Results
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£135.00Star Trek, Theme from (Concert Band - Score and Parts) - Courage, Alexander - Kadlec, Jirka
Duration: 3.00
Estimated dispatch 7-14 working days
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£44.55Theme from Don Giovanni (Concert Band - Score and Parts)
A very playable, but exceptionally rewarding work for contest by the composer of the best-selling "Prometheus Overture'' and "Hyperion Overture.'' A wonderful overture that sounds great and is also a very effective teaching device for the very young.
Estimated dispatch 7-14 working days
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£11.88
Theme from Piano Concerto in C Major (Concert Band - Score and Parts)
Green and good! This execptional arrangement by Forsblad and Livingston will make you feel as if every day was St. Patrick's day.
Estimated dispatch 7-14 working days
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£9.90
Theme From Sechs Kinderstrucke (Concert Band - Score and Parts)
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Estimated dispatch 7-14 working days
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£60.99 -
£59.95THUNDERBIRDS (TV Theme) (Programme Concert Band) - Gray, Barry - Sparke, Philip
With the TV series as popular as ever, this is a popular concert choice.
Estimated dispatch 7-14 working days
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£44.95WILLIAM TELL (Overture theme) (Simply Classics Concert Band) - Burton, Denis
Duration: 3:10 Simply Classics Grade 2
Estimated dispatch 7-14 working days
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£32.95New World Symphony, Theme from Dvorak (Concert Band - Score and Parts) - Dvorak, Antonin - Tyler, Clark
From the Czech composer Antonin Dvorak.
Estimated dispatch 7-14 working days
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£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
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£176.50Masquerade - Philip Sparke
MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Gdel, conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year. 1. OvertureThe first movement opens with a fanfare-like figure, featuring the brass, before the main them is introduced over staccato chords. After a short, syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the 'tenor' tune is taken up by the whole band until the opening fanfare returns to close the movement. 2. ElegyThe slow movement opens intensely with a bare two-part theme, whichleads to a passionate chorale-style melody. A second theme is introduced and leads to a climax, a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close. 3 InterludeA short movement which changes the mood to introduce:- 4 FinaleThree violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea, which is treated fugally, and this in turn leads to the main melodic idea of the movement, over staccato chords. A contrasting subject is then introduced in the middle of the band, followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.
Estimated dispatch 7-14 working days
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