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  • £60.99

    All Shook Up, Selections from (Concert Band - Score and Parts) - Ricketts, Ted

    The music of Elvis Presley never grows old, but continues to find new fans with each generation. Thanks to the Broadway production, the King's music is in the forefront once again. Featuring fresh new settings and a driving pulse throughout, this medley features the hits:Jailhouse RockAll Shook UpLove Me TenderC'mon EverybodyCan't Help Falling in Love

    Estimated delivery 7-14 working days
  • £99.99

    Veni Immanuel (Concert Band - Score and Parts) - Sparke, Philip

    Mediation on O Come, O Come ImmanuelThe Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.Duration: 5:30

    Estimated delivery 7-14 working days

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  • £53.50

    Variants on an American Hymn (Concert Band - Score and Parts) - Sweeney, Michael

    Based on the familiar hymn "Abide With Me," this unique composition develops variations based on fragments of the original melody. Elements of the hymn are skillfully incorporated into a variety of styles, from slow flowing phrases to lively and rhythmic themes, before the hymn is gloriously presented near the end of the piece.

    Estimated delivery 7-14 working days
  • £104.99

    So in Love (Concert Band - Score and Parts)

    Cole Porter was one of the great masters of Broadway musicals during the thirties, forties and fifties, with So in Love, from the musical Kiss Me Kate, being one of his best loved works. It has been recorded by many artists including Bing Crosby, Lulu, Shirley Bassey and Julie Andrews, however it is the Ella Fitzgerald version that is best known. This jazzy musical classic can now be enjoyed by your brass band with this excellent arrangement.Duration: 5:30

    Estimated delivery 7-14 working days

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  • £36.95

    A Celtic Celebration (Concert Band - Score and Parts) - Kinyon, John

    As the title suggests, this wonderful work presents three Celtic folk favorites in a very playable fashion for Grade 1 bands. Songs included are "Drink to Me Only with Thine Eyes," "Wearing of the Green" and "My Wild Irish Rose." As always for the Mini-Score Series, careful attention has been given to ensure all prominent parts are doubled, allowing for any instrumental "shortcomings" one may encounter. A Celtic Celebration is another winner from John Kinyon! Duration: 3.00

    Estimated delivery 7-14 working days

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  • £76.99

    The Magic of Andrew Lloyd Webber (Concert Band - Score and Parts)

    Andrew Lloyd Webber's spectacular music for the stage is featured in this exciting medley. Songs include: Superstar (Jesus Christ Superstar), I Don't Know How to Love Him (Jesus Christ Superstar), Don't Cry for Me Argentina (Evita), Memory (Cats), The Phantom of the Opera (The Phantom of the Opera).

    Estimated delivery 7-14 working days
  • £89.99

    1861 (Concert Band) - Newman, Jonathan

    1861 is a lyric hymn/fantasia for young concert bands, based on the beautiful 19th century Anglican hymn "Lead Me, Lord" (written in 1861 by Charles Sebastian Wesley). The hymn itself features a gorgeous melodic line over biting harmonies and striking counterpoint, and provides the pillars for this work. First is a soloistic treatment, followed with a dramatic full band tutti, and finally a section of evocative humming. Throughout are unique textures and colourful improvisitory accompaniments.

    Estimated delivery 7-14 working days
  • £84.95

    Fire in the Blood (Concert Band - Score and Parts) - Lovatt-Cooper, Paul

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!- Paul Lovatt-CooperDuration: 10:00

    Estimated delivery 7-14 working days
  • £124.95

    SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward

    In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)

    Estimated delivery 7-14 working days

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  • £135.95

    TWO IRISH FOLK MELODIES (Trumpet Solo with Intermediate Concert Band)

    Two charming components of the Carnaval project, scored by Donald Hunsberger for trumpet soloist Wynton Marsalis and the Eastman Wind Ensemble are combined in this freshly engraved setting. The accompaniment is accessible to high school ensembles, including "'Tis the Last Rose of Summer" and "Believe Me, if All Those Endearing Young Charms," this work will provide an opportunity to feature your trumpet soloist with these lush Irish folk tunes. (5:00)

    Estimated delivery 7-14 working days

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