Searching for Brass Band Music? Visit the Brass Band Music Shop
We've found 202 matches for your search

Results

  • £89.99

    Cheetah - Karel Husa

    We are proud to offer this most recent work for band from one of the legendary composers of our time. Pulitzer Prize winner Karel Husa has created an impressive musical study of the fascinating cheetah. Through a variety of dramatic textures and skilled techniques, the music evokes the colors, movements, power, and speed of this magnificent wild animal. Dur. 5:40 (Grade 5)

    Estimated dispatch 7-14 working days
  • £84.50

    The Legend of Taum Sauk - Larry Clark

    A strong new concert/contest piece written to depict the legend of Taum Sauk mountain in central Missouri. It is a classic Romeo and Juliet saga that involves two different tribes of Native Americans. Larry Clark works to bring out the drama of this story through his music. It is at first fast-paced and pulsing, with a 6/8 groove followed by a love song built on the same musical material, then leading back to the uptempo music for a conclusion. A solid work for young band that can introduce 6/8 time and has cross-curricular possibilities.

    Estimated dispatch 7-14 working days
  • £286.40

    Fifth Symphony - Alfred Reed

    This work was commissioned by the Senzoku Gakuen College of Music in Tokyo in celebration of its 70th anniversary in 1994. However, in view of the invitation by WASBE (World Association of Symphonic Bands and Ensembles) for its Wind Orchestra to perform at the 7th annual convention of this association, to be held in Hamamatsu, Japan, in the summer of 1995, it was decided to premiere the music at that time instead of the anniversary year itself. The symphony is in three movements, with an introduction marked 'Moderately and sustained' leading to the first movement proper, a driving 'Allegro assai' whose main thematic material is first heard in the timpani and mallet percussion. The second movement, from which the symphony drives its sub-title, is an extended treatment of one of the oldest and most beloved Japanese folk songs 'Sakura' ('Cherry Blossoms'), a long-breathed elegiac melody taken as the basis for a free variation development through all the individual sections of the orchestra. The third movement is a brilliant rondo form (Allegro Molto, con fuoco) in which some elements of the preceding two movements are incorporated to bring the entire work to a breath-taking conclusion in a final burst of virtuoso performance from every instrument in the ensemble. The 'Fifth Symphony (Sakura)' was first performed on July 26th 1995, by the Senzoku Gakuen Symphonic Wind Orchestra under the direction of the composer, at the 7th WASBE Conference in Hamamatsu, Japan.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £144.99

    Festa Paesana - Jacob de Haan

    Lunteren, a village on the Veluwe (a wooded region in the Netherlands), sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem.The work begins with a festive introduction, completed by chimes and drums, in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly basedon the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence, reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem.The next morning, when the tower clock hits seven times, the village is awaked by the reveille of the heralds. In a fugatic version of the anthem, we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus, it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night, the musicians are still heard playing in the streets. Meanwhile, we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly, as a preparation for Sunday. Then it is played in a celebrating way, enabling the devout village residents to remember the past pleasant celebration with satisfaction.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £106.95

    Shadows - Scott Boerma

    Written in memory of a prominent band director who touched the lives of so many, Shadows is an extremely emotional and passionate piece by composer Scott Boerma. It demonstrates Scott's heartfelt thoughts of admiration and sincerity through this gorgeous piece of music. We are proud to offer such a contemplative work and to have him in the Carl Fischer Music catalog for the first time. We hope to offer more of Scott's beautiful music in the near future.

