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£39.95
Keep the Faith - Score and Parts - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£7.95
Keep the Faith - Score only - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£85.00
Der Aufstand - Gavin Higgins
Der Aufstand (German for 'riot') is not a descriptive work, nor is it solely based on the riots of 2011. It does, however, draw on the idea of opposing forces and escalating anger. The work falls into two contrasting sections that are linked by a series of repeated, 'screaming' chords. A slow build drives the first section from a single pitch to a blazing orchestral tutti. The second section is a fast and wild series of fanfares and driving rhythms that ultimately cannot be sustained. In many ways this mirrors the first. Both sections open on single tones (Bb and E) and grow to a climax of brass and hammered chords. The first performance took place on the last day of the 2012 Olympic Games. Der Aufstand is a noisy antithesis to the celebratory fanfare.Wind Band Grade: 6 (Professional and elite student and 'national' bands)Duration: 10 minutes
In stock: Estimated delivery 1-3 days
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£185.00
East Coast Pictures - Nigel Hess
East Coast Pictures was commissioned by the British Youth Wind Orchestra with funds from the National Westminster Bank plc. These three short 'pictures' were inspired by several visits to a small part of the American East Coast, an area that provides great extremes in the geography and the people. Movement 1: Shelter Island is a small island situated near the end of Long Island, a few hours drive east of New York. In the summer it becomes a crowded tourist trap; but in the winter it is gloriously deserted and bravely faces the onslaught of the turbulent Atlantic, shrouded in sea mists and driving rain. This 'picture' is a fond memory of a winter weekend on Shelter Island. Movement 2: In upstate New York lie the Catskills Mountains--an extraordinary combination of tranquillity and power, peace and majesty. Once seen, they call you back again and again. Movement 3: New York - or to be more precise, Manhattan. For anyone who is familiar with this bizarre and wonderful city, here is a 'picture' that needs no explanation. For those not yet hooked this is a foretaste of things to come!
In stock: Estimated delivery 1-3 days
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£75.00
The Winds Of Power - Nigel Hess
Unlike Nigel Hess's other works for wind band, The Winds of Power is not a programmatic work. After a dark and menacing opening a solo trumpet introduces a theme which will eventually become the centre of a piece and is soon heard tutti in a lyrical form. This is interrupted by a return to the opening mood, with only a brief respite in the form of a chorale for clarinet choir and harp. The theme tries to return once more in a rousing, somewhat cinematic version, but again the sense of foreboding overtakes it. An unsettling march-like section follows before the theme returns in its most lyrical and gentle guise, introduced by solos in the woodwind section. Eventually, a maestoso statement which erupts into a presto coda, ends the journey in a triumphant, more optimistic blaze of sound.
In stock: Estimated delivery 1-3 days
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£74.72Temperamental (Concert Band) Fendall Hill
This work by Fendall Hill was the set test for the 2021 National Brass Band Championships of New Zealand, B Grade. Here it has been adapted for Concert Band. The composer writes: 'J.S. Bach (1685-1750) is deemed by many to be the 'Ulimate Composer'. He added an incredible proportion to the DNA of western music, and his influence is heard in the music of today. Like many artists, he was not overly recognised as a composer during his lifetime, and it took an 1829 performance of the St Matthew Passion by Mendelssohn to ignite a recognition of his place in the music world, a place he has maintained ever since. This piece starts with a similar spark of rediscovery of the music of Bach. It contains arrangements of various works, interspersed with composition based on Bach's chord structures, sections in the style of Bach, and original sections inspired by the moods created along the way. The first section explores the Toccata, and great organ works. This leads into an exploration of his choral works, and a finale based on the Preludes. The word 'Tempered' has different meanings, and all seem to apply to the music of Bach, and these appeal to the musical, engineering and spiritual aspects of my personal life. His music reaches to the humanity and divinity, it has strength, structure and order that creates frameworks in which incredible complexity reigns; and the complexity leads to a wildness, a kind of craziness that represents a range of human moods, and can change without warning. The same piece of music affects people in very different ways. I don't know if it's Bach's music, or us, but it can seem out of control and under control at the same time - the combination is highly temperamental. To view a follow-the-score video of the work please visit: https://youtu.be/6CtYZmCoWIc Sheet music available from: UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Advanced Instrumentation: Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£75.00
New York - Nigel Hess
New York - or to be more precise, Manhattan. For anyone who is familiar with this bizarre and wonderful city, here is a 'picture' that needs no explanation. For those not yet hooked this is a foretaste of things to come! This piece forms the final movement of 'East Coast Pictures', commissioned by the British Youth Wind Orchestra with funds from the National Westminster Bank plc. It is a suite of three short 'pictures' that were inspired by several visits to a small part of the American East Coast, an area that provides great extremes in the geography and the people.
In stock: Estimated delivery 1-3 days
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ISS Flyover - Peter Meechan
I.S.S Flyover was written in August 2012, when the International Space Station (I.S.S.) was visible in the sky over my home town of Manchester, UK. This is not an uncommon occurrence (www.heavens-above.com is a useful tool to help you find when the orbit of the I.S.S. passes over), but what was unique about this particular pass was that there would be astronauts carrying out repair work on the outside of the station.The idea that something that seemed to pass so quick in the skies above us juxtaposed with what must have seemed a slow, dangerous journey for the astronaut is what lead me to write this piece.The opening passage is a fast, ostinato driven section; the speed and energy that the I.S.S is perceived from earth. The middle section is desolate and sparse; the astronauts looking down on earth as they slowly orbit around the globe, the loneliness of space. The final section is a return to the original material - this time with even more momentum and drive, provided by the percussion.I.S.S. Flyover was commissioned by a Canadian consortium of: the University of Saskatchewan, Brandon University, the University of Calgary, Harmonie Laval, Memorial University of Newfoundland, the University of Prince Edward Island, the University of Toronto and Anthony Reimer, Calgary, Alberta. The work is dedicated to Darrin Oehlerking who organised the commission consortium.
Estimated dispatch 5-14 working days
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Perpetua - Peter Meechan
When I write music I feel a need to comment on the world around us - which, right now, is not always a happy society. But I also want to write music about the world I want to live in - about the joy, beauty, hope, and love I see in our communities.In writing Perpetua I wanted to compose a piece of perpetual motion, that is challenging, exciting, and fun - all brought together through a sense of joy.Perpetua was commissioned by Foothills Concert Band (Calgary, AB, Canada) and their conductor Anthony Reimer.
Estimated dispatch 5-14 working days
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£64.00Symphony for Wind Orchestra - Montage - Peter Graham
Symphony for Wind Orchestra - Montage is a major new addition to the concert band repertory - an ideal work for concerts and festivals where music of stature and substance is required. Finely crafted and idiomatically scored, each of the three movements has a character of its own, yet they combine to make not just a satisfying whole, but a powerful, dramatic aural montage that will both delight and excite. Duration: 16 minutes USA Grade 6
Estimated dispatch 7-14 working days
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