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  • £53.95

    Sails (Concert Band - Score and Parts) - Gassi, Vince

    You'll feel the wind at your back as this bright march weighs anchor with a bold opening and sets sail with flutes and oboes stating the main theme. Sails unfurl and the rest of the fleet (ensemble) joins in. Counter-lines and flourishes are added. Eventually the seas calm during a passage through a slower lyrical section where the opening thematic material is developed. But wait, there is land in sight! A new key is stated, and all return safely to port.Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £48.95

    Legacy March (Concert Band - Score and Parts) - Hodges, Steve

    You'll find yourself humming this catchy march over and over! Beginning with a fanfare in the trumpets, horns, and saxophones, the low brass soon enters followed by the woodwinds playing a countermelody. The march tune is introduced by the trumpets and saxes, then turned over to the winds. The B section brings a quieter mood, followed by a return of the A theme with a brief coda that brings the piece to a grandiose conclusion. A fantastic addition to the march repertoire. Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £60.99

    Fanfare and Evocation (Concert Band - Score and Parts) - Moss, John

    This striking work from master composer John Moss uses marvelous band scoring techniques and a distinctive form to achieve a wonderfully effective musical setting. The exciting opening fanfare section ends with a clarinet cadenza which introduces the evocation section. Beautiful sonorities and flowing melodies are heard before the brief return of the fanfare theme and clarinet solo. From there, the work tapers to a quiet and peaceful close. Wonderful writing!

    Estimated dispatch 7-14 working days
  • £67.95

    EAGLES ON TOUR, The (Intermediate Concert Band) - Roszell, Patrick

    The Eagles, an iconic '70s rock band, make an exciting return in this arrangement for your concert band, featuring three of their biggest hits---the bluesy Heartache Tonight, the beautiful Desperado, and the mysteriously haunting Hotel California. Classic rock with a contemporary spin! (6:30)

    Estimated dispatch 7-14 working days

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  • £137.99

    Odyssee - Jan Bosveld

    The Odyssee tells the story of Odysseus, the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The "Odyssey" follows the "Iliad", the story of the bloody war between the Greek and the Trojans. This battle endsafter ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic, but a story about perseverance, loyalty, adventure, and the survival instinct of its ingenious hero. In The Odyssey, Homer describes howOdysseus, the king of Ithaca, had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years, his wife, Penelope, had to try and keep her many admirers away.These men not only wanted het hand but also the kingship. To prove her husbands worth, she played a trick: "As soon as I have finished weaving this shroud for my father-in-law, Laertes, I will choose one of you to become my husband", she promisedthem. But during the night, she secretly loosened what she had woven during the day, prolonging the time until Odysseus would finally return. After twenty long years, when he finally stood at the door, she wondered: Is this really my husband? Ishe an imposter? Cunningly, she asked him to move the bed, because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife, his Penelope! Nearly threethousands years later, the loyalty and strength of this character, and all the dangerous adventures that Odysseus survived thanks to courage and intelligence, still moves us today. Odyssee by Jan Bosveld is not just an adventure story, butrather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm, stirring theme describing our hero, Odysseus, in detail: This man is not to be taken lightly. The further development of thisshort introduction completes this character sketch: trustworthy, perseverant, and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife, as werecognise the weaving loom of Penelope in the murmuring eighth? In the solemn, plaintive part that follows, we can imagine Penelope feeling lonely, sitting in the womens room with her servants.One of the girls plays the harp, but that does notclear the sombre atmosphere. Then we can imagine seeing the sorceress Circe, who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds:the hero comes to savi his comrades. Assisted by Hermes, he forces Circe to lift the spell. The piece ends the same way as it began, with an animated theme: Odysseus is still the same, undefeated and not to be taken lighty!

    Estimated dispatch 7-14 working days

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  • £118.99

    North Hills Fantasy - Philip Sparke

    North Hills Fantasy was commissioned by the North Hills High School Bands, Pittsburgh, Pennsylvania (director: Len Lavelle) as part of a commissioning programme that has run since 1965 - the longest of its kind in the USA. The work opens with a reflective, unaccompanied solo for alto saxophone which develops into a chorale for horns and saxes. This is taken up by the trumpets and subsides to a change of key and mood, with highly decorated folk-like solos for clarinet, bassoon and saxes. These solos build to a climax for full band, which heralds a triumphant return of the horn chorale, accompanied by florid woodwind figuration. But the mood soon winds down; fragments of earlier melodies return calmly to peacefully close the work.

    Estimated dispatch 7-14 working days

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  • £79.99

    Hope Arises - James Barnes

    Hope Arises is one of two new works requested in 2021 of composer James Barnes by Colonel Donald Schofield, to be written for the United States Air Force Band. It is a short piece intended to be used as an opener for AFB's tour concerts. It opens with a dramatic brass fanfare, based on consecutive perfect fourths first introduced by horns and euphoniums, followed by a short oboe solo. An ascending line in mallets and woodwind provide a rather celestial transition, taking the listener to a lively, melodic allegro, which is based on the same opening fourths. This allegro theme is developed until a return to the opening fanfare is powerfully re-announced in brass. The work concludes quite dramatically, and includes a return of the ascending line in woodwinds, mallets, harp and piano.

    Estimated dispatch 7-14 working days
  • £77.99

    A Finnish Rhapsody - Clare Grundman

    The opening measured of Clare Grundman's A Finnish Rhapsody are base on Oi kallis Suomenmaa (O Blessed Fatherland), an old South Bothnian melody beloved of the whole Finnish nation. The words of this song epitomize each Finn'snoblest duty, the readiness to sacrifice all in defense of his country's liberty. Next is an episode based on Kesilta (Summer Evening), one of the loveliest of Finnish folk songs, being as delightfully tranquil as the Finnishcountryside. Following this is a section based on the lively folk tune, Talon Tytt (The Country Lass), a mirthful love song about a peasant maid and her swain. This leads into the majestic Finlandia Hymn, created by Jan Sibelius.The work closes with the return of Oh, Blessed Fatherland, with all its strength and grandeur. (5:30)

    Estimated dispatch 7-14 working days
  • £199.99

    Fanfare No. 1 - Wataru Hokoyama

    Fanfare No. 1 (1995) In the summer of 1995 before his departure to the United States, a request from his high school band friends for a good concert opener sparked 19 year old Hokoyama to write his very first wind band composition.To capture the excitement of the rising curtain, the piece begins with magnificent brass ascending in 4th and 5th intervals. This is followed by the energetic entrance of the full ensemble like celebratory cannon fire. The following melody has many notes, yet is still simple. Do not overestimate it, just perform with driving momentum.In the slower middle section, utilize an instinctive vision of a scorching midsummer sun shimmering on the horizon. (Likely this shimmering sunset image was scored unconsciously, being composed in midsummer. A more applicable mood might be "Indian sunset". Perhaps this Indian style came from a capricious feeling of youthfulness.)The bright tempo and melody return for the last section. The climactic volley of musical display is like explosive fireworks as the last sounds echo throughout the concert hall.The composer wishes for performers to play from their hearts and not be limited by an analytic approach to the score-absolute accuracy is not required. Above all, the deepest pleasure for the composer is to know that teachers and students share the joy of music making with the intention of sharing it with others all over the world.With deepest gratitude, thank you for performing this work.

    Estimated dispatch 7-14 working days

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  • £84.99

    A Copland Portrait - David Conte

    Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."

    Estimated dispatch 7-14 working days

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