Results
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£48.95The Holly and the Ivy (Concert Band - Score and Parts) - Gassi, Vince
Adorn your holiday concerts with this charming new setting of a familiar English carol. To open, we hear a jubilant proclamation leading to a presentation of the melody in 4/4 by the trumpets, supported with clarinets and light percussion. Soon, the low brass revels in the theme while the woodwinds festoon and decorate. Spirits are lifted with a change of key until we are gradually transported to a gentle variation in 3/4 where all is calm. It isn't long before we hear the exuberant melody again and all is brought to a joyous conclusion. You'll be programming this one for years to come.Duration: 2.45
Estimated dispatch 7-14 working days
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£64.99Three Scenes from Penn's Woods (Concert Band - Score and Parts) - Jager, Robert
Referring to the founder of Pennsylvania, William Penn, this suite of three appealing settings reflects on the origins and character of this state. The suite opens with the lighthearted 6/8 setting "Punxsutawny Phil." Next is "Moravian Hymn Variants" which is solemn and rich-sounding, but with a brief spirited middle variation. "Independence Hall" concludes this well-written work in a stately and majestic style.Duration: 7:30
Estimated dispatch 7-14 working days
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£77.50Proclamations (A Symphonic Celebration for Band) (Concert Band - Score and Parts) - Romeyn, Rob
Proclamations is a shimmering way to begin your next concert featuring a spectacular opening fanfare followed by a memorable melodic theme. A second celebratory fanfare introduces a variation on the first theme. Powerful scoring, varied textures, and contrasting styles make this the perfect choice for a concert. A very impressive Symphonic Celebration for band!Duration: 6.15
Estimated dispatch 7-14 working days
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£48.95Azure Hills (Concert Band - Score and Parts) - Hodges, Steve
Azure Hills is a lyrical ballad that presents the band with many opportunities for expressive playing. The theme is lightly presented by the flutes, then followed by another statement in the trumpets with added textures in the accompaniment. The second statement features some interesting harmonies by the woodwinds before leading into a very expressive final presentation of the melody with an added woodwind countermelody. A stirring variation and development leads to a very effective and climactic ending where melodic motives are passed from section to section as the piece winds down to a quiet, reflective conclusion.Duration: 3.30
Estimated dispatch 7-14 working days
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£164.95Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95Elgar Variations (Concert Band - Score only) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£113.00Eternal Vigilance (The Long Brave Line) (Concert Band - Score and Parts) - Jager, Robert
The result of a collaborative commission by the U.S. Air Force Academy Band, the U.S. Coast Guard Band, the U.S. Military Academy Band and the U.S. Naval Academy Band, this major work for band takes its title from a quote attributed to Thomas Jefferson, "Eternal vigilance is the price of liberty," and a variation of the West Point motto, "The Long Gray Line." Opening with a tribute to those who have gone before in service to our country, a solemn, noble theme is presented that reappears near the end of the composition. The main body of the work is a series of march-like themes and idiomatic fragments culminating in a glorious full-band fanfare. Following a restatement of the "noble" theme, a stirring coda brings the music to a climactic close.Duration: 8:30
Estimated dispatch 7-14 working days
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£46.95Willow Creek Festival (Concert Band - Score and Parts) - Hodges, Steve
Beginning with an energetic fanfare, Willow Creek Festival is an upbeat piece that moves along smoothly in triple meter. The main theme is presented by the clarinets and saxophones and then again by the trumpets and flutes. A repetition of the introduction provides a transition to a contrasting section in 5/4 time which features a memorable melody in the relative minor key. With varied percussion colours, active rhythmic patterns and an effective countermelody, an excellent contrast is achieved. The main theme returns and flows into an exciting variation of the initial fanfare, bringing the piece to a dynamic conclusion.Duration: 3.00
Estimated dispatch 7-14 working days
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£60.99Fantasy on a Russian Air (Concert Band - Score and Parts) - Vinson, Johnnie
Based on a familiar folk tune, Johnnie Vinson has created an appealing set of variations with an occasional nod to Beethoven, who used the same melody in his Theme and Variations for flute and piano (Op.107, No.7). With each variation featuring a different section of the band, this work utilises a mixture of contrasting meters and styles.Duration: 4:00
Estimated dispatch 7-14 working days
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£44.50Catalina March (Concert Band - Score and Parts) - Hodges, Steve
Catalina March, an original composition by Steve Hodges, contains elements of both traditional and contemporary marches. The spirited opening theme features a playful give-and-take between the brass and the upper woodwinds. A contrasting minor trio section is presented by the clarinets, saxophones and horns before returning to a charming woodwind variation of the initial presentation. Following an effective modulation, the piece finishes with a powerful restatement of the opening theme with woodwind countermelodies complementing the strong brass and percussion. This exciting march would be an excellent way to begin a concert!Duration: 2:45
Estimated dispatch 7-14 working days
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