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£160.00Franarormen (Optional Piano Solo with Concert Band - Score and Parts) - Aagaard-Nilsen, Torstein
In 1911, the Australian pianist and composer (and friend of Edvard Grieg), Percy Grainger (1882-1961) went on a tour in Norway. He performed more than forty concerts over a few months. Fifty years later, in 2011, The Royal Norwegian Marine Band made a concert project called "Percy Grainger Revisited Tour". "Franarormen" is a worm or a dragon as described in norse medieval ballads. I have used four different tunes from the region Telemark were Fr?narormen is mentioned in the text. The piece is a musical reflection - not at all as drammatic as the text. It is like a picture of an old fairytale and a dwell on the sound of ancient songs. The piece can be performed without the piano part. Instructions to be found in the percussion parts. - Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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£145.00Circius (Concert Band - Score and Parts) - Aagaard-Nilsen, Torstein
The title refers to a description of the wind of the north made by Olaus Magnus who lived in the 16th century. He drew maps describing people, animals, weather, winds, sea monsters etc. The map Carta Marina was unprecise, but the best they had. But he never visited the places himself. In the map over northern parts of Norway, he describes the wind "Circius" as the worst of all winds. The fast sections refers to the wind. In the middle section I borrow a folksong-like tune by Catharinus Elling (1858-1942). The text by Kristoffer Janson, tells about fishermen in small open boats. When they faced the force of nature they could do nothing but put their lives in the hand of God. - Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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£71.00Baby Shark (Option Solo with Concert Band - Score and Parts) - Fjermestad, Svein
With it's over five billion(!) views on YouTube, it's quite likely you've seen the overly catchy "Baby Shark" ... If not, it?s about time! Here it is as a funky beginners feature where the youngest musicians gets to shine as soloists. In the middle section, the cute sharks can either make a fun shark dance or join in the melody of the band. It's also possible to perform the arrangement without solists. Alle soloist-parts are covered in the band-parts as well. Duration: 2.20
Estimated dispatch 7-14 working days
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£139.99Golden Peak (Concert Band - Score and Parts) - Deleruyelle, Thierry
Golden Peak is a concert piece that takes us deep into the world of volcanoes of the Auvergne in central France. They are dormant volcanoes whose origins date back from 7,000 to over 65 million years ago. Among the most well-known are the 80 volcanoes of the Chane des Puys, a spectacular natural environment ranking among the most fascinating landscapes in the world. The title of this dynamic and rhythmic piece is a reference to the local spa town of Mont-Dore and calls upon all sections of the orchestra. The central theme is very mellow yet riveting and the music depicts both the dynamism and tranquillity of the region.Duration: 11.00
Estimated dispatch 7-14 working days
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£499.99Deep Field (SATB Chorus and Smartphone App with Concert Band - Score and Parts) - Whitacre, Eric
Score and Parts includes 40 choral octavos. Grammy Award-winning American composer Eric Whitacre's symphonic work Deep Field was inspired by the world's most famous space observatory, the Hubble Space Telescope, and its greatest discovery, the iconic Deep Field image. The new film - Deep Field: The Impossible Magnitude of Our Universe - illuminates the score by combining Hubble's stunning imagery, including never-seen-before galaxy fly-bys, with bespoke animations to create an immersive, unforgettable journey from planet Earth to the furthest edges of our universe. The soundtrack features a new, epic Virtual Choir representing 120 countries: over 8,000 voices aged 4 to 87, alongside the Royal Philharmonic Orchestra and Eric Whitacre Singers. The smartphone App playing the Deep Field electronica should be triggered by audience members from bar 217 to the end of the piece, as cued by the conductor. The app is free and must be downloaded in advance of the performance. It is available via the App Store and Google Play Store by searching "Deep Field." Duration: 20.00
Estimated dispatch 7-14 working days
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£59.00Spring's Awakening (Concert Band - Score and Parts) - Bell, Jeremy
Flowers bloom and the world stirs with life renewed in "Spring's Awakening!" The music begins with a driving ostinato in the clarinets, and staggered entrances that portray flowers opening for the first time. After the entire ensemble enters, two different melodic themes are passed throughout the ensemble, layered over driving 8th-note rhythms that propel the music forward. "Spring's Awakening" is an engaging and beautiful work that makes a perfect fit for any spring or end of the year concert. Duration: 2.15