    Estimated dispatch 7-14 working days
  • £68.99

    Celtic Fantasy - Keiichi Kurokawa

    "Celtic" is a widely used term. Its history and culture expands to modern day Spain, Portugal, and North America.However, in this piece, I have based my music on the typical "Celtic" areas of Ireland and Scotland.The Bagpipe drone at the beginning reappears several times.After the introduction, the music transitions to an Irish Reel, The Wind That Shakes The Barley. Reel is a fast tempo dance, often in 4/4 or 2/2 time.Next is the Scottish folksong Auld Lang Syne, known as "Hotaru no Hikari" in Japan.The third movement is called Scotland the Brave. It is often performed by military bagpipe ensembles. Once air is blown into the bag, there is a constant reservoir of sound for Great Highland Bagpipes.A Part (advanced) is a grade 2.5-3 in American grading system. B Part (beginner) is 1-1.5.B Part is accessible for elementary school and junior high school beginning band students in Japan. However, the drone-sounding sections require a certain technique to hold the sound steady.It is my sincere desire that beginning musicians understand the importance of fundamentals through performing good music.Keiichi Kurokawa

    Estimated dispatch 7-14 working days

     PDF View Music

  • £154.99

    The Fever Tree - Rob Goorhuis

    The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord. The fever tree is a controversial legend about St. Willibrord (658-739). The daughter of a pagan chieftain of Hoemannen that made the area around Heumen unsafe, was seriously ill. They feared for her life. The chief of the gang turned to predatory Willibrord, who same time in this region led mission. Willibrord commanded theman to repent and a headband of the girl to a certain special tree to hang. The desperate captain obeyed, and his daughter was a miraculous heal. Then came the anger of the Hoemannen against their leader, who in their eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally. The daughter remained behind in great sorrow, comforted by Willibrord. The composition has the following scenes: - Andante moderato - the calling of Willibrord - Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent - Vivace - Hoemannen terrorize the inhabitants of the area Heumen - Andante - the healing of the sick girl and the conversion of the centurion - Inquieto - the revenge of the Hoemannen - Adagio - elegy on the death of the chief

    Estimated dispatch 7-14 working days

     PDF View Music

  • £174.99

    Klezmer Discovery - Sjaak van der Reijden

    The Yiddish word 'Klezmer' has been derived from the Old Hebrew words 'Kley' (tool, instrument) and 'Zemer' (song, singing, making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music, Klezmer music has succeeded in preserving its distinctive Jewish character. 'Klezmer Discovery' is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of anumber of motives from different traditional melodies (a Mitzve Tenzel and L'cha Dodi), followed by a melody in 3/8th time (Kandel's Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently, 'Der Terk in Amerika', a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast, cheerful dance melodies (bulgars) form the finale of 'Klezmer Discovery' (Lebedyk un Freylekh, Lomir sich iberbetn and Sherele).

    Estimated dispatch 7-14 working days

     PDF View Music

  • £113.30

    Via Della Terra - Marco Somadossi

    Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.

    Estimated dispatch 7-14 working days
  • £95.00 £95.00
    Buy from Peter Meechan Music

    Athabasca - Peter Meechan

    The stunning Athabasca Glacier, in the Columbia Icefield in the Canadian Rockies, provided the inspiration for this work. After having visited the Glacier in 2016, I knew that it would find a place in my music - the sheer magnitude of it was stunning, the visual was breath-taking, and the rate at which it is receding (5 meters per year) completely devastating.Now sadly collapsed, beneath the Glacier there were great, expansive ice caves - thankfully they were photographed by explorers, and it is these photos that provided the inspiration for the work; an imaginary walk through these fragile, beautiful structures; what music would sound like in them, what talking would sound like in them; and what moments of listening would sound like in them.When writing the piece I also wanted to try and acknowledge the diminishing nature of the Glacier. Whilst not being something you can visibly notice by simply observing for a short time, it is still happening in front of very eyes. This is represented by the tempos in the piece - almost doubling from the original tempo to the fastest tempo of the work (around 2/3rds of the way through), and - hopefully - almost imperceptibly.When commissioned by Ray Baril and the Edmonton Winds to write a new work for them, the Alberta connection between the group and the Glacier was impossible to resist.Peter Meechan 2018

    Estimated dispatch 5-14 working days

     PDF View Music