Results
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£80.00Clarinet Concerto (The Fallen) (Clarinet Solo with Concert Band - Score and Parts) - Wilson, Jeffery
The three movements are 'Conflict', 'The Fallen' and 'Resolution', themes that are freely interpreted musically. In 'Conflict', the solo clarinet begins with an ascending figure based on octave leaps, while the accompaniment contrasts with marcato quavers and harsh dissonances. The melody features seventh intervals, and while the movement is marked 3/4 the accompaniment is often 6/8. This is more evident in the second theme where the clarinet line moves much more by step. The development takes these ideas and the cadenza comes from yet more conflict between the now calm clarinet and dissonant clashes in the accompaniment. 'The Fallen' is the slow movement and poignantly features notes from 'The Last Post' in the opening and a beautiful working of 'David of the White Rock' later on. The final movement 'Resolution' is a Rondo in 6/8, brighter but with hints of the initial conflict through the sevenths in the meno mosso sections which interrupt the flow. Another long cadenza takes short ideas from the piece before the work comes to a triumphant end with all four E notes across the whole range, echoing the beginning. Wilson set out to write a concerto for a versatile instrument and has found ways to exploit its capabilities while keeping tonal centre. There are frequent altissimo notes within all three movements. Wilson does use the very low notes, most notably in the cadenzas, but much of the work is high, presumably to allow the clarinet to carry over the wind band accompaniment. A good command of all notes right up to A sharp an octave above the stave is needed, plus technique to travel to and from altissimo notes (legato). The piece is around 25 minutes long. Printing is clear and the piano accompaniment comes as a spiral bound volume.
Estimated dispatch 7-14 working days
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£72.00The Squealer (Marchio Circusioso) (Concert Band - Score and Parts) - Huff, Will - Glover, Andrew
This march classic from the golden age of band music will be a guaranteed hit with audiences and performers alike! "The Squealer" lives up to its name, and is a rare example of a rough-and-tumble circus march that's within the technical reaches of most bands! An excellent teaching tool for 6/8 time, "The Squealer" will be a perfect choice for any concert, contest, or festival performance. Hit it! Duration: 2.45
Estimated dispatch 7-14 working days
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£60.50The U.S. Field Artillery (Concert Band - Score and Parts) - Sousa, John Philip - Wagner, Douglas E.
Composed in 1917, "the official march of the United States Army" is one of Sousa's most frequently performed titles. It's unique in that it uses a familiar tune for the trio theme; in this case, "The Army Song." The original thematic material has been diligently preserved while scored to be accessible to the developing band.Duration: 2:30
Estimated dispatch 7-14 working days
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£49.99Dance of the Tumblers (from The Snow Maiden) (Concert Band - Score and Parts) - Rimsky-Korsakov, Nikolai - Curnow, James
From Rimsky-Korsalov's opera Snow Maiden, "Dance of the Tumblers" is considered to be one of this composer's most well known themes. Although brief in duration, this vibrant and energetic dance contains a wealth of music, and with its light-hearted spirit, is a perfect teaching tool for young players.Duration: 1:35
Estimated dispatch 7-14 working days
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£60.00The Thunderer (Flexible Ensemble - Score and Parts) - Sousa, John Philip - Stanton, Scott
One of Sousa most popular marches has been arranged by Scott Stanton for the Barnhouse Build-A-Band Series in a manner which sounds wonderful even with very small ensembles. It's playable with any instrumentation as long as the four basic parts are covered, and optional percussion parts add to the authentic sound of this great march classic!Duration: 1.30
Estimated dispatch 7-14 working days
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£50.50Invasion of the Christmas Crabs (Concert Band - Score and Parts) - Lopez, Victor
Even though it's not about the holiday, Christmas Crabs is inspired by the annual migration of literally millions of crabs on Christmas Island in Australia. There's a nod to a holiday favorite but most of the piece musically depicts the awkward movement of these exoskeletal creatures. A creative work for your first-year students! Duration: 1.45
Estimated dispatch 7-14 working days
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£57.50It's a Small World (Concert Band - Score and Parts) - Sherman & Sherman - Christensen, James
Former Disney arranger James Christensen takes us on a musical adventure around the globe with this entertaining setting of one of the world's most recognizable songs. Opening with a traditional march style and traveling through such musical regions as the Oriental, a tropical island, a Viennese Waltz, Calypso, and finally a rousing 6/8 march, this production number will delight all audiences.
Estimated dispatch 7-14 working days
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£53.95Trepak (from The Nutcracker) (Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Story, Michael
From Tchaikovsky's ballet The Nutcracker comes this fresh scoring for young band or wind ensemble. This is one of the world's most recognizable melodies, and even though the technical demands have been reduced, the musical content is strongly in evidence. With a charming flow from beginning to end, this work will find its way into thousands of holiday concerts. Duration: 1.15
Estimated dispatch 7-14 working days
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£67.50O Most Wonderful (Concert Band - Score and Parts) - Reed, Alfred
This Christmas carol of ancient European origin begins O Sanctissima and was intended as a tribute to the virgin Mary. A 19th-century translation by Falk gave us the words O How Joyfully that are typically associated with this carol. In addition to its colourful history, this carol has a very warm and expressive character. In this setting by Alfred Reed, the lilting melody is interwoven with a heroic trumpet counter-melody.Duration: 2.00
Estimated dispatch 7-14 working days
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£44.95DECK THE HALL (With Boughs of Holly) (Simply Classics Concert Band) - Stubbs, Duncan
This popular Christmas carol, believed to be Welsh in origin, first appeared in the early 1700s in Edward Jones's Musical and Poetical relics of the Welsh Bards. Its origins are reputed to have come from a tune called Nos Galan (New Year's Eve) dating back to the 16th century. Today it still represents the joy of Christmas and numbers amongst the all-time most popular carols. American Grade 2 Duration 2:26
Estimated dispatch 7-14 working days
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