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£214.95JOURNEY THROUGH A JAPANESE LANDSCAPE (Percussion Solo with Concert Band - Score and Parts) - Musgrave, Thea
Concerto for Solo Marimba and Wind Orchestra. The four movements of Journey through a Japanese Landscape are based on a series of haiku which represents an emotional journey through the four seasons. The three haiku chosen for each of the seasons provide a setting and an event; thus, the gently undulating spring sea is the background for the free, improvisatory character of the skylark. The summer grasses have buried the glorious dreams of ancient warriors and after a violent storm, a distant memory of a march is heard. An autumnal fog envelops a colossal Buddha and a lonely watcher sounds one gong after another while a cricket acts as a grave keeper. Glass wind chimes introduce the frozen winter landscape. The march returns, then sleet and snow build to a big storm. Out of the silence that follows, echoes of the first movement suggest the return of spring and so, rebirth. (Grade 4) Duration: 23:00
Estimated dispatch 7-14 working days
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£49.95
JOURNEY THROUGH A JAPANESE LANDSCAPE (Percussion Solo with Concert Band - Score only) - Musgrave, Thea
Concerto for Solo Marimba and Wind Orchestra. The four movements of Journey through a Japanese Landscape are based on a series of haiku which represents an emotional journey through the four seasons. The three haiku chosen for each of the seasons provide a setting and an event; thus, the gently undulating spring sea is the background for the free, improvisatory character of the skylark. The summer grasses have buried the glorious dreams of ancient warriors and after a violent storm, a distant memory of a march is heard. An autumnal fog envelops a colossal Buddha and a lonely watcher sounds one gong after another while a cricket acts as a grave keeper. Glass wind chimes introduce the frozen winter landscape. The march returns, then sleet and snow build to a big storm. Out of the silence that follows, echoes of the first movement suggest the return of spring and so, rebirth. (Grade 4) Duration: 23:00
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£87.12Up From Earth's Center
This brilliant programmatic work from the pen of Rob Romeyn is an incredible display of beauty, sensitivity, emotion and vigorous intensity. The journey begins on the morning of the great 1868 Hawaii earthquake. Peaceful and beautiful sounds of the black sand beach of Punalu'u are heard as the sun rises. The music then develops, first with a statement of the traditional melody "The Earth Is Our Mother" to remind us to respect Mother Earth and be mindful of her incredible powers. As the tempo quickens we are musically transported into the events of the fateful day, as the earthquake and resulting Tsunami ensued. As the movement of the earth subsides, we return to the beach of Punalu'u as Mother Earth begins her renewal of new life. Certain to become a classic for concert and festival use, this is music of highest quality!
Estimated dispatch 7-14 working days
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£74.99Fanfare for an Occasion (Concert Band - Score and Parts) - Sparke, Philip
Fanfare for an Occasion was written to celebrate the 20th anniversary of the founding of Anglo Music Press, the publishing company dedicated to the works of British composer, Philip Sparke. It is a bright and festive work in which the main theme starts on the tenor instruments of the band before appearing as canonical imitation by all sections in turn. A short, repeated bridge passage leads to a second theme on the saxes that is taken up by the full band and leads back to a return of the main theme and a repeat of the second subject, which brings the fanfare to a brilliant close. Duration: 2.00
Estimated dispatch 7-14 working days
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£164.99A Centennial Journey (Concert Band - Score and Parts) - Sparke, Philip
A Centennial Journey was commissioned by the Norwegian ensemble Stavanger Musikkorps av 1919 to celebrate their 100th anniversary in 2019. The work was premiered under conductor Morten E. Hansen at their Jubilee Concert in the Stavanger Konserthus on 28th September 2019. The piece opens dramatically with a sweeping melody on horns and saxophones under florid woodwind figuration, building to a majestic climax. A trio for the trombones calms the mood until the opening melody returns in a gentler style, eventually building to a busy molto vivo. The woodwind figuration continues over a series of brass trios until the main theme of the work appears on clarinets and euphoniums. This develops to introduce a change of key, featuring a long, hymn-like melody on clarinets and horns. The melody is then taken up by the full band, interspersed with sporadic brass fanfares. The opening of the molto vivo returns and leads to a return of the opening horn melody, building to a thrilling coda based on previous melodic material. Duration: 8.45
Estimated dispatch 7-14 working days
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£284.99Symphony for Wind Ensemble (Concert Band - Score and Parts) - Stephenson, James M.
