Results
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£58.50It Had Better Be Tonight (Concert Band - Score and Parts)
A classic pop tune from the pen of Henry Mancini has enjoyed new life with the energy infused by Michael Buble on his "Call Me Irresponsible" CD. Roy Phillippe has transferred this energy in his young band arrangement. Complete with salsa-style percussion, this is one hot chart. High energy!Duration: 1.45
Estimated delivery 7-14 working days
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£58.50Give Me Your Tired, Your Poor (Concert Band with Choir - Score and Parts)
The immigrant spirit of our Nation lives on in the hearts of all Americans through the words of Emma Lazarus that appear at the base of the Statue of Liberty. Doug Wagner has created this wonderful work for concert band with strings and chorus. It is perfect for any event and allows participation of the entire music department! Duration: 3.30
Estimated delivery 7-14 working days
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£57.50DO NOTHIN' TILL YOU HEAR FROM ME (Young Band) - Ellington, Duke - Moss, John
Smooth and sophisticated, this jazz classic from the master of swing, Duke Ellington, is wonderfully adapted for concert band by John Moss. Your audiences are sure to enjoy the marvelous sounds of this elegant arrangement. Includes written solo for alto saxophone
Estimated delivery 7-14 working days
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£76.95Green Day, The Best of (Concert Band - Score and Parts)
Including many of their chart-topping hits, indeed this is The Best of Green Day. Douglas E. Wagner has scored these three diverse pop titles in one energy-charged medley. A super choice for your pops concert! Featuring: American Idiot; Wake Me Up When September Ends; Boulevard of Broken Dreams. Duration: 4.45
Estimated delivery 7-14 working days
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£53.50Build Me Up, Buttercup (Concert Band - Score and Parts) - D'Abo & McCauley - Murtha, Paul
Originally a hit in the 60's, this is one of those rare tunes popular with all ages. More recently used in the hit movie, There's Something About Mary.
Estimated delivery 7-14 working days
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£189.99Godzilla Eats Las Vegas (Concert Band - Score and Parts) - Whitacre, Eric
Note from Composer:It took me seven years to get my bachelor's degree from the University of Nevada, Las Vegas. By the time I graduated I was ready to eat Las Vegas.Tom Leslie asked me to write another piece for the group as I was leaving, and I thought it would be a blast to do something completely ridiculous. The players are called upon to scream in terror, dress like Elvises (Elvi), and play in about thirty different styles from mambo to cheesy lounge music. The audience follows a script that I wrote simulating a campy, over the top Godzilla movie (is there any other kind?).I wrote the bulk of the piece while in my first year at Juilliard, and no kidding, I used to act out the script every morning devouring animal crackers, wreaking havoc all over the breakfast table. The script was originally twice as long, and had an entire subplot devoted to a young scientist and his love interest. As I started to finish the piece, however, it didn't seem that funny and that story (along with an extended Elvis tribute) ended up on the cutting room floor.The idea that this piece is being played all over the world in such serious concert venues is the single funniest thing I have ever heard. It has been played on the steps of the Capitol by the United States Marine Band, by the Scottish National Wind Symphony (they play in kilts, so help me God), and I have a video of a Japanese audience visibly confused and shaken by the whole experience. Can you imagine? I'm laughing my head off even as I write this!Godzilla Eats Las Vegas! was commissioned by the University of Nevada Las Vegas, Thomas G. Leslie, conductor, and received its premiere November 28th, 1996.The performers are encouraged to go crazy: wear showgirl costumes, Elvis costumes, act out scenes on stage, use video and lighting - anything to get a laugh.
Estimated delivery 7-14 working days
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£84.99
Matreshka (Concert Band - Score and Parts)
For more than a hundred years, the matreshka dolls have been a traditional trademark of Russia. The story behind these dolls is that many years ago, a little Russian girl, Olga, got lost in a forest. When her older sister finally found her, she said, ?Let me hold you.? Next, their mother also arrived, and said, ?Let me hold you both.? Subsequently, the grandmother joined them, and said, ?Let me hold you all.? As a result of this story, these popular ?nesting dolls? came into being. The work Matreshka consists of originally-composed themes. The first theme, reminiscent of a Russian hymn, is followed by another theme in a typically Russian style. A slow passage forms the transition to the final, energetic movement ? this Russian troika in two-four time starts slowly and ends very exuberantly. A great piece of Russian exuberance that will delight any audience. 04:17
Estimated delivery 7-14 working days
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£150.00A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul
A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.
Estimated delivery 7-14 working days
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£67.95SMASH, The Music of (Intermediate Concert Band)
The music of SMASH is rich and colourful. From the brilliant songwriting team of Marc Shaiman and Scott Wittman, the television show chronicles the life and times of mega-star Marilyn Monroe during the creation of a Broadway musical based on her story, is the core of the hugely successful NBC musical drama. Titles from the first season include "Secondhand White Baby Grand," "Let's Be Bad," "Don't Forget Me," "The 20th Century Fox Mambo," and "Let Me Be Your Star." This stirring arrangement is sure to provide a "smashing" Broadway-style performance! Duration: 4:15
Estimated delivery 7-14 working days
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£84.50They Can't Take That Away from Me (Vocal or Instrumental Solo with Concert Band - Score and Parts)
Your spring concert or outdoor performance won't be complete without the stellar new arrangement of George and Ira Gershwin's They Can't Take That Away From Me. Written for your male or female vocal soloist or optional E-flat or B-flat solo instrumentalist, this familiar melody is both sassy and smooth. A sure winner!
Estimated delivery 7-14 working days
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