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£89.99Minerva - Jan Van der Roost
Minerva by Jan Van der Roost was composed on the commission of the German "Musikverein Braunshausen" on the occasion of the 75th anniversary of the orchestra. The composition, first performed on September 17, 1999, is not a street march but a concert march, just like Mercury and Arsenal. The use and variation of different rhythmic patterns gives the first part of this march a distinctly dynamic character. Two main themes are presented in several instrumental combinations. The theme from the trio, on the other hand, is characterized by a broad melodic approach using large intervals. This theme, wreathed by high woodwinds, is heard one more time after a contrasting newpart, but now in a somewhat slower tempo. The counterpoint in this part refers to the first part of the march. The brilliant ending suits a festive anniversary march!
Estimated dispatch 7-14 working days
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£248.99Missa Brevis - Jacob de Haan
Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.
Estimated dispatch 7-14 working days
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£76.99Polish Christmas Lights - Traditional
Polish Christmas Lights is a collection of three traditional Polish Christmas carols arranged for wind ensemble with flexible instrumentation. These three themes are used throughout the composition, with some variation here and there. Add a little sparkle to your Christmas concert with Polish Christmas Lights.
Estimated dispatch 7-14 working days
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£109.99Te Deum - Jan de Haan
Groer Gott, wir loben dich is a well-known German hymn, written by Ignaz Franz in the 18th century but based on the 4th century Te Deum laudamus. After a radiant introduction by the brass section, the first variation on the chorale appears. Subsequently, the song is rendered in its original form. Then three more variations follow. The result is a solemn work that is very fitting within the context of a church service, but is also suitable for many other occasions.
Estimated dispatch 7-14 working days
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£84.99High Voltage - Thierry Deleruyelle
High Voltage is an especially energetic composition in the big band style. The blaring brass and the ornate interplay of the woodwinds lend this work great character and conviction. In the second half of the piece two solos are played: firstlythe tenor saxophone (alternatively alto saxophone), followed by a virtuoso variation in the trombone (alternatively baritone euphonium).
Estimated dispatch 7-14 working days
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£104.50
Incandescent Sky - Robert Sheldon
This sparkling concert overture commemorates the 30th anniversary of the First Coast Wind Symphony. An opening majestic fanfare leads to a buoyant main theme in 12/8 time. A lyrical contrasting section is as rich in melodic content as it is passion. The piece, being in a modified rondo form restates a variation of the main theme before returning to the opening fanfare and a rousing conclusion.
Estimated dispatch 7-14 working days
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£144.99Ross Roy - Jacob de Haan
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.
Estimated dispatch 7-14 working days
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£94.99A Joyful Fanfare - Franco Cesarini
This joyous fanfare offers many members of the band the opportunityto shine. The opening subject is passed from the clarinets to thesaxophones and then to the oboes before being taken up by thecomplete band. After a quiet variation from the horns the work comesto a powerful climax. A perfect concert opener that will introduce yourwhole concert band to the audience.
Estimated dispatch 7-14 working days
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£84.99Tempus Fugit - James Curnow
Commissioned by the Glenbard East High School Music Department of Lombard, Illinois in grateful appreciation for the 34 year teaching career of Ross Kellan and his tireless commitment to excellence in music education, where he led by example each and every day. A scintillating opener! The joyful spirit will light up your concert hall like fireworks as you set your next performance in motion with James Curnow's striking new piece titled Tempus Fugit. Brass fanfares, Woodwind flourishes, and Percussive flamboyance commence as the house lights go down and the curtains part. Artistic variation is the hallmark of this enthusiastic work and many delights are in store foryour group as you carefully rehearse this outstanding new piece.Carpe diem!
Estimated dispatch 7-14 working days
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£60.99Land of Tomorrow - James Curnow
Framed through variation around the great old shape-note melody When I can read my title clear, James Curnow's significant new composition, Land of Tomorow, is a wonderful expression of the composer's art. While traversingcountless moods, the flow and continuity never falter, and the interest never fades. The band that plays at this level can only gain skill and knowledge through meticulous preparation of this enthralling composition. Every playercan take deep satisfaction from a solid performance of this masterpiece. Powerful!
Estimated dispatch 7-14 working days
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