Estimated dispatch 7-14 working days
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£137.99Friendly Takeover (Concert Band - Score and Parts) - Waespi, Oliver
Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Duration: 9.30
Estimated dispatch 7-14 working days
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£75.00O Come, All Ye Faithful (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
O Come, All Ye Faithful (originally written in Latin as Adeste Fideles ) is a Christmas carol that has been attributed to various authors, including St. Bonaventure in the 13th century or King John IV of Portugal in the 17th, though it was more commonly believed that the text was written by Cistercian monks - the German, Portuguese or Spanish provinces of that order having at various times been credited. In modern English hymnals the text is usually credited to John Francis Wade, whose name appears on the earliest printed versions. A manuscript by Wade, dating to 1751, is held by Stonyhurst College in Lancashire. The version published by Wade consisted of four Latin verses. But later in the 18th century, the French Catholic priest Jean-Francois-tienne Borderies wrote an additional three verses in Latin; these are normally printed as the third to fifth of seven verses. O come, all ye faithful ranks as one of the most popular Christmas carols ever written, and the descant by David Willcocks has become famous the world over. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£75.00Once in Royal David's City (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Once in Royal David's City is a Christmas carol originally written as a poem by Cecil Frances Alexander. The carol was first published in 1848 in her hymnbook Hymns for Little Children. A year later, the English organist Henry John Gauntlett discovered the poem and set it to music. According to The New Oxford Book of Carols, the text was conceived by Cecil Alexander after overhearing a group of her god children complaining about the dreariness of the catechism. Cecil masterfully took doctrines from the Apostle's Creed and simplified them for her hymns. Cecil wrote about 400 hymns in her lifetime, among which are All things bright and beautiful and There Is a Green Hill Far Away. She used the money for charitable purposes, and was a tireless advocate (and visitor) of the poor and sick. Henry John Gauntlett had spent the first half of his career as a lawyer before abandoning his practice to pursue music. He served as the organist at a number of leading London churches. Gauntlett was a prolific writer and is said to have composed over 1000 hymn tunes. He made tremendous contributions to the world of music, even inventing mechanical improvements to the organ. As a result, he was praised by the famous Felix Mendelssohn and was awarded an honorary doctorate in music from the Archbishop of Canterbury. In 1919, Arthur Henry Mann, organist at King's College (1876-1929), introduced an arrangement of Once in Royal David's City as the processional hymn for the service. In his version, the first stanza is sung unaccompanied by a boy chorister. The choir and then the congregation join in with the organ on succeeding stanzas. This has been the tradition ever since. It is a great honor to be the boy chosen to sing the opening solo--a voice heard literally around the world. In this arrangement for band accompaniment, the first five verses may be performed as directed by the conductor, with different groupings of instruments for each verse, i.e., Vs.1, A cappella; Vs. 2, Fl., Oboe, E.H., Bsns; Vs. 3 Cl., Saxes; Vs. 4, Brass; Vs. 5, All, and Vs. 6 as written with featured descant. This arrangement is one of the Series of Band Arrangements compatible with the David Willcocks Carols for Choir, Book 2 (#31).
Estimated dispatch 7-14 working days
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£150.00Prologo e Fantasia (Concert Band - Score and Parts) - Walton, William - Noble, Paul
William Walton's last 'original' work of note was the Prologo e Fantasia in 1981-2, commissioned by Mstislav Rostropovitch and the National Symphony Orchestra in Washington D.C. It was first performed in London by Rostropovitch and the National Symphony Orchestra. The work consists of three sections. The first movement forms the Prologo, which is slightly reminiscent of the French Overture. The Fantasia opens briskly with characteristic Waltonian energy, and leads, after a climax, into the thematically connected final section Fuga finta (or 'make-believe fugue'). Note to conductors: orchestra performances of this work vary significantly, from a total length of just under five minutes in one performance to over six minutes and forty seconds in another. The audio presented with this arrangement is somewhat in the middle of the timings. So the metronomic markings may not necessarily be taken literally.
Estimated dispatch 7-14 working days
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