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  • £71.28

    Crazy Clarinets (Concert Band - Score and Parts) - Sousa, John Philip

    Sousa at his finest, in the march form he perfected. Presented here for the first time in the powerful and colorful concert orchestration used by Sousa's Band. Harmonically fascinating, with dancing woodwind obbligatos, wonderful tunes, and a soaring trio melody. Gradually builds to an exciting finale. Moderate parade tempo. Duple time.

    Estimated dispatch 7-14 working days

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  • £41.58

    Heroes On Parade

    From the "patrol" styled beginning to the more traditional march trio and exciting "break" strain, this stately march is a splendid choice for middle school and jr. high bands. Features a very soft snare drum solo with flute duet then builds in volume and intensity all the way to the end. All sections have interesting parts and it's perfect for concert or contest performances. Very Highly Recommended!!

    Estimated dispatch 7-14 working days

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  • £42.00

    Independentia (Concert Band - Score and Parts) - Hall, Robert B. - Conaway, Matt

    "March: Independentia" is the signature composition of R.B. Hall, New England's "March King." This skillful adaptation of the march's trio only includes the first six notes traditionally taught in beginning band, while maintaining the stately feel and integrity of the original. A catchy melody and exciting break strain make this the perfect piece to introduce march style to your youngest musicians!

    Estimated dispatch 7-14 working days

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  • £49.50

    March Courageous

    Energetic rhythms, flowing melodies and counter melodies, all David Shaffer trademarks, are incorporated into this energetic march. From the excitement of the opening introduction, through the flowing Trio to the bold ending, this exciting march will be a perfect choice for both concert and festival performances.

    Estimated dispatch 7-14 working days

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  • £67.32

    March Jubilee

    This composer's newest march is the fifth in a series of successful pieces that began with the ever-popular "Silvercrest." Its strong statement of happiness and joy is sure to delight audiences of all ages. A memorable trio theme, crafted around the traditional strains of a standard march, provides all the necessary ingredients for your ensemble to create a truly magical and uplifting performance. No concert would be complete without a march and this is one that you should definitely consider. Highly appealing!

    Estimated dispatch 7-14 working days

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  • £89.99

    Montana Wind Band Set (Score & Parts)

    From the first bars the stately character of this solemn, yet celebratory, march is clearly heard. The introduction of the main theme takes place in the medium register, immediately resulting in a noble tone. A lyrical trio melody provides contrast, but the march closes in a festive and imposing mood. A march worthy of any concert program. 0:03:45

    Estimated dispatch 7-14 working days

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  • £69.99

    Mountain March (Concert Band - Score and Parts)

    A fanfare introduces This festive march is introduced by a lively fanfare which leads into the first, playful, melodic line which features a regular dynamic alternation and a light syncopated rhythm. After the traditional bass solo, the first theme returns. The initial theme, performed by piano and cantabile trio, later sounds in a jubilant forte with various figurations in the higher woodwinds. The fine work Mountain March is suitable as a street march, but will also gain much appreciation on the concert platform. 04:00

    Estimated dispatch 7-14 working days
  • £60.99

    Pleasant Hill Wind Band Set (Score & Parts)

    Pleasant Hill takes its inspiration from pleasant relaxing moments snatched on top of a sunny hill. It takes the form of a traditional march with the composer leading us over the hill with a bass solo and a melodious trio. The march comes to a close leaving everybody reeling with a fascinating sense of majesty. 0:03:00

    Estimated dispatch 7-14 working days
  • £174.95

    RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary

    The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.

    Estimated dispatch 7-14 working days

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  • £37.95

    RUNCORN BRIDGE (Professional Concert Band - Score only) - Carpenter, Gary

    The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.

    Estimated dispatch 7-14 working days

     PDF View Music