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  • £57.50

    Spirit of Avalon - Michael Sweeney

    Michael Sweeney's newest work is characterized by powerful full band writing as well as contrasting, delicate sections with flowing melodies. As always, Michael's writing keeps the musical interest flowing for all players, making this another work you can trust to motivate your players while teaching strong musical concepts.

    Estimated dispatch 7-14 working days
  • £49.50

    Spirit of the Winds

    Spirit of the Winds, a concert/festival work for the developing band, was inspired by the beautiful Temecula Valley of California. Each year, the sky over the valley is filled with hot air balloons creating a visual sight that is not soon forgotten. Of course, balloons are unable to "steer" and must fly with the gentle breezes of the air current. As a result, those subject to the "spirit of the winds" can find themselves over festival grounds or floating above the beautiful Temecula Valley vineyards. Beginning with a bold, yet mysterious statement, the introduction gives way to a soaring melody as our flight begins. Cascading figures in the woodwinds create the effect of wind currents followed by a beautiful secondary melodic statement. The original theme returns leading to a very energetic conclusion. Accessible to a wide range of concert bands, Spirit of the Winds provides multiple teaching opportunities and will be enjoyed by both performer and audience.

    Estimated dispatch 7-14 working days

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  • £75.00

    Spirit of the Lake (from Legend of the Lake) (Concert Band - Score and Parts) - Glyn, Gareth - Noble, Paul

    The origins of Legend of the Lake lie in music Gareth Glyn composed for a film which wove a tale of smuggling, treachery and unrequited love into the fabric of old legends, some dating from Celtic times, about one of the many sacred lakes of Anglesey. Whether the music depicts the fleet-footedness of smugglers' ponies, the summary punishment of outlaws or the bittersweetness of remembrance, the theme of the Spirit of the Lake, first heard on a distant trumpet at the beginning, is never far away.

    Estimated dispatch 7-14 working days

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  • £67.32

    Spirit of the Pioneers

    Featuring themes that evoke the spirit of the settlers moving westward, this delightful Greg Hillis composition is an exceptional choice for any mid-level band concert or contest performance. The adagio section begins with short solos for flute, clarinet, horn, bells and baritone (all are cued elsewhere) before building into a lush and powerful tutti. Full of appeal for audiences and players alike, this dynamic piece is sure to make your band sound like a million bucks!

    Estimated dispatch 7-14 working days

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  • £48.95

    African Spirit Dance (Concert Band - Score and Parts) - O'Reilly, John

    Treat your students to an upbeat, fun arrangement that evokes the spirit of South African traditional dance music. Great percussion parts, a catchy melody, traditional call-and-response sections and even some "blue notes" will make this piece a favourite!Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £84.99

    Three-Eight Charlie (The Incredible Adventure of Jerrie Mocke) (Flexible Ensemble - Score and Parts) - Jeanbourquin, Marc

    In 1964, the American aviator Jerrie Mocke was the first woman to fly solo around the world, in spite of her critics and the bad weather forecasted. She completed this journey in 29 days on board the "Spirit of Columbus", a single engine Cessna. This story inspired Marc Jeanbourquin. The aviator's determined nature appears from the very first bars, reflecting her mood before take-off. The hymn that follows illustrates the beginning of the flight, when all is going well. This leads to a calmer section, as if the aviator was letting herself be carried by the air currents above the clouds, lost in her thoughts. Then a more energetic passage brings her back inside the cockpit to confront the bad weather she encounters. She overcomes these difficulties to appear out of the clouds before a cheerful finale, as if nearing the finishing line. Welcome aboard for a flight around the world! First prize in the composition competition of the Swiss Music Association (Contest music 4th category 2020). Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £78.00

    Handel in the Strand (Concert Band - Score and Parts) - Grainger, Percy Aldridge - Rohrer, Thomas P.

    This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's "four-some" edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the "room music" quality of the original shines through in this skilful transcription while depicting the spirit of the piece in a way that Grainger might have chosen.Duration: 3:35

    Estimated dispatch 7-14 working days

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  • £134.99

    Il Barbiere di Siviglia (The Barber of Seville) (Concert Band - Score and Parts) - Rossini, Gioachino - Cesarini, Franco

    The Barber of Seville is based on the first of Beaumarchais' (1732- 1799) two sequential plays, The Marriage of Figaro being the second, although unusually the overture does not contain any themes from the ensuing opera. The music, however, is sparkling and tuneful encompassing the 'spirit' of the story that is about to unfold. The overture follows the form of the classic Italian style, with a slow introduction followed by a brilliant Allegro. Of course, the famous crescendo, so typical of Rossini's works, is also present.

    Estimated dispatch 7-14 working days

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  • £250.00

    The Wind in the Willows (Concert Band - Score and Parts) - De Meij, Johan

    A book for those who keep the spirit of youth alive in them; of life, sunshine, running water, woodlands, dusty roads, winter firesides, said author Kenneth Grahame (1859-1932) about his children's book The Wind in the Willows. Initially, he wrote the stories about Ratty, Mole, Badger and Toad to read to his visually handicapped son Alistair, but after the publication in book form in 1908, it became a worldwide success. It was later also turned into a film and a television series. What appealed ti the composer most is the friendly, very cosy atmosphere that Grahame has managed to create with his optimistic narrative style full of high spirits, an atmosphere that reminds thecomposer of his own carefree youth. It was therefore a great pleasure to set this book to music! The four movements successively describe: I) The River- The river, which flows through the habitat of the animals like a lifeline, regularly is the scene of pleasant boat trips and picnics. The animals lead their untroubled lives here. The four-tone main motif [A-C-D-C] is extensively presented by the brass section, and returns in the following movements as a countermelody. II) Ratty and Mole -The bright, energetic Rat and the melancholy doubter Mole are inseparable friends and have many adventures. Their opposite characters are illustrated by separate musical themes. III) Mister Toad - The wilful, haughty Mister Toad is indeed a unique case: time after time, he runs into tricky situations, and with his indomitable passion for fast, preferably stolen, cars he causes quite a lot of damage... IV) The Return of Ulysses - After Toad Hall, the majestic residence of Mister Toad, is recovered from the weasels and stoats of the Wild Wood, who had captured the estate in a cowardly way, our friends get ready for a banquet. They celebrate the victory with a triumphant parade, and so both the book and the music conclude with a happy ending. Duration: 17.00

    Estimated dispatch 7-14 working days

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  • £94.95

    Fire in the Blood (Concert Band - Score and Parts) - Lovatt-Cooper, Paul

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!- Paul Lovatt-CooperDuration: 10:00

    Estimated dispatch 7-14 working days