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£119.99Quarantine - Thomas Doss
Like a dark veil, an ominous sense of foreboding takes hold across the world. A looming danger, one previously unknown to mankind, slowly approaches, bringing our daily lives to a grinding halt. A perilous virus gives us no choice other than to stay in our homes, leaving us unable to work in our offices or even visit family and friends. Something that has only been talked about in history books is coming to pass: a pandemic! The invisible danger expands more and more, and we feel paralysed by fear and fright. The distance between us and our fellow human beings increases. At the same time, we start to better understand something crucial: we have time again! People help each other out. Neighbourly assistance and support within one's own family becomes more apparent. We stand by each other. Suddenly we have the time for things that we did not have before. Time for reflection... A new era commences. Finally, hope reappears. We leave our houses, but nothing is quite the same anymore. With renewed strength, people begin to perceive the future in a positive and optimistic way once again. With greater attention and awareness of the here and now, we feel that, despite it all, we can be happy.Recorded by the Kobe College Wind Orchestra and its conductor Satoshi Yagisawa
Estimated dispatch 7-14 working days
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£84.99Don't Start Now
'Don't Start Now', by the British singer Dua Lipa, is the first single from her second studio album, Future Nostalgia. The accompanying music video was uploaded to her YouTube channel upon the single's release. In the song, the singer tells her ex-lover that she is now over him. She gave her first live performance of it on The Graham Norton Show, after that she sang it a number of times at various award shows, TV programmes and music festivals. This arrangement by Tom Stanford will make sure that this disco pop song will also find its way into the world of wind music.
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£248.99Salamander Symphony - Jacob de Haan
Salamander Symphony is a three-movement work for symphonic wind band in which the city of Kornwestheim, situated in Baden-Wrttemberg, occupies centre stage. It is the name of the well-known shoe factory that was established there in 1899 and that symbolizes the industrial and social development of the city. In the symphony, we find various references to the mythological meaning of salamanders: they are vigorous creatures that contain the soul of fire. Without salamanders there would not be any fire. In addition, a salamander can change its shape and serve as a kind of vehicle through time. In the Berber culture, the salamander represents change.
Estimated dispatch 7-14 working days
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£60.99After the Cakewalk - Robert Nathaniel Dett
Despite his having moved to the United States with his family when he was 11 years old, Robert Nathaniel Dett (1882-1943) was born in Canada where glimpses of his talent had already begun to manifest themselves at an early age. Among Dett's earliest titles was his Characteristic March Two-Step, After the Cakewalk. Perhaps written when Dett was just a teenager, this current edition is wholly based upon its original 1901 band publication that was arranged by Lee Orean Smith. Smith was also responsible for preparing Dett's piano solo version for publication, as well as its form for theatre orchestra and mandolin club. Owing to the fact that Smith's highly idiomatic scoring was prepared for a band of that period, this edition adapts, edits and extends Smith's instrumentation in order to make it possible for Dett's music to become available to a new generation of musicians and listeners alike. (Grade 4)
Estimated dispatch 7-14 working days
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£106.95
The Past is Always Present - Sean O'Laughlin
The Past is Always Present begins with a reverent melody for solo flute that invokes voices from the past. This theme becomes the cornerstone of the entire work leading the listener on a journey that is at times reflective and at others bold and broad. Perfect for contest and festival performance, this piece contains all of the signature styling that has made Sean O'Loughlin's works some of the most popular for bands today.
Estimated dispatch 7-14 working days
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£78.95
Power - Larry Clark
This is one of Harold Bennett's (pseudonym of Henry Fillmore) lesser-known marches, but that is no indication of its quality. It is a 6/8 march in standard march form but what is unique about this classic from the original Bennett Band Book is that it is one of the few Bennett marches that includes a "break strain." This makes it a great introduction for younger students to prepare them to play the more challenging marches of Fillmore, Sousa, and others.
Estimated dispatch 7-14 working days
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£58.50Delmar Festival Overture - John O'Reilly
Delmar Festival Overture is a powerful concert overture utilizing many of the contemporary compositional techniques that distinguish John O'Reilly's work. From the opening brass fanfare to the exciting conclusion, syncopated rhythms and numerous, interesting shifts of meter abound. Biting polychords establish the predominant harmonic structure for the opening Allegro, but the majestic theme that follows in the horns and saxes takes on a decidedly British band style. The lyrical middle section begins with a fully scored chorale, which serves as the subject for a lovely melodic development featuring woodwinds and French horn. A brilliant brass fanfare ushers in a return tothe opening section, which is now reorganized and further developed to bring this exciting overture to its dramatic conclusion. A great concert opener that will show off the talents of your musicians!
Estimated dispatch 7-14 working days
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£66.95Vistas - Steve Hodges
Featuring two melodic motives that are developed texturally and rhythmically throughout the piece, Vistas begins in a light, reflective manner before gradually building into a majestic contrapuntal statement by the brass. A driving percussion introduction begins the Vigoroso section and provides the rhythmic foundation for the second Vista. This minor setting of the initial motives provides an exciting variation that features a variety of meter changes and syncopated passages. A restatement of the initial motives with the driving rhythmic accompaniment begins an extended conclusion that brings the piece to a dynamic finish.
Estimated dispatch 7-14 working days
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£65.99
Red Rock Canyon - Robert Sheldon
An impressive overture for Middle School and Jr. High bands that is sure to be one of the most performed numbers at concert and contests all over the country. Displaying the same expressive qualities that have made Robert Sheldon's previous publications so popular, "Red Rock Canyon" is a quality composition that is both enjoyable and playable for younger players. Terrific teaching material!
Estimated dispatch 7-14 working days
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