Results
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£59.95Wheels (Concert Band - Score and Parts) - Holmes, Chris
A four movement work based on wheels! Includes:Big Dipper - the little carriage slowly climbs before hurtling off on its journey. Then another climb takes it even higher and off it goes again, even faster - the high woodwind instruments hint at the screams and shouts of the the passengers, before the carriage comes to a rest and everybody gives a sigh of relief.London Eye - the giant white wheel turns slowly and silently, taking the passengers high above London's River Thames, with views over the Houses of Parliament and the whole of the capital's skyline - breathtaking!Wagon Train - horses are pulling the heavy wooden wagons, slowly trundling across the American plains, taking the settlers to their new homes in the West.The No. 57 Bus - the bell sounds, and off the bus goes - the music changes when the bus comes to a stop to let passengers on and off - "ting ting" and off it goes again - another change in the music, another stop - a run home, and two final rings on the bell - a good trip!Duration: 9.00
Estimated dispatch 7-14 working days
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£11.95Wheels (Concert Band - Score only) - Holmes, Chris
A four movement work based on wheels! Includes:Big Dipper - the little carriage slowly climbs before hurtling off on its journey. Then another climb takes it even higher and off it goes again, even faster - the high woodwind instruments hint at the screams and shouts of the the passengers, before the carriage comes to a rest and everybody gives a sigh of relief.London Eye - the giant white wheel turns slowly and silently, taking the passengers high above London's River Thames, with views over the Houses of Parliament and the whole of the capital's skyline - breathtaking!Wagon Train - horses are pulling the heavy wooden wagons, slowly trundling across the American plains, taking the settlers to their new homes in the West.The No. 57 Bus - the bell sounds, and off the bus goes - the music changes when the bus comes to a stop to let passengers on and off - "ting ting" and off it goes again - another change in the music, another stop - a run home, and two final rings on the bell - a good trip!Duration: 9.00
Estimated dispatch 7-14 working days
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£76.99Broadway Journey: 25 Years of Golden Classics (Concert Band - Score and Parts) - Christensen, James
A spectacular medley with optional narration, featuring the best from Broadway's golden era (1934-1959). Includes: Anything Goes (Anything Goes), It Ain't Necessarily So ( Porgy And Bess), It's Delovely (Red, Hot, and Blue), My Funny Valentine (Babes In Arms), Oklahoma! (Oklahoma!), How Are Things In Glocca Morra? (Finian's Rainbow), Another Op'nin', Another Show (Kiss Me Kate), Getting To Know You (The King And I), Stranger In Paradise (Kismet), On The Street Where You Live (My Fair Lady), Let Me Entertain You (Gypsy).
Estimated dispatch 7-14 working days
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£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£160.00DANCE SUITE (Concert Band) - Muldowney, Dominic
Includes:1. Hey2. Pavane/Waltz3. Polka4. Waltz/Galliard5. Tangos6. Break-DanceDance Suite displays a variety of historical dance forms from a twentieth century viewpoint. The six dances move forward historically from the ancient Hey, through Waltz and Polka, to the sophisticated Tango and the jazz tradition. The rhythm that typifies each dance is constantly under attack, sometimes from a different dance style altogether. These intrusive elements are most obvious in the final dance and prompts the double meaning of the title.I. HEYHey is constructed like a mediaeval motet, where the main blocks of material are rhythmically unconnected to one another. The percussion is the most disconnected of all and seems to have arrived from a Chinese carnival. The scoring alludes to the eight, four and two foot pipes of a baroque organ.I. PAVANE/WALTZAfter a nod in the direction of Dowland's Lachrimae Pavan, the piece seems to wander to and fro between the 16th century and the 19th century world of the Lehr waltz.I. POLKAThe Polka is derived from a four bar fragment found in Stravinsky's sketchbook for The Rite of Spring above which is written: "Dieppe Polka".I. WALTZ/GALLIARDThis is a reversal of the date-shift process in the second movement, in that the wandering goes backwards rather than forwards, particularly to the William Byrd of the Fitzwilliam Virginal Book.I. TANGOSA slow sentimental tango is sandwiched between an abstract deconstructed one, both of which are developed in Dominic Muldowney's opera The Voluptuous Tango.I. BREAK-DANCEBreak-Dance is the fastest, hardest and strangest movement. Its exuberance fractures the texture, which slowly crumbles midway through the movement, only to be resurrected mirror fashion. The piece is a species of palindrome with no true centre, hence: "Break-Dance".Conductors are free to make a selection from these dances for festival or competition programmes, when limited performance time is available.
