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  • £72.95

    Syncopated Senorita - Joseph Compello

    From the composer that brought you the popular pieces Spanish Rose and Tango Marianna comes his latest Latin infused piece, Syncopated Senorita. This piece is great for teaching syncopated rhythms to developing bands in a fun way with an infectious Latin groove. Joe knows that music for this level should be educational, but fun too, so that they will want to practice. This is one of those pieces they will ask to play everyday!

    Estimated dispatch 7-14 working days
  • £72.95

    Jingle Bell Rag - James Pierpont

    This piece has a very high cute factor with the infusion of Ragtime music into the ever-popular Christmas carol Jingle Bells. It is a clever combination that works as if it was always meant to be this way. A perfect change of pace piece for your next holiday concert in a solid arrangement that is effective and educational. Use it to teach the history of this important American style of music.

    Estimated dispatch 7-14 working days
  • £78.95

    Shalom! - Gene Milford

    This contest style rhapsody is based on two Hebrew folk songs: Shabbat, Shalom and Shalom Chaverim. Gene Milford has crafted a wonderful work with colorful orchestration and shifting textures. It is a more serious piece that can be used at any time of the year. We expect this piece to make its way onto many festival lists: it is that good!

    Estimated dispatch 7-14 working days
  • £68.80

    Big Bass - Scott Rogers

    Every beginning low brass player deserves a big bassline. With a rhythmic focus on quarter- and eighth notes and a range of a fourth, this piece is easily accessible for all beginning low brass players - and mastery breeds motivation, and that's something young musicians on trombone, baritone and tuba need.There is also a short chromatic motive that appears at B. This is written to lie well on the slide and valves and can be a good way to teach the important difference between concert E and Eb.

    Estimated dispatch 7-14 working days

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  • £139.99

    Traffic - Thomas Doss

    This piece describes the daily madness of traffic in a city full of cars, noise and exhaust fumes. Even in the countryside the 'monster on four wheels' has already arrived and is destroying idyllic villages. In the middle of the composition, we experience a traffic jam, where some drivers tend to behave in a very primitive way! This work is dedicated to all those who are affected by or are suffering from the overpowering proliferation of traffic. This work will 'drive' your audiences crazy with excitement !!

    Estimated dispatch 7-14 working days

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  • £79.50

    Tha Mi Sgith - Brian Beck

    Tha Mi Sgth is a Gaelic folksong about forbidden love. This stunning arrangement echoes the styles of Grainger, Grieg, and Holst but is very much in the voice of Brian Beck. Every part has attainable challenges that will motivate your students to practice. This work will be a terrific way to open or close your concert.

    Estimated dispatch 7-14 working days
  • £159.99

    Resurrection - Kevin Houben

    "Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."

    Estimated dispatch 7-14 working days
  • £62.95

    Lion Pride - Chris M. Bernotas

    Lion Pride is an imaginative overture by Chris M. Bernotas and is full of majesty and pride. Beginning with a strong and dramatic statement that gives way to a bright melody, the pride of the lion shines through. A stately section represents the power of the mighty lion before returning with the spirited and exciting theme, then coming to a rhythmic and energetic conclusion. (3:32) This title is available in SmartMusic.

    Estimated dispatch 7-14 working days
  • £84.99

    Don't Start Now

    'Don't Start Now', by the British singer Dua Lipa, is the first single from her second studio album, Future Nostalgia. The accompanying music video was uploaded to her YouTube channel upon the single's release. In the song, the singer tells her ex-lover that she is now over him. She gave her first live performance of it on The Graham Norton Show, after that she sang it a number of times at various award shows, TV programmes and music festivals. This arrangement by Tom Stanford will make sure that this disco pop song will also find its way into the world of wind music.

    Estimated dispatch 7-14 working days

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  • £168.50

    60 Warm-up Chorales for Concert Band

    During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages.After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective.While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure.He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself!Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging.Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications.Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted.The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations.The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major.With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians' awareness of phrasing, the right interpretation of cadences, rubato and agogic.Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!

    Estimated dispatch 7-14 working days