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£123.95Symphonic Overture - Charles Carter
Symphonic Overture is a contemporary-sounding overture of medium difficulty so scored that it can be performed with equal success by large and small groups alike. Employing the familiar three-part form (A-B-A), the opening section has a theme which is robust in character and with considerable rhythmic interest. The second theme, slow and expressive in character is a free form based on an opening idea introduced by the first flute. At the return of the first section, the first theme is treated as a fugue subject building to great heights as all four entrances are achieved. As the exposition concludes, the contrapuntal texture gives way to a homophonic quality which closes the piece.The coda, as is characteristic, utilizes material from the first theme.
Estimated dispatch 7-14 working days
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£98.20Space Lab - Giuseppe Ratti
A long pedal-note of evanescent chords, based on empty parallel fifths, announces the theme;flutes and reed instruments exploit some almost imperceptible micro-fragments, supported by muted trumpets, creating what is an almost surreal and spatial atmosphere. This was Giuseppe Ratti's starting point for his "Space Lab", a laboratory of sounds and, later (when the main theme is taken up once more), of rhythms. Although it may sound complicated, this piece is ultimately based on a single motif: the descending fourth played on the second beat by the woodwinds. In this piece, Giuseppe Ratti, with his usual pallet of clear, transparent colours at hand, appropriate for the general public, together with simple, effective themes, has sought to experiment with new atmospheres and rhythms. First of all we hear the entire theme in the Allegro. Then the rhythm changes in a simple but at the same time complex manner: almost a genetic mutation. The part leading up to the final Lento flows smoothly for the listener but requires great skill and experience on the part of those performing it. In the final lento the main theme reappears in all its simplicity and sincerity, purified of all contrasts. A metaphor for a life that leads us towards unimaginable frontiers but which, in the end, always brings us back to the point from where we started.
Estimated dispatch 7-14 working days
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£195.00Star Wars Trilogy - John Williams
John Williams has rightfully earned a place in the hearts of all film lovers with his numerous brilliant scores to some of the best movies of the last half century. Capable of writing music ranging from tender, intimate moods to galactic battles,Williams carefully constructs each score as a separate, freestanding entity, not just background snippets. The selections in this exciting collection include "The Imperial March (Darth Vader Theme)," "Princess Leias Theme," "The Battle in theForest," "Yodas Theme," and "Star Wars (Main Theme)."
Estimated dispatch 7-14 working days
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£206.99
Chorale and Variations - Philip Sparke
As the title suggests, this piece comprises a set of variations on an original chorale,which is presented in the opening bars.The chorale uses the dark middle and lower sections of the band and is extended with minor variations until a pause leads to the first real variation, marked Vivo. This is in the form of a moto perpetuo. The second variation is a beautiful Andante introduced by a solo clarinet. Following a full band climax the final variation opens with quiet, nervous energy until its main theme is introduced.The chorale makes a brief appearance until the main theme reappears. This leads to a triumphant final augmented statement of the chorale theme, decorated by theflorid clarinet theme in the upper woodwinds. A dazzling new concert work.
Estimated dispatch 7-14 working days
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£102.99Karachi Boulevard - Willy Fransen
Karachi Boulevard is a piece of music is inspired by the city of Karachi in Pakistan. This composition was made according to the theme-and-variations principle.The main theme of the work consists of a whole musical scale and this immediately gives the arrangement an Oriental flavour. This theme is cleverly disguised in endless, almost unrecognisable variations in a series of short interconnected fragments. Following a brief presentation of the thematic material, a rhythmic allegro part, in 7/8 time, is played by the piccolo. Next, some improvisation by the clarinet are played with vocal accompaniment by a number of "inhabitants" of Karachi. In the following part, anextremely moody and impressionist andante breaks through the hectic confusion when a flute solo brings a totally different variation of the theme. After this variation, a compelling folk dance in 3/4 time is played and the piece ends in a grand finale whereby the theme can be heard once again, albeit reduced to its simplest form and enhanced by rhythmic decorations from the woodwind.Despite the many variations, this exceptional piece is composed of different parts that form a logical sequence and make a very strong musical impression on the audience.
Estimated dispatch 7-14 working days
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£179.99Spartacus - Jan Van der Roost
Spartacus is a "Symphonic Tone Poem" with 3 joints. Each section has its own melodical materials, however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical stuctures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his loveby giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad andwide character and refers slightly to filmmusic. In this part of the composition, a special attention is given to the orchestration. The final section is more agressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement, an accumulation of the 12 tones symbolizes the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J), as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R), but has been worked out rhytmically.