Estimated dispatch 7-14 working days
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£100.80Mont Blanc (Concert Band - Score and Parts) - Schwarz, Otto M.
With its height of 4,808 meters, Mont-Blanc is called the roof of Europe. The highest mountains on our planet have been insurmountable for a long time. Only in the past 250 years have those giants been mounted. Crystal-hunter Jacques Balmat and Michel-Gabriel Paccard, a doctor, were the first to climb Mont-Blanc, in 1786. Many paths lead to Mont-Blanc's peak: the regular ascent goes through the magnificent voie royale of Saint-Gervais-les- Bains, which was opened in August 1855 by the Englishmen Hudson, Kennedy, and Smythe. Today's most common route to climb up, starting from Saint-Gervais via Aiguille du Gouter (3,863m), Dome du Gouter (4,304m), and Arete des Bosses (4,547m), was first used in 1861. Otto M. Schwarz composed this work inspired by the roof of Europe with its luminous and huge glaciers. Early in the morning, mountain-climbers set off to the peak; they witness the sunrise, and experience the hazards that the journey up to the summit brings along. A snowstorm and falling rocks at Arete des Bosses aggravate their journey. A sudden change of weather, however, enables them to reach the top after a strenuous ascent. This piece invites you to an imaginary journey from Saint-Gervais-les-Bains via the voie royale to the top of Mont-Blanc.Duration: 6.45
Estimated dispatch 7-14 working days
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£55.00Bullet Train (Shinkansen) (Concert Band - Score and Parts) - Webb, Amy
A dramatic, driving work guaranteed to motivate and excite your students, "Bullet Train" pays homage to the Japanese Shinkansen, a network of the busiest high-speed rail lines in the world, with a top speed of 200 miles per hour! Teaching opportunities abound, as tenutos, staccatos, minor scales, Japanese pentatonic scales, crescendos and decrescendos, are all presented. This piece will bring a unique multi-cultural flavor to any band concert, and will be an audience favorite as well. The biggest challenge? Not to rush, as even the "Bullet Train" will go off the rails if it goes too fast! Accelerated fun from start to finish! Duration: 2.30
Estimated dispatch 7-14 working days
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£179.99Amazonia (Concert Band - Score and Pars) - Van der Roost, Jan
This major concert work consists of five movements:1st movement: La Laguna del Shimbe. Situated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powers and for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside his patient. The biggest lagoon is the "Laguna del Shimbe", one of the countless wells of the immense Amazon stream.2nd movement: Los Aguarunas. Further downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It's a proud, beautiful and independent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants... They also grow some crops and live as semi-nomads. They take their fate into their own hands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways.3rd movement: Mekaron. Mekaron is an Indian word meaning "picture", "soul", "essence". The Indians are the original inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music and medicine. "Everywhere the white man goes, he leaves a wilderness behind him", wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone, 80 tribes have vanished completely).4th movement: Ktuaj. This is the name of the initiating ceremony of the Krah tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with red paint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino Faiakan. In 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam in Brazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribes around Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of the Brazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was, albeit temporarily, stopped.Duration: 12:30
Estimated dispatch 7-14 working days
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£51.95Hallelujah Chorus (Concert Band with Optional Chorus - Score and Parts) - Handel, George Frideric - Kinyon, John
The Hallelujah Chorus is the best known and most dramatic section from The Messiah, an oratorio first performed in Dublin in 1742 with the composer conducting. In addition to the chorus, the original orchestration called for two oboes, two bassoons, two horns, timpani, strings and keyboard instruments. King George III, in attendance at the premier performance, is said to have suddenly leaped to his feet on hearing the opening chords. Historians disagree, however, as to whether his majesty was merely showing his appreciation of the music or whether, as one story goes, he had been startled out of a sound sleep. Whichever, the entire audience followed the regal example, thereby instituting a tradition which has persisted for more than two centuries. Even today it is customary for an audience to rise during the performance of this exciting work. Duration: 4.00
Estimated dispatch 7-14 working days
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