorn plays a melody. The echo comes back once, twice, no, three times from the mountain slopes! It's getting dark. The melody of the evening blessing from Humperdinck's Hansel and Gretel comes to mind. It is night.A new day begins! I make my way to Riederfurka, to Villa Cassel. There I am greeted by the sound of the orchestra. I enjoyed the music and my lunch. In the afternoon, the musicians invited me to a dance. As waltzing is not really my thing, I walk on to the Riederhorn. There I enjoy the wonderful view! I am happy!- Urs SthliDuration: 8.00
Estimated dispatch 7-14 working days
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