Estimated dispatch 7-14 working days
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£144.99Festa Paesana - Jacob de Haan
Lunteren, a village on the Veluwe (a wooded region in the Netherlands), sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem.The work begins with a festive introduction, completed by chimes and drums, in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly basedon the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence, reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem.The next morning, when the tower clock hits seven times, the village is awaked by the reveille of the heralds. In a fugatic version of the anthem, we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus, it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night, the musicians are still heard playing in the streets. Meanwhile, we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly, as a preparation for Sunday. Then it is played in a celebrating way, enabling the devout village residents to remember the past pleasant celebration with satisfaction.
Estimated dispatch 7-14 working days
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£137.99Oregon - Jacob de Haan
This fantasy tells the story of Oregon, one of America's north-western states. Traveling by train on the Northern Pacific Railroad, the listener is taken through the fascinating Oregon landscape. Indians, cowboys, golddiggers and hooded wagons will file past on this adventurous journey. The piece has some similarities with a soundtrack of a movie. Various melodies, which could be the main themes of a movie, pass the review.The piece begins in a slow movement, introducing the first theme in minor. Then we hear in the following fast movement the trombones imitate the train, whistling the steam-flute. We hear the characteristic minor theme again, but now in different variants(also in major). The rythmic structure of "western" stile and rock succeed each other. This is leading to the slow movement, where the signals of horns and trumpets introduce a wonderful vocal melody. After this characteristic melody, the fast movement appears shortly again, the trombones whistling the steam-flute again (now in major). We hear also some musical elements, that plays a part in the following Presto. Barchanges, jazzy chords, interesting rhytmic patterns (with bongo) and an original theme are the characteristics of this Presto. After this, the horns announce the last section of the piece. Interesting is the fact that we hear in this Allegro section a variant of the vocal melody in the slow movement. Also the Presto theme returns shortly, followed by the Allargando, which is a grand characteristic end of a soundtrack. The movie of our travelling fantasy has come to an end.
Estimated dispatch 7-14 working days
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£129.99Aquarium - Johan de Meij
The Suite 'Aquarium' is Johan de Meij's third composition for symphonic band and features six tropical fishes, each of them represented by a motif, and surfacing as such in several guises. The composition consists of three movements of which the second and third merge uninterruptedly into each other. I) Allegretto grazioso (Neon Tetra, Electric Eel and Angelfish) II) Andante / Adagio (Sea Horse and Zebrafish) III) Finale: Allegro giocoso (Guppy & Co.) The Neon Tetra motif functions as a kind of 'Leitmotiv' and descibes the beautifully coloured, frisky fish: A number of variants have been derived from this theme and will also appear in the other movements.The Electric Eel in fact is not represented by a motif, but by a rhythm based on the restless electric pulses made audible in some aquaria. The Angel fish is represented by elegant cluster chords. In the second movement the Sea Horse emerges out of the water vegetation and starts a dialogue with the Zebrafish, which is represented by one melodic phrase in unison, getting more and more threatening by added parallel fifths and octaves. Simultaneously with the Sea Horse motif the Neon Tetra theme emerges, this time in 3/4 time and in Eb minor. The third movement starts with only two instruments (trumpet and xylophone), but as it is often the case with Guppies their number rapidly increases. Piccolo and Alto Saxophone introduce the Guppy Theme followed by several instrumental combinations. Every theme from the first movement 'swims by' once more, after which the principal motif leads us to a brilliant ending.
Estimated dispatch 7-14 working days
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£68.99The Castle on the Hill - Philip Sparke
The Castle on the Hill was commissioned by the Harmonie l'Abeille de Lucens, based in western Switzerland, and premiered by them in their 2025 Spring Concert on April 12th in the Grande Salle in Lucens. The band has a proud history dating back to 1883 and boasts a separate youth band as well as a music school. The march is in traditional form. After a brief introduction the main theme unfolds on the full band. This is followed by a bold theme in the bass, decorated with woodwind flourishes. A bridge passage leads to a second theme on clarinets and saxophones, repeated by the full band. A change of key heralds the trio section featuring a legato melody, again on clarinets and saxophones and taken up in a fresh key by the full band. This leads directly back to a recall of the opening material in a slightly abridged and decorated version, leading to an emphatic close.
Estimated dispatch 7-14 working days
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