Results
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£105.00New London Pictures - Nigel Hess
New London Pictures represents elements of London in the 21st Century. The Millennium Bridge describes the pedestrian's journey across this wonderful new landmark bridge over the Thames, starting at the imposing Tate Modern, crossing the busy river, and onwards to St. Paul's Cathedral with its bells ringing out over the great city. London Eye is an incredibly large ferris wheel situated on the South Bank of the River Thames. This movement depicts a "flight" on this riverside wheel, at the top of which the anoramic view of London is breath-taking and the exapnse of the music is a suitable depiction of the view. As with all modern cities, London is over-crowded with motor vehicles. London is the first major city in Europe to adopt a Congestion Charge, and this piece (with its stop and go traffic lights) is both racy and comical. Here are Londoners attempting to go about their business in the face of overwhelming odds.....
Estimated dispatch 7-14 working days
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£68.99Requiem Aeternam - Giacomo Puccini
Giacomo Puccini was commissioned to write a second opera after the resounding success of his first, Le Villi. However, the original four-act, grand opera Edgar, to a libretto by Ferdinando Fontana, received a rather lukewarm reception at its premire in La Scala in Milan in 1889 - initially, the work was only performed three times. Of all the planned performances in the subsequent two years, only one took place, in Lucca, Puccini's birthplace. There, the work was well received. Nevertheless, the composer decided to make drastic changes to Edgar the most radical being the reduction of the opera to three acts, as well as altering a few arias, charactersand instrumental parts. In its revised form, the work was even less popular than before. The discarded fourth act later provided material for Tosca (the duet Amoro sol' per te), but Puccini never felt the need to defend Edgar - as he did other less fortunate operas, such as La Rondine and Suor Angelica. On a piano excerpt for his female friend Sybil Seligman he even corrupted the title to 'E Dio ti GuARda da quest' opera' (may God preserve you from this opera). This did not prevent Arturo Toscanini performing the Requiem from the third act at Puccini's funeral in Milan Cathedral on 3 December 1924. The Requiem in the third act is being played when the long funeral procession carries the alleged body of Edgar - the confusedyoung man hesitating between the love of the virtuous Fidelia and the exotic Tigrana. The mass hails Edgar as a hero, but a monk claims that he has betrayed his country for a few gold pieces. When the soldiers try to desecrate the body, they discover that the armor contains none. The monk reveals himself as Edgar. He wants to leave with his faithful Fidelia, but the vengeful Tigrana stabs him and kills Fidelia. Edgar grieves over the lifeless body of his beloved, while Tigrana is arrested and the people submerge into prayer.
Estimated dispatch 7-14 working days
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£87.95A Tamworth Tapestry (Concert Band - Score and Parts) - Wiffin, Rob
A Tamworth Tapestry was commissioned by the Tamworth Wind Band who gave the first performance in Fazeley, Tamworth, on 27 Apr 2024. In composing it I drew on aspects of Tamworth starting with a short malicious outburst to depict the warlike history of the town's Norman castle. From there the music moves into a slow-flowing minor key movement entitled River Tame. The Celtic derivation of the word Tame means dark and slow-moving. The suite ends with a saltarello - Tomsaete. The Tomsaete were an Anglo-Saxon tribe who lived in the valley of the River Tame and remained around Tamworth throughout the duration of the Kingdom of Mercia. There is also a play on words with the band's conductor - Tom Sears. I combined the saltarello with some allusions to various other Tamworth references including Kingsbury Water Park, Drayton Manor Theme Park, Tamworth Pigs and even a reference to the Robin Reliant!Duration: 6.15
Estimated dispatch 7-14 working days
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£17.95
A Tamworth Tapestry (Concert Band - Score only) - Wiffin, Rob
A Tamworth Tapestry was commissioned by the Tamworth Wind Band who gave the first performance in Fazeley, Tamworth, on 27 Apr 2024. In composing it I drew on aspects of Tamworth starting with a short malicious outburst to depict the warlike history of the town's Norman castle. From there the music moves into a slow-flowing minor key movement entitled River Tame. The Celtic derivation of the word Tame means dark and slow-moving. The suite ends with a saltarello - Tomsaete. The Tomsaete were an Anglo-Saxon tribe who lived in the valley of the River Tame and remained around Tamworth throughout the duration of the Kingdom of Mercia. There is also a play on words with the band's conductor - Tom Sears. I combined the saltarello with some allusions to various other Tamworth references including Kingsbury Water Park, Drayton Manor Theme Park, Tamworth Pigs and even a reference to the Robin Reliant!Duration: 6.15
Estimated dispatch 7-14 working days
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£78.50Bleak Forest (Concert Band - Score and Parts) - Ziegelback, Andreas
Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022.Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales... don't they?Andreas Ziegelback studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universitat, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelback's interest in composing. In 2021, Andreas Ziegelback completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.Duration: 6.00
Estimated dispatch 7-14 working days
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£78.50Mont Blanc (Concert Band - Score and Parts) - Schwarz, Otto M.