The symphony is in four movements. The first movement starts a single triangle note, followed by a guitar strum. The movement anxiously attempts to churn into action, only to be stifled repeatedly by the single triangle note. Finally, with the guitar as inspiration, the main theme gets under way, revealing an almost Spanish, or even Eastern European flavor. Ideas and themes get reworked, developed, repeated and augmented throughout the movement, before finally closing out just as it began, but in reverse: this time guitar followed by triangle. The second movement steals from an angular and shrieking motif of the first, but is presented in opposite fashion: with the warm blend of the low brass. Hints of iconic military symbolism are interspersed throughout this movement, as homage to the commissioning ensemble. The main theme is inverted and awarded to a solo trumpet midway before giving way to a brass fanfare, though not done loudly, but here muted, from afar. The low brass return at the end, fading away to nothing as the bell tolls. The third movement is merely a short interlude - a break, in almost Gershwin-like fashion - from the seriousness of the movements that precede and follow. Lastly, the fourth movement is a wild one: with mixed meters and plentiful percussion penned to propel the movement throughout. The movements' themes are all reworkings of material presented earlier. Duration: 25.00
Estimated dispatch 7-14 working days
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£395.00Scapino (A Comedy Overture) (Concert Band - Score and Parts) - Walton, William - Noble, Paul
William Walton's Scapino: A Comedy Overture took as its inspiration the three-act comedy of intrigue Scapin the Schemer (French: Les Fourberies de Scapin) by the French playwright Moli?re. The title character Scapin is similar to the archetypical Scapino character. His name is related to the Italian word "scappare" (to escape) and his name translates to "little escape artist" in reference to his tendency to flee from fights, even those he himself begins. The play was first staged on 24 May 1671 in the theatre of the Palais-Royal in Paris. Scapino tends to make a confusion of anything he undertakes and metaphorically "flees" from one thought, activity or love interest to another, as his name implies, although he usually will return to it - eventually. Self-preservation and self-interest are his main concerns. This is not to say his wits are without merit. He is a schemer and scoundrel, and takes a certain pride in these facts. He was originally a masked character, although later versions usually have the actor simply powder his face. He is traditionally shown with a hooked nose and a pointed beard. Scapino was composed on commission from Frederick Stock and the Chicago Symphony on the occasion of the group's 50th anniversary, and received its world premiere by that ensemble, conducted by Stock, in 1941. This faithful arrangement is sure to find its way into the serious repertoire of outstanding Concert/Wind Bands worldwide.
Estimated dispatch 7-14 working days
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£114.99Conga del Fuego Nuevo (Concert Band - Parts only) - Marquez, Arturo - Nickel, Oliver
Score available separately.Following on the success of Arturo Marquez's Danzon No.2 adapted for band, Oliver Nickel's transcription of Conga del Fuego Nuevo (Conga of New Fire) gives an added kick to the concert band repertoire. In contrast to the elegant, sinuous Danzon, Conga is an up-tempo, celebratory piece, bright and catchy, with the percussion section providing the signature kick at the end of the conga pattern. Marquez slows things down in the middle section to spotlight the 1st trumpet in a melody that recalls the mariachi tradition. The alto saxes pick it up and relax into a ritard, only to be interrupted by the return of the opening material. The piece ends in fiery fashion.Duration: 5:00
Estimated dispatch 7-14 working days
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