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  • £74.95

    La Traviata (Prelude) (Concert Band - Score and Parts) - Verdi, Giuseppe - Brand, Geoffrey

    La Traviata has become one of Verdi's most performed and best loved works. The Prelude, with which the opera opens, offers a fine example of Verdi's delicacy of scoring and genuine imagination in his writing for the theatre. Brand, Geoffrey has completed a masterful arrangement of this work for concert band.

    Estimated dispatch 7-14 working days
  • £14.95

    La Traviata (Prelude) (Concert Band - Score Only) - Verdi, Giuseppe - Brand, Geoffrey

    La Traviata has become one of Verdi's most performed and best loved works. The Prelude, with which the opera opens, offers a fine example of Verdi's delicacy of scoring and genuine imagination in his writing for the theatre. Brand, Geoffrey has completed a masterful arrangement of this work for concert band.

    Estimated dispatch 7-14 working days
  • £195.00

    Rhapsody in Blue (Piano Feature with Concert Band - Score and Parts) - Gershwin, George - Hunsberger, Donald

    The wind accompaniment to George Gershwin's popular piano solo, Rhapsody in Blue, is based upon the 1924 and 1926 Grofe editions for jazz band and theatre orchestra. Donald Hunsberger has scored this edition for 23 players which produces a leaner and more muscular version to serve as a companion to Thomas Verrier's setting for full concert band or wind ensemble.Duration: 17:30

    Estimated dispatch 7-14 working days

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  • £139.99

    Festive Overture (Concert Band - Score and Parts) - Shostakovich, Dmitri - Takahashi, Tohru

    Festive Overture was composed in 1954 to commemorate the 37th birthday of the October Revolution of 1917. With this overture Shostakovich shows his brighter side, in contrast to his melancholy 10th symphony written in the previous year. The premiere of this piece took place on November 6, 1954 at the Bolshoi Theatre in Moscow. Shostakovich makes great use of different themes which he alternates and intermingles in a masterly way. This skilful transcription by Tohru Takahashi retains all the grandeur of the original.Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £74.95

    Symphonic Variations (Concert Band - Score and Parts) - Johnson, Stuart

    Symphonic Variations was commissioned by Swindon Young Musicians' Club with funds provided by the W H Smith Arts Programme, and first performed by Swindon Young Musicians, conducted by Bramwell Tovey, at the Wyvern Theatre on January 29, 1989. The opening theme, stated in a Maestoso unison, provides the musical kernel for the entire work. The composer cleverly exploits all the rhythmic possibilities inherent within the chosen theme to provide a piece which is serious enough for detailed study and Festival usage, yet entertaining at the same time.

    Estimated dispatch 7-14 working days
  • £14.95

    Symphonic Variations (Concert Band - Score Only) - Johnson, Stuart

    Symphonic Variations was commissioned by Swindon Young Musicians' Club with funds provided by the W H Smith Arts Programme, and first performed by Swindon Young Musicians, conducted by Bramwell Tovey, at the Wyvern Theatre on January 29, 1989. The opening theme, stated in a Maestoso unison, provides the musical kernel for the entire work. The composer cleverly exploits all the rhythmic possibilities inherent within the chosen theme to provide a piece which is serious enough for detailed study and Festival usage, yet entertaining at the same time.

    Estimated dispatch 7-14 working days
  • £70.50

    Boz Dances (from Master Humpreys Clock) (Concert Band - Score and Parts) - Binney, Malcolm

    Master Humphrey's Clock was inspired by the weekly periodical produced by Charles Dickens in which appeared a miscellany of short sketches. Malcolm Binney's work was commissioned for the Kent County Wind Orchestra, it therefore seemed appropriate that a piece writen especially for Kentish performers, should draw, for inspiration on the literarary works of one of the County's most famous inhabitants. The Boz Dances (Boz was a pseudonym under which Dickens wrote) are taken from all four parts of extended work and explore the miriad of personalities, childhood fantasies of theatre, fairy tales and imagined scenes so loved by Dickens. Great fun, inspired, exhilarating and thrilling to listen to.Duration: 10:30

    Estimated dispatch 7-14 working days

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  • £150.00

    The Perfect Fool, The Ballet from (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul

    The music for The Perfect Fool is taken from an opera by the same name, written by English composer Gustav Holst over the period of 1918 to 1922. The opera received its premiere at the Covent Garden Theatre, London on 14 May 1923. This arrangement consists of the three distinct dances: Dance of Spirits of Earth, Dance of Spirits of Water, and Dance of Spirits of Fire. They embody the power, intensity, mystery and sheer beauty that define this piece. This arrangement includes the original celesta and harp parts. However, the celesta may be substituted with piano at the octave, and the vibraphone covers the significant harp solos.

    Estimated dispatch 7-14 working days

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  • £50.00

    Rondeau (Flexible Ensemble - Score and Parts) - Mouret, Jean-Joseph - Stanton, Scott

    Jean-Joseph Mouret's famous baroque classic has now been made playable by very small bands by Scott Stanton's new Build-A-Band arrangement. This classic music will come alive as long has you have the four essential parts covered. Optional percussion, guitar and keyboard parts can add to the overall effect. Best known as the theme for Masterpiece Theatre, it is sure to be a favourite of students and audiences alike!Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £209.99

    Diamond Concerto (Euphonium Concerto No.3) (Euphonium Solo with Concert Band - Score and Parts) - Sparke, Philip

    Diamond Concerto was commissioned by Musikverein Morschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein. The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village of Morschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:Earth Star is rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.Ocean Dream uses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.Blue Heart was written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Duration: 15:45

    Estimated dispatch 7-14 working days

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