With its height of 4,808 meters, Mont-Blanc is called the roof of Europe. The highest mountains on our planet have been insurmountable for a long time. Only in the past 250 years have those giants been mounted. Crystal-hunter Jacques Balmat and Michel-Gabriel Paccard, a doctor, were the first to climb Mont-Blanc, in 1786. Many paths lead to Mont-Blanc's peak: the regular ascent goes through the magnificent voie royale of Saint-Gervais-les- Bains, which was opened in August 1855 by the Englishmen Hudson, Kennedy, and Smythe. Today's most common route to climb up, starting from Saint-Gervais via Aiguille du Gouter (3,863m), Dome du Gouter (4,304m), and Arete des Bosses (4,547m), was first used in 1861. Otto M. Schwarz composed this work inspired by the roof of Europe with its luminous and huge glaciers. Early in the morning, mountain-climbers set off to the peak; they witness the sunrise, and experience the hazards that the journey up to the summit brings along. A snowstorm and falling rocks at Arete des Bosses aggravate their journey. A sudden change of weather, however, enables them to reach the top after a strenuous ascent. This piece invites you to an imaginary journey from Saint-Gervais-les-Bains via the voie royale to the top of Mont-Blanc.Duration: 6.45
Estimated dispatch 7-14 working days
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£242.50Orpheus in Town, Dance Suite from (Concert Band - Score and Parts) - Rosenberg, Hilding - Johansson, Jerker
Dance Suite in Seven Movements. Op.75. Orpheus In Town. In 1936 the Stockholm Concert Hall was given its most distinguished artistic adornment, Carl Milles' Orpheus fountain. A Greek god lets his voice and the sounds of his lyre float over the rush and bustle of the big city far up in Ultima Thule. Two choreographers at the Stockholm Opera, Julian Algo and Vera Sager, had a brainwave. Why should Orpheus merely be a statue, a symbol of the beauty and inspiring power of music, why not give the myth about him its special Stockholm chapter as well? This is what happened: On the stage we see the columned facade of the Concert Hall and in front of it the statue group with Orpheus and the eight enraptured listeners. Suddenly the figures come to life, jump down from their pedestal and dance into the crowd at the marketplace. Orpheus, who is consumed by longing for Eurydice, begins looking for his beloved, first among other well-known sculptures in town, then in restaurants and nightclubs. At last he thinks he recognises her in a fashionable society woman and brings her to the Concert Hall. However, faced with the threat of having to spend her life in bronze at Orpheus' side, she runs away. She wasn't Eurydice after all. Or was she? For this ballet, which had its first performance at the Stockholm Opera in 1938, Hilding Rosenberg wrote vital and entertaining music in a style which is unusually to the point, and with a bright and strong orchestration. The music in the Dance Suite from Orpheus in Town is taken from the dance scenes at the nightclub: guests and a bartender perform, finally also Orpheus and his entourage. The suite consists of: 1. Rhythm of the Times (2.00); 2. Bartender's Dance (1.30); 3. Girl's Dance (1.00); 4. Dance of the Negress (2.30); 5. Trio Dance (1.30); 6. Tango (2.00); 7. Finale (1.30). Total duration: 14.00.
Estimated dispatch 7-14 working days
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£68.00Requiem Aeternam (from Edgar) (Concert Band - Score and Parts) - Puccini, Giacomo - De Meij, Johan
Giacomo Puccini was commissioned to write a second opera after the resounding success of his first, Le Villi. However, the original four-act, grand opera Edgar, to a libretto by Ferdinando Fontana, received a rather lukewarm reception at its premiere in La Scala in Milan in 1889. Initially, the work was only performed three times. Of all the planned performances in the subsequent two years, only one took place, in Lucca, Puccini's birthplace. There, the work was well received. Nevertheless, the composer decided to make drastic changes to Edgar the most radical being the reduction of the opera to three acts, as well as altering a few arias, characters and instrumental parts. In its revised form, the work was even less popular than before. The discarded fourth act later provided material for Tosca (the duet Amoro sol' per te), but Puccini never felt the need to defend Edgar as he did other less fortunate operas, such as La Rondine and Suor Angelica. On a piano excerpt for his female friend Sybil Seligman he even corrupted the title to 'E Dio ti Guarda da quest' opera' (may God preserve you from this opera). This did not prevent Arturo Toscanini performing the Requiem from the third act at Puccini's funeral in Milan Cathedral on 3 December 1924. The Requiem in the third act is being played when the long funeral procession carries the alleged body of Edgar, the confused young man hesitating between the love of the virtuous Fidelia and the exotic Tigrana. The mass hails Edgar as a hero, but a monk claims that he has betrayed his country for a few gold pieces. When the soldiers try to desecrate the body, they discover that the armor contains none. The monk reveals himself as Edgar. He wants to leave with his faithful Fidelia, but the vengeful Tigrana stabs him and kills Fidelia. Edgar grieves over the lifeless body of his beloved, while Tigrana is arrested and the people submerge into prayer. Duration: 3.30
Estimated dispatch 7-14 working days
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£34.95
Melodies from Great Composers
Ray Steadman-Allen has selected 4 melodies, composed by some of the great composers, and linked them together to form a medley that will appeal to many a listener. 'Soldier's March' by Schumann, Haydn's 'Aria', 'Waltz No. 3' by Schubert and the exciting theme from 'William Tell' by Rossini have all been featured to make both a interesting and educational medley for young bands.
Estimated dispatch 7-14 working days
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£59.95Weird Sisters - Richard Haydn Taylor
Weird Sisters 'something wicked this way comes' celebrates the 400th anniversary of William Shakespeare's death and takes its inspiration from Macbeth: Act 4, scene 1. The three witches (Weird Sisters) are stirring the bubbling cauldron, ready for Macbeth's arrival. The...
Estimated dispatch 5-7 days
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