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£186.20Paris Chansons - Mickey Nicolas
The French composer Mickey Nicolas (Laon, 1938) was conductor at the famous Paris cabaret 'Le Lido' for many years. He already expressed his great love for the Eiffel Tower City by composing 'Listening to Paris'. With 'Paris Chansons' (Paris Songs) he wrote a splendid medley with fine arrangements of famous French songs that glorified the French capital and spread its reputation all over the world. This nice anthology of immortal French songs contains the following songs: 'Sous les Ponts de Paris', 'Sous les Toits de Paris', 'La Seine', 'Sur les Quais du Vieux Paris', 'Mademoiselle de Paris', 'Pigalle', 'Moulin Rouge', 'Paris', 'La Romance de Paris', 'Paris je t'aime d'Amour' and 'Paris Reine du Monde'. This composition will bring some Parisian atmosphere in the concert hall.
Estimated dispatch 7-14 working days
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£90.30From My Songbook - Fabre
A new series with an exciting new sound!Michel Fabre is a shooting star on the Amsterdam pop music scene. As a composer he mainly writes educational pop music. Moreover, he writes songs in a style quite similar to the music of his colleague Robert MacRay who knew already a lot of success with compositions such a 'An All American Suite' and 'New St Petersburg'. So a collaboration seemed quite evident and the result is this simple three part suite. We get some Amsterdam street impressions and at the end we pay a visit to an extraterrestrial 'disco bar' where the music played is apparently based on a traditional blues scheme.
Estimated dispatch 7-14 working days
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£38.20Diciplin - R. Lindebro
This melodious march is of Danish origin. Ricard Lindebro (1903-1972) was a musical police officer. He was a pioneer in teaching traffic safety to children and had two radio programs about children and traffic at the danish Radio. He was also a drummer an a pianist and wrote five marches, among which 'Amalienborg' and 'Dansk Politis Honnormarch'. His popular march 'Diciplin' (1928) got famous in several European countries. Gosling Mol made an arrangement for symphonic and fanfare band and so this splendid march got into the Molenaar Edition series 'Marstriomfen' (Famous Marches) as number 73.
Estimated dispatch 7-14 working days
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£174.10Street Life - Sample
Randy Crawford led R&B veterans the Crusaders on the transatlantic hit "Street Life" (1979). A specially re-recorded version was featured in the soundtrack for the films Sharky's Machine and Jackie Brown. The composer Joseph Leslie "Joe" Sample (February 1, 1939 September 12, 2014) was an American pianist, keyboard player, and composer. He was one of the founding members of the Crusaders. but he enjoyed also a successful solo career and guested on many recordings including Miles Davis, George Benson, Jimmy Witherspoon, B. B. King, Eric Clapton, Steely Dan, Joni Mitchell, and the Supremes. Sample incorporated jazz, gospel, blues, Latin, and classical forms into his music. This arrangement can be used with a singer, but then need some attention to balance and please take away most melody lines. Electric Bass, Piano and Guitar are optional. If you would like to add an improvisation, please repeat bar 54 -62 without melody as many times you want. (Look at the piano part for chords).
Estimated dispatch 7-14 working days
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£104.50Dream Of Abraham - Daniel Bukvich
The dream... always... whenever I sleep... the dream...shouts become whispers... Those are the words of Abraham Zapruder as he speaks of his own reaction to the film he made of the assassination of John F. Kennedy. This work incorporates the unique and creative writing style found in the Bukvich Symphony No. 1 in bringing us this chilling and haunting representation. A most remarkable work. (13 minutes 20 seconds)
Estimated dispatch 7-14 working days
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£82.50See Jack Slide - Robert E. Foster
This original trombone feature, a "smear" for trombones, was written in memory of C. Jack McCurley, a young, energetic, fun-loving trombone player who lost his life in an accident. He was a member of his middle school band in Jefferson City, Missouri, and his fellow students and teachers commissioned this work as a memorial to him. But they wanted a happy piece because he was a happy person.
Estimated dispatch 7-14 working days
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£82.50Tiger: The Shadow Hunter - Randall D. Standridge
Commissioned by the Maynard Music Association for the Fowler School Band (Massachusetts), Kevin Zozik, conductor. Tigers are among the most majestic and fearsome creatures in the world - beautiful, graceful, deadly. This tribute to these wonders of nature incorporates Asian musical influences from the various locales where tigers are found. The mysterious opening hints at the hidden presence of the tiger as he stalks his prey; then the music abruptly takes off as he suddenly springs to the attack and the chase begins. The cat-and-mouse chase continues until the definitive and inevitable finish.
Estimated dispatch 7-14 working days
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£76.99
Goodnight Saigon - Billy Joel
Billy Joel began piano lessons when he was only 4 years old. At the age of 13 he discovered rock n roll and went on to produce countless hits in both rock and gentler styles. With this arrangement by Larry Foster De Haske has added on of Joel's most beautiful ballads to the concert band repertoire.
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£159.99Resurrection - Kevin Houben
"Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."
Estimated dispatch 7-14 working days
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