Results
-
£139.99Saint Nicholas Fantasy (Concert Band - Score and Parts) - Sadeler, Georges
Saint Nicholas Fantasy is a medley of traditional Luxembourgish songs about St. Nicholas of Myra, whose story is celebrated on the 6th of December in various European countries. Playfully adapted into different styles such as bossa nova, samba, swing, dixieland or jazz waltz, these songs describe the children's uncontrolled excitement for the presents this holy man brings. The medley includes the songs:Kanner, loosst mer lschteg sinn (Let's be Merry and Bright)Am Uewe potert d'Feier (The Fire Crackles in the Oven)Nach eemol gi mer schlofen (Once More We'll Go to Sleep)Am Dezember, vru Niklosdag (In December, Before St. Nicholas' Day)Ei, ei, ei! Lo ass de Kleeschen hei (Now Father Christmas is Here)Liwe Kleeschen, gudde Kleeschen (Dear Saint Nicholas, Good Saint Nicholas)Duration: 5.15
Estimated dispatch 7-14 working days
-
£129.99Star Wars Saga (Concert Band - Score and Parts) - Williams, John - De Meij, Johan
John Williams (February 8, 1932) has composed some of the most popular, recognisable and critically acclaimed film scores in cinema history. Williams has won 25 Grammy Awards, five Academy Awards, seven British Academy Film Awards, and four Golden Globe Awards. With 53 Academy Award nominations, he is the second most-nominated individual, after Walt Disney. His compositions are considered the epitome of film music, and he is considered among the greatest composers in the history of cinema. His work has influenced many other composers of film, popular, and contemporary classical music. In 2005, the American Film Institute selected Williams's score to 1977's Star Wars as the greatest film score of all time. In this newly revised arrangement from 1986, arranger Johan de Meij has used themes from Star Wars: A New Hope and The Empire Strikes Back.
Estimated dispatch 7-14 working days
-
£78.50Bleak Forest (Concert Band - Score and Parts) - Ziegelback, Andreas
Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022.Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales... don't they?Andreas Ziegelback studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universitat, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelback's interest in composing. In 2021, Andreas Ziegelback completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.Duration: 6.00
Estimated dispatch 7-14 working days
-
£85.00Declaration Overture (Flexible Ensemble - Score and Parts) - Ward, Samuel Augustus - Earp, Joseph Benjamin
America The Beautiful continues to be an expression of patriotism at its finest. It conveys an attitude of appreciation and gratitude for the nation's extraordinary physical beauty and abundance, without triumphalism. Claude T. Smith's arrangement of this masterpiece generates a fresh take on this song reviving the hope we share for our dear America. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.Duration: 4.15
Estimated dispatch 7-14 working days
-
£73.00Proudly They Served (Concert Band - Score and Parts) - Brubaker, Jerry
This stunning work celebrates the men and women, past and present, who have served in the U.S. Armed Forces. Jerry Brubaker was the Chief Music Arranger with the United States Navy Band in Washington, D.C. Using mostly original material, Brubaker uses snippets of the various U.S. Armed Forces anthems to bring this wonderful tribute to life. The primary melody of Proudly They Served is singable, respectful, and memorable. The tune comfortably welcomes segments of all the major service songs as they make their appearance throughout. Duration: 4.45
Estimated dispatch 7-14 working days
-
£126.50Beating Beats (Concert Band - Score and Parts) - Van der Roost, Jan
Beating Beats rhythmically is a rather special piece: more conventional metres are manipulated in such a way that the listener (without score) may be confused and even misled at various points! The 'regular four beat accents in a 4/4 measure for example are often not adhered to, giving the impression of a different metre altogether. However, at the same time it may be that some instruments do follow this "normal" 4/4 metre, thus confusing everyone - performers and listeners alike! On one hand, it is a "simple" piece with very playable and melodic themes, but their mysterious rhythmic makes it not only sound more complicated, but also makes for a greater challenge for both players and the conductor! As is mostly the case with Jan Van der Roost's works, the orchestration is both colourful and contrasting, with every section of the modern wind orchestra used equally. All in all, it's a work full of surprises with some unexpected harmonies and special melodic lines but above all, with metrical and rhythmical sure to catch you unawares! Duration: 7.00
Estimated dispatch 7-14 working days
-
£68.80Adagio (Concert Band - Score and Parts) - Brahms, Johannes - Houben, Kevin
Johannes Brahms can be considered to be one of the top composers of the nineteenth century chamber music. He was a giant in this field and an eminent successor of Beethoven and Haydn. A masterpiece from his chamber music oeuvre is the trio in Eb opus 40 for piano, violin and natural French horn. In 1865, the year of his Horn trio, Brahms's mother Christiane died. It's well known that he fostered deep feelings for her. The slow part of the Horn trio with the tempo indication Adagio Mesto (sad) can be considered as a lamentation for his mother. The first performance of the piece took place in Zurich on 28th November 1865 and it was published a year later in November 1866. In this version for Wind Band Kevin Houben stays as true as possible to the original. The result is a deep and dark orchestration of the wonderful Adagio Mesto. A challenge for any orchestra and extremely suitable as concert piece. Duration: 6.00
Estimated dispatch 7-14 working days
-
£78.50Mont Blanc (Concert Band - Score and Parts) - Schwarz, Otto M.
