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  • £184.99

    Liquid Compass - Alex Shapiro

    Continuing in the tradition of her innovative electroacoustic band works including Paper Cut, Immersion, and Tight Squeeze, Alex Shapiro's Liquid Compass takes the musicians and the audience on a journey that spans the mysticaland the triumphant. A subliminal connection to the sea is conveyed through the creative use of metal bowls filled with water, and flutists will particularly enjoy the otherworldly ooh-wah effect that wends through the piece.Commemoratingthe 140th anniversary of Carthage College's wind band, this workmigrates to different places, but never loses its bearings in pursuit of a musical true north. To perform the piece, you'll need an audio systemcapable of playing the prerecorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the printed piece. Dur: 9:00 Recorded by the CentralWashington University Wind Ensemble, Lewis Norfleet - Director.

    Estimated dispatch 7-14 working days
  • £248.99

    Missa Brevis - Jacob de Haan

    Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.

    Estimated dispatch 7-14 working days

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  • £71.00

    Oberhessische Bauerntnze - Ottmar Gerter

    These four entertaining movements originated in the Thirties. They are an example of popular original compositions of high quality. The work was originally written for small orchestra. Norbert Studnitzky has arranged this series of dances for wind band and at the same time also retained longer chamber music pasages as in the original work.Thus here we have a work for wind band which on the one hand is suitable for developing a musical sense of humour in a playful way and which can also be performed on stage with a group of folk dancers. Ottmar Gerster studied in Frankfurt/main and then taught composition an several colleges of music in Leipzig. his music aims to be accesible to all listeners, even when he uses advanced composition techniques.

    Estimated dispatch 7-14 working days
  • £245.50

    Symphonie de l'Eau - Serge Lancen

    This symphony was composed in 1984 and is dedicated to the great French composer Ida Gotkovsky a good friend of the Lancen family. It was the test piece in the Seccion Primera of the famous Spanish wind band contest Certamen International de Bandes de Msica Ciudad de Valncia and was recorded by the Symphonic Band of the Maastricht Conservatory of Music conducted by Sef Pijpers. Serge Lancen himself related the genesis of this symphony as follows:When I was twelve years old I had started composing a piece which described the cycle of the water. The project was however abandoned and only some themes were left unused. In July 1983, I went by boat to the WASBE conference in Skien, Norway and was seduced by the North Sea. During the travel a musical theme was born and was the trigger for the realisation of my ancient project which I still fancied'. The 'Symphonie de l'Eau' is in fact a musical description of the cycle of the water which the composer defines as follows:'A slight mist rises and turns into a cloud. Water drops fall on the mountain. A brooklet rises and clears a way throughout the alpine pastures. Soon other small watercourses join the original brook that is now reinforced as to become a real roaring mountain river falling in a lake amidst a quiet and poetic surrounding. The water turns again into a river when leaving the lake and gradually becomes a big stream which majestically flows towards the sea. A slight mist is rising from the huge surface and so the cycle of the water starts all over again.

    Estimated dispatch 7-14 working days

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  • £109.99

    Moment - Alex Shapiro

    Pensive and emotional, the unusual, textural music of MOMENT offers reflection and stillness in an often frenetic world. Repeating notes and haunting, lyrical lines give musicians the opportunity to explore expression through subtlety. Evocative sounds conjure fleeting, contrasting images, as the wind band creates a seamless fabric woven from the union of their instruments, their chant-like voices, and the ghostly echoes of a wistful accompaniment soundtrack. What are the moments that have moved you? To perform the piece, you'll need an audio system capable of playing the prerecorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the printed piece.

    Estimated dispatch 7-14 working days
  • £76.99

    Lights Out - Alex Shapiro

    The renowned composer of Paper Cut and Tight Squeeze has created a love child from these two popular works. The result is Lights Out, an audience-wowing excursion into a new realm of opto-electro-acoustic wind band repertoire that incorporates visual and physical elements into an exhilarating piece. The music itself is stunning, but for the full effect you'll want to devise a performance that plunges the audience into darkness and suddenly surrounds them with glowing colors of LEDs and glowsticks. A very physical approach to connecting band music to life - and to light! To perform the piece, you'll need an audio system capable of playing the prerecorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the printed piece.

    Estimated dispatch 7-14 working days
  • £76.99

    Viva La Musica - Hermann Pallhuber

    Viva La Music--A joyous Hymn and Dance--is a cheerful piece of some 3:20 in length. It is comprised of two parts: a festive hymn with a recurring theme and a dance in the style of a lively jig. Thanks to its melodic character, its positive mood and its punchy wit Viva La Musica can equally serve as a short opening piece or as a finale. This work can even be played by a very small ensemble and, due to its lyricism and simple structure, it is especially suitable for youth wind band.The composer has dedicated Viva La Musica to the town of Fritzens in Tirol (Austria) and to its music guild.

    Estimated dispatch 7-14 working days

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  • £145.00

    Circius (Concert Band - Score and Parts) - Aagaard-Nilsen, Torstein

    The title refers to a description of the wind of the north made by Olaus Magnus who lived in the 16th century. He drew maps describing people, animals, weather, winds, sea monsters etc. The map Carta Marina was unprecise, but the best they had. But he never visited the places himself. In the map over northern parts of Norway, he describes the wind "Circius" as the worst of all winds. The fast sections refers to the wind. In the middle section I borrow a folksong-like tune by Catharinus Elling (1858-1942). The text by Kristoffer Janson, tells about fishermen in small open boats. When they faced the force of nature they could do nothing but put their lives in the hand of God. - Torstein Aagaard-Nilsen

    Estimated dispatch 7-14 working days

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  • £87.50

    Winds of Change (Concert Band - Score and Parts) - Standridge, Randall D.

    In recent years, Oklahoma has seen a great increase in the development of wind energy. This development in sustainable energy sources and the winds that flow across the great state serve as the inspiration for this composition. The piece begins by depicting the great open spaces that stretch for miles across the Oklahoma landscape. Small gusts of wind (represented by scalar and arpeggiated passages in the mallets and woodwinds) dance across the landscape. The piece picks up pace as the wind races across the land, turning the turbines and charging towards the future.Duration: 5:30

    Estimated dispatch 7-14 working days

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  • £98.00

    Milonga del Angel (Clarinet, Soprano Saxophone and Trombone Trio with Concert Band - Score and Parts) - Piazzolla, Astor - Olsrud, Sverre Stakston

    This arrangement was made after hearing Astor Piazzolla s 1986 recording of his own work written in 1965. The original instrumentation of bandoneon, violin and string bass is here arranged for three wind soloists with Concert Band. The Soprano Sax is the main soloist (filling the bandoneon role), while the trombone and clarinet shares the violin part as a kind of flirting undertone to the soprano saxophone. It s not possible to make a 100% correct notation of the solo parts, so it s recommended to listen to the record album Zero Hour from 1986 to get the best impression of the work. Enjoy Milonga Del Angel and imagine a small, dark cafe in Buenos Aires!

    Estimated dispatch 7-14 working days

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