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  • £86.00

    Zeus: King of the Gods - Romeyn, Rob

    This monumental programmatic work from the pen of Rob Romeyn captures the myth and legend of Zeus, the mythical master of the gods and men. A sky god, he controls lightning, which he uses as a weapon, and thunder. It opens as Zeus becomes involved in the Trojan war, hurling lightning bolts at his opponents. The tension soon subsides as we are introduced to the eternally beautiful Hera, whom Zeus would eventually marry. The music then ensues as our story unfolds, as Zeus made his domain the mountaintops and clouds where he could survey all creation, and inflict pain and justice on all evildoers. Tension builds as Zeus battles Typhon in hand to hand combat, ending ultimately with Zeus throwing the enormous Mt. Etna at the monster, pinning him underneath. From here, the tension subsides, and a beautiful lyrical section builds to an ending of incredible power and grandeur as Zeus again reaffirms his stature as the ruler of Mt. Olympus. This exceptional work is a wonderful addition to any concert or festival performance!Duration: 8.15

    Estimated dispatch 7-14 working days

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  • £89.99

    Auld Lang Syne Wind Band Set (Score & Parts)

    Whereas 'Auld Lang Syne' may be considered the best-known Scottish song ever, yet at the same time it is an obscure one, for there are but few people who know the complete text by heart. After the familiar 'Should auld acquaintance be forgot .....' many people take their refuge to lyrics like 'rum tee dum ta dee ..... lah, lah, lah ........... for auld lang syne'. Even in Scotland only a handful of persons know the entire text and are able to give a correct rendering of it. The current lyrics have been attributed to the Scottish poet Robert Burns. Burns, however, he did not write the whole poem : after he had heard an old man sing the centuries-old Scotch ballad, he wrote it down and added a number of stanzas (1788). Historical research teaches us that the ballad served many purposes, both political and religious. Nowadays, 'Auld Lang Syne' is sung as a Christmas Carol and it is also sung on New Year's Eve at the turning of the year. Apart from that, though, the song is also sung on many other occasions - sometimes with different lyrics, which usually have Love, Friendship and/or Parting as their themes, as these go well with the fascinating melody. In this arrangement a low-sounding solo instrument is central. The harmonization in the accompaniment fits in perfectly with the sentiments this song will evoke. Should auld acquaintance be forgot And never brought to mind? Should auld acquintance be forgot. And days of auld lang syne? For auld lang syne, my dear, For auld lang syne, We'll take a cup of kindness yet, For auld lang syne. 03:00

    Estimated dispatch 7-14 working days

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  • £78.99

    A Kind And Gentle Soul - James Swearingen

    This prolific composer has penned many beautiful pieces. On this occasion, he has created yet another powerful and expressive composition that is highly reflective in nature. Composed in honor of a young boy who passed away far too soon, this emotional work is scored to evoke the kind traits that he displayed to the many people whose lives he touched. Truly inspiring!

    Estimated dispatch 7-14 working days

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  • £94.99

    Pilgrims' Swing - Graham Lloyd

    The Andante from the first movement of Mendelssohn's Italian Symphony (often nicknamed Pilgrims' March) contains the most beautifully haunting melody supported by the simplest of bass lines and counterpoint figures. As a young musician, Graham Lloyd was so fascinated by this music he bought the orchestral score to study the notes, which at the time made little sense to him. However, he did notice that the bass line was similar to a "walking bass" line in a standard swing tune.In this composition Graham Lloyd uses Mendelssohn's original bass line, melodic line and counterpoint figures but gives them a swing feel. Who knows, maybe if Mendelssohn had been born a hundred yearslater, he could have become one of our big band leaders!

    Estimated dispatch 7-14 working days

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  • £137.99

    Orpheus in the Underworld - Jacques Offenbach

    Jacques Offenbach was born in 1819 in Cologne, Germany, but as a child he moved to Paris where he received a thorough musical education. In his operetta Orpheus in the Underworld, Offenbach parodies the famous Greek legend of Orpheus and Euridice. Indirectly, however, he criticises the complacency of many of his contemporaries. The overture was not written entirely by Offenbach, Carl Binder added various pieces to it for a Viennese production of this operetta in 1860 and since then, these pieces have remained part of the composition. This appealing transcription includes the famous Can Can which is sure to get your audience high kicking in the aisles!

    Estimated dispatch 7-14 working days

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  • £85.00

    Sanctus (Concert Band - Score and Parts) - Gjeilo, Ola - Wilson, J. Eric

    Ola Gjeilo, born in 1978 in Norway, moved to the United States when he was 23 years old to study composition at the Julliard School. He composed this dense and richly textured setting of the Sanctus for the Uranienborg Vokalensemble shortly after he graduated in 2006. Eric Wilson has skilfully captured the magic of the original choral work in this transcription for winds. Ola Gjeilo stated the following regarding Sanctus: It's one piece of mine that remains closest to my heart.Duration: 4:20

    Estimated dispatch 7-14 working days
  • £137.99

    Orpheus in the Underworld (Concert Band - Score and Parts) - Offenbach, Jacques - Van der Beek, Wil

    Jacques Offenbach was born in 1819 in Cologne, Germany, but as a child he moved to Paris where he received a thorough musical education. In his operetta Orpheus in the Underworld, Offenbach parodies the famous Greek legend of Orpheus and Euridice. Indirectly, however, he criticises the complacency of many of his contemporaries. The overture was not written entirely by Offenbach, Carl Binder added various pieces to it for a Viennese production of this operetta in 1860 and since then, these pieces have remained part of the composition. This appealing transcription includes the famous Can Can which is sure to get your audience high kicking in the aisles!Duration: 9:15

    Estimated dispatch 7-14 working days

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  • £94.99

    Pilgrims' Swing (Concert Band - Score and Parts) - Lloyd, Graham

    The Andante from the first movement of Mendelssohn's Italian Symphony (often nicknamed Pilgrims' March) contains the most beautifully haunting melody supported by the simplest of bass lines and counterpoint figures. As a young musician, Graham Lloyd was so fascinated by this music he bought the orchestral score to study the notes, which at the time made little sense to him. However, he did notice that the bass line was similar to a "walking bass" line in a standard swing tune.In this composition Graham Lloyd uses Mendelssohn's original bass line, melodic line and counterpoint figures but gives them a swing feel. Who knows, maybe if Mendelssohn had been born a hundred years later, he could have become one of our big band leaders!Duration: 5:15

    Estimated dispatch 7-14 working days

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  • £71.28

    A Kind And Gentle Soul

    This prolific composer has penned many beautiful pieces. On this occasion, he has created yet another powerful and expressive composition that is highly reflective in nature. Composed in honor of a young boy who passed away far too soon, this emotional work is scored to evoke the kind traits that he displayed to the many people whose lives he touched. Truly inspiring!

    Estimated dispatch 7-14 working days

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  • £84.99

    Animal Kingdom Wind Band Set (Score & Parts)

    In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30

    Estimated dispatch 7-14 working days

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