With its height of 4,808 meters, Mont-Blanc is called the roof of Europe. The highest mountains on our planet have been insurmountable for a long time. Only in the past 250 years have those giants been mounted. Crystal-hunter Jacques Balmat and Michel-Gabriel Paccard, a doctor, were the first to climb Mont-Blanc, in 1786. Many paths lead to Mont-Blanc's peak: the regular ascent goes through the magnificent voie royale of Saint-Gervais-les- Bains, which was opened in August 1855 by the Englishmen Hudson, Kennedy, and Smythe. Today's most common route to climb up, starting from Saint-Gervais via Aiguille du Gouter (3,863m), Dome du Gouter (4,304m), and Arete des Bosses (4,547m), was first used in 1861. Otto M. Schwarz composed this work inspired by the roof of Europe with its luminous and huge glaciers. Early in the morning, mountain-climbers set off to the peak; they witness the sunrise, and experience the hazards that the journey up to the summit brings along. A snowstorm and falling rocks at Arete des Bosses aggravate their journey. A sudden change of weather, however, enables them to reach the top after a strenuous ascent. This piece invites you to an imaginary journey from Saint-Gervais-les-Bains via the voie royale to the top of Mont-Blanc.Duration: 6.45
Estimated dispatch 7-14 working days
-
£242.50Orpheus in Town, Dance Suite from (Concert Band - Score and Parts) - Rosenberg, Hilding - Johansson, Jerker
Dance Suite in Seven Movements. Op.75. Orpheus In Town. In 1936 the Stockholm Concert Hall was given its most distinguished artistic adornment, Carl Milles' Orpheus fountain. A Greek god lets his voice and the sounds of his lyre float over the rush and bustle of the big city far up in Ultima Thule. Two choreographers at the Stockholm Opera, Julian Algo and Vera Sager, had a brainwave. Why should Orpheus merely be a statue, a symbol of the beauty and inspiring power of music, why not give the myth about him its special Stockholm chapter as well? This is what happened: On the stage we see the columned facade of the Concert Hall and in front of it the statue group with Orpheus and the eight enraptured listeners. Suddenly the figures come to life, jump down from their pedestal and dance into the crowd at the marketplace. Orpheus, who is consumed by longing for Eurydice, begins looking for his beloved, first among other well-known sculptures in town, then in restaurants and nightclubs. At last he thinks he recognises her in a fashionable society woman and brings her to the Concert Hall. However, faced with the threat of having to spend her life in bronze at Orpheus' side, she runs away. She wasn't Eurydice after all. Or was she? For this ballet, which had its first performance at the Stockholm Opera in 1938, Hilding Rosenberg wrote vital and entertaining music in a style which is unusually to the point, and with a bright and strong orchestration. The music in the Dance Suite from Orpheus in Town is taken from the dance scenes at the nightclub: guests and a bartender perform, finally also Orpheus and his entourage. The suite consists of: 1. Rhythm of the Times (2.00); 2. Bartender's Dance (1.30); 3. Girl's Dance (1.00); 4. Dance of the Negress (2.30); 5. Trio Dance (1.30); 6. Tango (2.00); 7. Finale (1.30). Total duration: 14.00.
Estimated dispatch 7-14 working days
-
£59.00Lorva Horovel (from Armenian Dances Part II) (Concert Band - Score and Parts) - Reed, Alfred - Romeyn, Rob
This artistic and brilliant arrangement Alfred Reed's "Armenian Dances, Part 2," a monumental band work, is an abridged version of the third movement encapsulates the most exciting parts of the piece, all while making the music much more practical and accessible to developing bands. Smaller and less experienced groups can now experience the genius of one of Alfred Reed's most popular works, with reduced instrumentation that is carefully respectful of the original. An exciting addition to any concert or festival program. Thrilling! Duration: 2.30
Estimated dispatch 7-14 working days
View Music