Results
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£60.99Fantasy On A Russian air - Johnnie Vinson
Based on a familiar folk tune, Johnnie Vinson has created an appealling set of variations with an occasional nod to Beethoven, who used the same melody in his Theme and Variations for flute and piano (Op. 107, No. 7). With each variation featuring a different section of the band, this work utilizes a mixture of contrasting meters and styles. Dur: 4:00
Estimated dispatch 7-14 working days
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£64.99Variants on an Irish folk tune - Timothy Johnson
The Irish folk tune Slane (the melody used in the hymn Be Thou My Vision) forms the foundation for this melodically expansive and inspired work for concert band. A flowing exploration of the melody in variation inspires thelistener with its bold and thrilling progression. The piece remains within reach of a solid grade 3 band but gives the impression of a higher level of composition. A rich variety of style and orchestration make this a goodchoice for festival use as well as concert performance, as well as a great opportunity to study the rich cultural heritage of Ireland. You'll be glad you programmed Variants on an Irish Folk Tune by Timothy Johnson.
Estimated dispatch 7-14 working days
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£60.99Land of Tomorrow - James Curnow
Framed through variation around the great old shape-note melody When I can read my title clear, James Curnow's significant new composition, Land of Tomorow, is a wonderful expression of the composer's art. While traversingcountless moods, the flow and continuity never falter, and the interest never fades. The band that plays at this level can only gain skill and knowledge through meticulous preparation of this enthralling composition. Every playercan take deep satisfaction from a solid performance of this masterpiece. Powerful!
Estimated dispatch 7-14 working days
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£94.99A Joyful Fanfare - Franco Cesarini
This joyous fanfare offers many members of the band the opportunityto shine. The opening subject is passed from the clarinets to thesaxophones and then to the oboes before being taken up by thecomplete band. After a quiet variation from the horns the work comesto a powerful climax. A perfect concert opener that will introduce yourwhole concert band to the audience.
Estimated dispatch 7-14 working days
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£102.99Whistle for a Penny - Harrie Janssen
The title Whistle for a Penny can have different meanings, but brings especially to mind the difficult relationship between art and money... After a short introduction, the main theme is heard. This theme is an excellent tune to whistle, by the way. After lots of variation in the instrumentation, as well as contrasting melodies and themes, the finale sees a return to the opening bars of the composition.
Estimated dispatch 7-14 working days
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£84.99High Voltage - Thierry Deleruyelle
High Voltage is an especially energetic composition in the big band style. The blaring brass and the ornate interplay of the woodwinds lend this work great character and conviction. In the second half of the piece two solos are played: firstlythe tenor saxophone (alternatively alto saxophone), followed by a virtuoso variation in the trombone (alternatively baritone euphonium).
Estimated dispatch 7-14 working days
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£96.50
Incandescent Sky - Robert Sheldon
This sparkling concert overture commemorates the 30th anniversary of the First Coast Wind Symphony. An opening majestic fanfare leads to a buoyant main theme in 12/8 time. A lyrical contrasting section is as rich in melodic content as it is passion. The piece, being in a modified rondo form restates a variation of the main theme before returning to the opening fanfare and a rousing conclusion.
Estimated dispatch 7-14 working days
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£89.99Minerva - Jan Van der Roost
Minerva by Jan Van der Roost was composed on the commission of the German "Musikverein Braunshausen" on the occasion of the 75th anniversary of the orchestra. The composition, first performed on September 17, 1999, is not a street march but a concert march, just like Mercury and Arsenal. The use and variation of different rhythmic patterns gives the first part of this march a distinctly dynamic character. Two main themes are presented in several instrumental combinations. The theme from the trio, on the other hand, is characterized by a broad melodic approach using large intervals. This theme, wreathed by high woodwinds, is heard one more time after a contrasting newpart, but now in a somewhat slower tempo. The counterpoint in this part refers to the first part of the march. The brilliant ending suits a festive anniversary march!
Estimated dispatch 7-14 working days
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£248.99Missa Brevis - Jacob de Haan
Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.
Estimated dispatch 7-14 working days
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£12.95Symphonic Rhapsody for Euphonium and Band (Concert Band - Score only) - Gregson, Edward - Farr, Ray
This work, transcribed for Wind-band by Ray Farr, maintains a strongly lyrical style, and whilst the variation element is a fundamental feature, the close adherence to thematic material and recapitulative 'echoes' create a cohesive whole, making the conception satisfyingly unified. The theme is that of an old song: So we'll roll the old chariot along, And we won't drag on behind.
Estimated dispatch 7-14 working days
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