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  • £52.95

    Contraption - Brendan McBrien

    Contraption is a tone poem describing an imaginary machine of great size and power. The word contraption is defined as a device or machine regarded as strange, incomprehensible, or makeshift. This concept has been applied to the construction of this musical composition. The creation of this piece was accomplished in the same way an inventor might build a physical contraption, in this case limited to three main component parts plus an interlude. A very unique and appealing piece! (3:40) This title is available in SmartMusic.

    Estimated dispatch 7-14 working days

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  • £102.99

    10W-60 - Naoya Wada

    10W-60 is the name of an engine oil that is entirely synthetic, has a very long life and is used mainly in vehicles from which high performance is required. In this way the composer makes the link with speed and energy, two important elements that can also be found in this three-part composition. Naoya Wada dedicated this piece to the famous Japanese trumpet-player Kazuki Hayasaka, and incorporated elements of boogie, Gershwin and rock.

    Estimated dispatch 7-14 working days

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  • £79.99

    Scherzo from Symphony No. 5 - Dmitri Shostakovich

    The second movement of Shostakovich's masterful and subversive Fifth Symphony, written as his career as a composer in communist Russia teetered in the balance, could suggest a barely literate composer from the Bureau of Artists coming to the great Shostakovich to demonstrate, through a most grotesque dance, how simple it is to compose great music under the Soviet System. This transcription of the Scherzo movement was produced by Mark Rogers, who also transcribed the complete symphony. In the transcription of the complete work, all of the music remains in the original key, while in this publication, the second movement is transposed down a whole tone to G minor. Other than the transposition and the removal of some of the more rarely found instruments (E flat clarinet, contrabassoon and harp), the music is intact, and represents the composer's intentions in every way. Conductors who choose to perform this piece will introduce their players to this important voice in Twentieth Century music and bring major issues about political life and its impact on creative life to their students in the most relevant fashion.

    Estimated dispatch 7-14 working days
  • £228.70

    Reflections - Suite on a Norwegian Folk Tune - John Brakstad

    The suite is constructed around a Norwegian folk tune. The melody is called "Dark Forebodings", and the words of the song revolve around thoughts and reflections on a future that can take unexpected, insecure, or perhaps dramatic and tragic turns.This is essentially a sad song with a beautiful melody. The folk tune itself is presented in the 2nd movement. In the 1st movement, the folk tune is joined with fleeting themes that indicate the unexpected; as if the music sometimesis confused as to which way to go. There are constant changes in atmosphere and feeling, from the harsh and dissonant, to the harmonious and melodic. The 3rd movement presents a more lively variant of thefolk tune, showing optimism andhappiness, even though the "halting" character of the rhythm underscores the unpredictable. The title "Reflections", therefore, refers to thoughts we can have about life. To the Conductor:The 2nd movement has an alternativeending which is may be used if the movement is played as an independent lyrical piece in a concert.It is advisable to begin first rehersal with the 2nd movement so that the main theme is known, before beginning on the 1st movement with itsmore semi-tonal parts. Intervals and intonation can provide much of the challenge in this movement.The 3rd movement can be more technically challenging, but there is considerable leeway in the tempo marking! It is important to maintain theenergy and intensity of the music through the whole movement.

    Estimated dispatch 7-14 working days

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  • £174.99

    Et in terra Pax - Jan van der Roost

    This piece was commissioned by the 'Concert Band Vlamertinge' and is a plea for peace: the title translates as 'Peace on Earth'. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words 'Et In Terra Pax' - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words 'Et In Terra Pax' bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words 'Et In Terra... Pax' are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.

    Estimated dispatch 7-14 working days

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  • £189.99

    Masked (Prerecorded Soundscape with Concert Band - Score and Parts) - Shapiro, Alex

    Movement 3 from SuspendedMasked by Alex Shapiro is composed in the exact shape of a Classical Minuet and Trio waltz, though the music--a whimsical if somewhat demented masked ball (or, balls, in this case)--bears little connection to that of Mozart or Haydn. Historically, third movement Minuets gave way to the joke-like Scherzo, and the Trio section tips its hat to some welcome levity. This is one of four movements in Suspended, a piece is composed in the tradition of an 18th century Classical symphony: four contrasting movements which serve specific functions and reveal a story. The work begins in absolute rage and chaos, then alternates between moments of grief and bleakness. Grim reality shifts to a macabre, circus-like insanity, and by the end, flickers of genuine hope contrast a pervasive sense of dread, and finally arrive at more optimistic possibilities.To perform the piece, you'll need an audio system capable of playing the pre-recorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the printed piece.Duration: 5.00

    Estimated dispatch 7-14 working days
  • £149.00

    Legend of a Giant (Also Saxophone Solo with Concert Band - Score and Parts) - Houben, Kevin

    Legend of a Giant is a composition for solo alto saxophone and Wind Band composed by the Belgian composer Kevin Houben. The composer dedicated this challenging saxophone concerto to the Spanish saxophone virtuoso Mariano Garcia. The work had its premiere in May 2021 in the Lemmensinstitute with the Wind Band of the LUCA School of Arts in Leuven (Belgium) conducted by Ivan Meylemans. Mariano Garcia is a full time professor saxophone at the LUCA School ofArts, the Conservatorio Superior de Musica de Aragon in Zaragoza (Spain) and the Wiener Akademie Musik (Austria). As in any classical concerto the saxophone soloist 'competes' with the ensemble: first alternately, in dialogue with each other, afterwards fraternally together. Moreover the ensemble is regarded as an equal partner, therefore also for the musicians of the group, this cinematic score presents a tough challenge. Legend of a giant immerses the listener in the world of the saxophone and challenges the soloist in the field of lyricism and timbre, but also on a technical level. In this way various aspects and modern playing styles such as bisbigliandos, double staccato, frullatos, glissandos, harmonics of overtones, pass in review. In a word: a tough 'challenge' for any saxophone virtuoso! A simplified version of the saxophone solo part also exists.

    Estimated dispatch 7-14 working days

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  • £52.95

    Contraption (Concert Band - Score and Parts - McBrien, Brendan

    Contraption is a tone poem describing an imaginary machine of great size and power. The word contraption is defined as a device or machine regarded as strange, incomprehensible, or makeshift. This concept has been applied to the construction of this musical composition. The creation of this piece was accomplished in the same way an inventor might build a physical contraption, in this case limited to three main component parts plus an interlude. A very unique and appealing piece!Duration: 3:45

    Estimated dispatch 7-14 working days

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  • £53.95

    Pachelbel Canon (Concert Band - Score and Parts) - Pachelbel, Johann - Sayre, Charles

    The canon is a contrapuntal device that has been used by composers throughout the history of music. From the seventeenth century comes this canon, Johann Pachelbel's best-known work. This beautiful piece has found its way into literally hundreds of venues, from the concert hall to the soundtracks of television commercials and movies. This dignified setting begins quietly, and as voices echo the melodic line, it builds to a fitting finale. This is quality scoring of a world-famous melody. Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £89.99

    Mercury (Concert Band - Score and Parts) - Van der Roost, Jan

    Mercury is a concert march composed in a typically British idiom. In 1990, Jan Van der Roost wrote this piece on the occasion of the 15-year anniversary of his own band: Brass Band Midden Brabant. Like many British marches, the main theme is written in a minor key. Powerful and virtuoso themes characterise the first part of this march, while the trio melody is much more melodical, offering the tenor register to display its lyrical skills. Follows a dynamic passage for trombones and trumpets/cornets, leading to a "grandioso" version of the main trio melody and thus concluding this march in a magnificent way.Duration: 3.00

    Estimated dispatch 7-14 working days

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