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  • £56.50

    Unity March - Steve Hodges

    You're looking for a march with substance, but your students want one that's fun to play. Impossible to find you say? Not anymore! With Unity March, Steve Hodges has skillfully taken traditional march elements and combined them for a sure-fire good time. A real winner!

    Estimated dispatch 3-5 working days

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  • £46.95

    Stay Cool - Vince Gassi

    If COOL is what you're looking for, YOU JUST FOUND IT! A simple, yet effective descending line in the lower voices of the band decides to "hang out" with a very hip melodic "hook" offered by the upper affiliates. Reverse rolls for the bridge, add in some harmony in 4ths, and the result is a level of cool your band and audiences will not soon forget. Everyone has something to say in this partnership in the study of cool. All you can say at the end of this one is Du-u-ude!!

    Estimated dispatch 3-5 working days

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  • £62.95

    Me and My Broken Heart

    Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00)

    Estimated dispatch 3-5 working days

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  • £62.95

    London Bridge

    London Bridge was originally written for brass quintet and later scored for concert band. Below is the composer recalling the quintet version's premiere. London Bridge was designed to appeal to children, but also to the child remaining in the rest of us. It kind of developed asit went along and ended up where it is today if that makes any sense at all. A few days after the first draft was finished I took it to a clinic for high school band members at one of theAnchorage schools. The clinic was put on by the Canadian Brass who were in Anchorage on a concert tour. They sight read it at the clinic. I even asked them to autograph the parts. They did. I did not have the nerve to ask them what they thought about it, and they offered meno opinion. That may have been good. This is a terrific novelty piece that shows off the whole band, quotes famous pieces and allows the students to really have fun.

    Estimated dispatch 3-5 working days
  • £150.00

    Aria Della Battaglia

    The current edition of Gabrieli's was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled "per sonare d'instrumenti da fiato" ("to be played by wind instruments") and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called "Battle Symphony," being a latter-day example.

    Estimated dispatch 3-5 working days

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  • £170.00

    Second Symphony - Alfred Reed

    Commissioned in the late Fall of 1975, work on the SECOND SYMPHONY was not begun until the Summer of 1977, when the score was completed in sketch form in three months, July through September. The instrumentation was begun in the late Winter of that same year and the Full Score completed on March 27th, 1978. The first performance took place in Fairchild Auditorium on the campus of Michigan State University on May 6th, 1978, by the Michigan State University Symphonic Band under the direction of Kenneth G. Bloomquist. The symphony is a single-movement work embracing three distinct sections. The first, marked is a freely constructed passacaglia built on a flowing theme derived from the tone row that underlies the entire score: Bb-F-E-Ab-G-D-Db-C-Cb-Gb-Eb-A, and which is developed in alternating variations leading to a powerful climax at its close. The second section is, in reality, a tense, hard-driving double fugue characterized by a constant march-like rhythm underlying the further development of the original theme and its countersubject in both duple and triple meters. This section, marked also ends in an overwhelming climax and then dies away, preparing for the third and final section. This final portion of the music, marked is based upon two long, lyric themes, also derived from the row, that alternate with occasional reminders of some of the thematic material from the second section, now transformed into a rich, glowing and relaxed tonal tapestry woven together from the myriad of tonal colors available in contemporary scoring practice for the winds. At the very end, after a fortissimo re-statement of the theme in its original form as derived from the row, there is a gradual ebbing of the flood of tone from the full ensemble as the various choirs drop out one by one, leaving only a dark, warm color of low Clarinets, Baritone and Tuba, hinting at the opening of the symphony, together with a last reminder of the original motif in the Bells and Vibraphone, suggesting, for the work as a whole, an arch-form.

    Estimated dispatch 3-5 working days
  • £58.50

    Raiders of the High Seas - Erik Morales

    A fun and fast-paced work, this overture from Erik Morales explores a variety of timbres and harmonies as it seamlessly moves through several themes in constant development. A bold opening fanfare contrasts with lyrical lines while a continuing rhythmic motif unites the entire work. This is one high seas adventure you will not want to miss!

    Estimated dispatch 3-5 working days

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  • £92.50

    Stonehenge Symphony - Paul W. Whear

    While not a programmatic piece, necessarily, the composer here evokes the mystery and sense of drama that encompasses the Stonehenge site, as well as the surrounding countryside. At times atmospheric, processional, ceremonial, and celebratory, this is a work with a majesty about it. Paul Whear is a master of writing original works for wind bands and this work takes a proud place with his other publications.

    Estimated dispatch 3-5 working days
  • £50.50

    Markham Fair Suite - David Marlatt

    This set of short pieces depicts events that occur annually at fairs all across North America. Ferris wheels, cotton candy, and a fanfare to open the fair are all included. Unique to this short suite is Old McDonald's Barn, a popular viewing event with children found at the Markham Fair. In this movement, animal noises are emulated within the group. This work is not too difficult and is very interesting and fun for all players. Every section in the band is featured and gets a chance to perform some melodic material.

    Estimated dispatch 3-5 working days
  • £52.95

    The Spirit of Killian Hill - Robert Sheldon

    is a concert overture that begins with a spirited march-like theme that transitions to a lyrical contrasting section in three-four time. A and round out this tuneful piece that is not only fun to play, but very enjoyable for the audience as well. This title is available in MakeMusic Cloud.

    Estimated dispatch 3-5 working days

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