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  • £42.50

    Gold Medal March (Concert Band - Score and Parts) - Murtha, Paul

    Here Paul Murtha masterfully adapts the traditional military march form for young musicians. The first strain is carried by trumpets and upper woodwinds, while the low brass take the lead on the second strain. After a brief percussion break, the legato trio melody features the woodwind section. A "call and response" breakstrain is followed by the full band on the rousing finish. Keep the march alive with this marvellous piece!Duration: 2:50

    Estimated dispatch 7-14 working days
  • £84.99

    Hermes (Concert Band - Score and Parts) - Hirose, Hayato

    In Greek mythology Hermes was the messenger of the gods, and the god of merchants. The piece starts with a powerful four-measure introduction, followed by the solemn 1st theme and the heroic 2nd theme. After the gentle trio section, the music increases in tension with several key changes, and a dynamic grand finale concludes the piece. This is a spirited concert march with positive musical energy throughout the piece.Duration: 3:15

    Estimated dispatch 7-14 working days

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  • £225.00

    Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days

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  • £85.00

    Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £85.00

    Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £85.00

    Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £45.95

    Maritime March (Concert Band - Score and Parts) - O'Reilly, John

    Maritime March is a jaunty British-style march opening up in the key of C natural minor (Aeolian mode). Sixteenth notes combined with simple syncopations highlight the second strain in a question-and-answer section that pits the woodwinds against the brass. The traditional trio moves to the key of E-flat and features the low clarinets in unison with the French horns. This is a very appealing march that will be easy to put together and really make your young band shine.Duration: 2.30

    Estimated dispatch 7-14 working days

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  • £152.99

    Centennial Salute (Concert Band - Score and Parts) - Sparke, Philip

    Just based on its title, this piece has to be celebratory and up-beat, which it is! It opens with a stately fanfare, first played on the low brass before the entire band joins in. This gives way to a contrasting lyrical theme which develops until it joins up with the fanfare to complete the opening section. A lively and heavily syncopated vivo follows, cast as a traditional march, complete with a 'bass strain' and trio. After the original march theme returns, a climax leads back to a reprise of the majestic opening, which brings the piece to an appropriately triumphant close.Duration: 7:30

    Estimated dispatch 7-14 working days

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  • £79.99

    Lion City Festival (Concert Band - Score and Parts) - Sparke, Philip

    Lion City Festival was commissioned as one of the test pieces for the Singapore Youth Festival 2010, an annual event at which school ensembles from throughout Singapore can receive gold, silver or bronze awards for their performance. The English name for Singapore comes from Malay Singapura, which has Sanskrit roots meaning 'Lion City'. Lion City Festival is in the form of a quick march in ABA form. An opening fanfare leads to a perky march tune which is taken up by the full band. A change of key heralds a legato trio section before the main theme returns in varied form. Roaring fun!Duration: 3:00

    Estimated dispatch 7-14 working days

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  • £57.50

    New Forest March (Concert Band - Score and Parts) - Vinson, Johnnie

    Here is a terrific march for young players written in the traditional British style. The opening strains are folk-like in nature with underlying modal harmonies, while the stately trio is reminiscent of the processional style of Elgar and other British composers. The New Forest refers to a region in southern England established as a royal hunting preserve by William the Conqueror around the year 1079, which has remained largely unchanged since ancient times.Duration: 2:15

    Estimated dispatch 7-14 working days