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  • £41.00

    Badlands

    Peter Terry's Badlands represents the dramatic terrain created bysedimentthat iseroded over millions of years. This creates stark but beautifulstructures in a harsh and alien landscape.This piece opens with a first theme that depicts the stark emptiness of the Badland terrain. This moves to a brooding, mysterious second theme followed by variations.The piece ends with a return of the first theme for a dramatic finish.

    Estimated dispatch 12-14 working days
  • £71.00

    Commence!

    A driving composition from Sean O'loughlin,Commence!begins with a spirited theme that oscillates between triple and duple meter. After developing into a heartfelt lush brass chorale, the lilting theme returns again. The composition concludes with a dramatic return of the B theme and a rousing finale. A beautiful piece,Commence!is astrong choice for any contest or festival.

    Estimated dispatch 12-14 working days
  • £93.00

    Da Vincian Visions

    This piece is a tribute to the Da Vincian model of creativity. Using a single theme, Larry Clark uses da Vinci's approach to view this theme from every angle. Clark starts with a fanfare, followed by an original theme, then presents a multitude of variations on the themes in different keys, styles and time signatures. You'll find everything from African style to jigs in this incredibly complex piece; well worth the effort for your band.This piece cannot be used with the 1999 Belwin-Mills edition.

    Estimated dispatch 12-14 working days
  • £94.00

    Altheim - Gauthier Dupertuis

    This concert march with a solemn and festive character was commissioned to Gauthier Dupertuis by the the Musikkapelle Altheim e.V (Germany) to celebrate its 100th anniversary. The thematic material of the first section of the march is based on a three-note motif, proclaimed by the brass in the first measure. The second part of this theme presents a recurring motif throughout the piece. This first section has a festive and resolutely giocoso character. The trio presents a new, more lyrical and solemn theme. After a short divertimento based on the material from the first section, the theme returns in a majestic way, leading to a climactic finale. Altheim: a concert march perfect for a festive occasion!

    Estimated dispatch 7-14 working days
  • £118.99

    Princess Mononoke, Medley - Joe Hisaishi

    Series: New Sounds in Brass (NSB); Duration: approx.8'50"; Composed by Joe Hisaishi; Arranged by Takashi Hoshide. Arranger Takashi Hoshide says, "I have selected beautiful melodies from the soundtrack of 'Princess Mononoke' (1997, directed by Hayao Miyazaki) and arranged them into a medley. What can be said about these songs as a whole is that they combine a grand continental scale with the delicacy that reflects Japanese emotions. Since there are no upbeat songs in this selection, I had to work hard on the arrangement, but this allowed for creating contrasts and transitions between each scene in the performance. 'Ashitaka Sekki (English title: The Legend of Ashitaka)' - 'Sekki' means a story that is not recorded but passed down orally. In this anime, this can be considered a sub-main theme. The song starts with a feeling that the story is about to begin and, once the theme kicks in, aim for a grand performance to convey its scale. 'Encounter' - This is the music that plays during the scene where the protagonist Ashitaka meets San. Interestingly, the motif of the main theme 'Princess Mononoke' is used in this melody. Here, let's pursue the shifts in the timbre of individual phrases, creating a beautiful and aesthetic soundscape. 'Princess Mononoke' - This is the main title of the anime. The melody line is carried by horns and trumpets."

    Estimated dispatch 7-14 working days
  • £74.99

    Fanfare for an Occasion - Philip Sparke

    Fanfare for an Occasion was written to celebrate the 20th anniversary of the founding of Anglo Music Press, the publishing company dedicated to the works of British composer, Philip Sparke. It is a bright and festive work in which the main theme starts on the tenor instruments of the band before appearing as canonical imitation by all sections in turn. A short, repeated bridge passage leads to a second theme on the saxes that is taken up by the full band and leads back to a return of the main theme and a repeat of the second subject, which brings the fanfare to a brilliant close.

    Estimated dispatch 7-14 working days

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  • £91.99

    Guardians of the Waves - Philip Sparke

    Guardians of the Waves was commissioned by the Japan Coast Guard Band to celebrate their 30th anniversary in 2018. They gave the premiere as part of a 30th anniversary concert on November 8th that year. Set in traditional march form, Guardians of the Waves opens with a short introduction, which leads to the main theme, played initially by the brass and then repeated with a florid woodwind descant. The theme is extended and morphs into a second theme, first played tutti and then quietly repeated by bassoon, tenor sax and euphonium. This leads to a conventional 'bass strain', played twice with varying accompaniments. A quieter trio section follows, delicately scored and featuring the tenor instruments of the band. Taken up by the full band, this leads back to a recall of the introduction and a return to the main two themes, which lead to a triumphal close.Recorded by the Kobe College Wind Orchestra and its conductor Osama Matsuura

    Estimated dispatch 7-14 working days

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  • £91.99

    March Prelude: Alnwick Town - Philip Sparke

    March Prelude: Alnwick Town was commissioned by the Alnwick Playhouse Concert Band (with Ray Thompson as conductor) to celebrate their first 25 years. It opens majestically with answering phrases between various sections of the band, leading to a faster march-like section its main theme echoes the rhythms of the opening material. A bridge passage featuring snippets for saxophones and trumpets leads to a new theme, more legato in nature and repeated after a change of key. The bridge passage returns to herald a restatement of the main theme before the opening material reappears to close the work with a flourish.

    Estimated dispatch 7-14 working days

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  • £106.99

    Desert Dances - Philip Sparke

    Henderson is a city in Clark County, Nevada, just southeast of Las Vegas and surrounded by desert: this was the inspiration for the title. Desert Dances opens with a lively introduction, mostly in 3/4, which pervades the faster sections of the piece. This subsides to introduce a slower dance which expands to a full-band climax. The introduction soon returns and leads to the main theme of the piece, a waltz-like melody played by the full ensemble. A short bridge passage follows, which leads to a legato central theme. This is played twice and heralds the return of the main theme and a short coda which closes the work. An imaginative work for concert or contest with nice featuresthroughout all groups of the band.

    Estimated dispatch 7-14 working days

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  • £99.99

    Salutation - Philip Sparke

    Salutation was commissioned by Japanese conductor and broadcaster, Yutaka Nishida, a dear friend of the composer Philip Sparke. Salutation follows fairly conventional march form. A short fanfare introduces the main theme, played by clarinets and saxophones. A bridge passage, mainly in the brass, heralds a change of key and a legato second subject, again played initially by the clarinets, which leads to the conventional trio theme, which is then repeated by the full band. Sections of the second subject lead back to the home key and a return of the main theme, embellished with woodwinds.

    Estimated dispatch 7-14 working days

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