Results
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£122.00Ouvertre in Es-Dur - Stephan Jaeggi
As part of the year 2023, dedicated to Swiss composers, the Swiss Wind Band Association has commissioned Gauthier Dupertuis to write a new orchestration of the Overture in E-flat major by Stephan Jaeggi. Indeed, an update of the instrumentation was necessary for the interpretation of this work with modern orchestras.Therefore, the orchestration that Gauthier Dupertuis proposes and which he wanted to be faithful to the original while meeting current standards, will allow today's orchestras to performthis piece of classical-romantic inspiration.Stephan Jaeggi was a Swiss composer and conductor who was born into a large family in Fulenbach (Canton of Solothurn) in 1903. He began playing the clarinet at the age of 13, then studied music at the Basel Conservatory and attended his military training with the Swiss Army Band. Thereafter, he became the conductor of several wind orchestras. In this role, and also that of a composer, Stephan Jaeggi went on to achieve great success. His early death in 1957 put a premature end to Stephan Jaeggi's creative life. All the more reason why his work lives on with unbroken power to this day.
Estimated dispatch 7-14 working days
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£159.99Resurrection - Kevin Houben
"Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."
Estimated dispatch 7-14 working days
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£73.60The Great Valor - Guillaume Détrez
The Great Valor' is a piece full of energy. Ideal for a modern concert opening, it will dazzle the public with the bright brass and the omnipresent woodwind rockets. The title of this piece is a reference to an ordeal experienced by the composer's son and which he overcame brilliantly.
Estimated dispatch 7-14 working days
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£73.60True Sorry - Ibrahim Maalouf
Lebanese-born French trumpeter Ibrahim Maalouf is part of the modern jazz and blues movement. This now famous trumpeter recorded "True Sorry" for his 2013 album Illusions. This album but especially the song "True Sorry" made him known to the general public. The trumpet solo is impressive, yet very playable for many. The music transports us between jazz, pop, rock and eastern sounds. It alternates soft melodies with powerful, tormented, heady passages.
Estimated dispatch 7-14 working days
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£54.95Two Movements from William Byrd Suite - Gordon Jacob
Of all of Gordon Jacob's major contributions to the British wind band repertoire, the William Byrd Suite (written in 1923) stands as his most-often programmed work. Though originally based on six movements from William Byrd's Fitzwilliam Virginal Book, this setting for developing band incorporates two contrasting movements including "The Earle of Oxford's Marche" and "Wolsey's Wilde." Like Jacob's wind band work, the music is not a mere transcription from the original keyboard collection, but rather stylized with his own inventive musical spirit for modern concert band. A wealth of material here that opens doors to teachable moments as musical textures---dynamic contrasts, articulations, scoring options---are continually changing. Bravo! (2:33) This title is available in SmartMusic.
Estimated dispatch 7-14 working days
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£126.50Beating Beats - Jan Van der Roost
Beating Beats rhythmically is a rather special piece: more conventional metres are manipulated in such a way that the listener (without score) may be confused and even misled at various points! The 'regular four beat accents in a 4/4 measure for example are often not adhered to, giving the impression of a different metre altogether. However, at the same time it may be that some instruments do follow this "normal" 4/4 metre, thus confusing everyone - performers and listeners alike! On one hand, it is a "simple" piece with very playable and melodic themes, but their mysterious rhythmic makes it not only sound more complicated, but also makes for a greater challenge for both players and the conductor! As is mostly the case with Jan Van der Roost's works, the orchestration is both colourful and contrasting, with every section of the modern wind orchestra used equally. All in all, it's a work full of surprises with some unexpected harmonies and special melodic lines but above all, with metrical and rhythmical sure to catch you unawares!
Estimated dispatch 7-14 working days
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£149.00Legend of a Giant - Kevin Houben
Legend of a Giant is a composition for solo alto saxophone and Wind Band composed by the Belgian composer Kevin Houben. The composer dedicated this challenging saxophone concerto to the Spanish saxophone virtuoso Mariano Garcia.The work had its premire in May 2021 in the Lemmensinstitute with the Wind Band of the LUCA School of Arts in Leuven (Belgium) conducted by Ivan Meylemans.Mariano Garcia is a full time professor saxophone at the LUCA School ofArts, the Conservatorio Superior de Musica de Aragon in Zaragoza (Spain) and the Wiener Akademie Musik (Austria).As in any classical concerto the saxophone soloist 'competes' with the orchestra: first alternately, in dialogue witheachother, afterwards fraternally together. Moreover the orchestra is regarded as an equal partner, therefore also for the musicians of the orchestra this cinematic score presents a tough challenge.Legend of a giant immerses thelistener in the world of the saxophone and challenges the soloist in the field of lyricism and timbre, but also on a technical level. In this way various aspects and modern playing styles such as bisbigliandos, double staccato,frullatos, glissandos, harmonics of overtones,... pass in review. In a word: a tough 'challenge' for any saxophone virtuoso! (!) A simplified version of the saxophone solo part also exists.
Estimated dispatch 7-14 working days
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£72.99Nobles of the Mystic Shrine - John Philip Sousa
Sousa composed this march at the request of his nephew, who was sponsoring his uncle's entrance into the Ancient Arabic Order of Nobles of the Mystic Shrine in 1922. The following year, the march received its premiere in Washington D.C., under the largest band ever led by Sousa, comprised of no fewer than 6,200 Shriners. This medium-level arrangement by Charles L. Booker, Jr. makes this classic march more accessible to bands, with scoring for modern instrumental forces and transposition to an easier key.
Estimated dispatch 7-14 working days
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£79.99Baba Yetu (from Sid Meier's Civilization IV) - Christopher Tin
Although composed for a video game, this African-flavored modern masterpiece has taken on a life of its own in pop culture as well as on the concert stage. This transcription by Matt Conaway matches the original orchestration andis compatible with the composer's own version for chorus. Performed with or without chorus, the effect is dramatic and moving. (MusicWorks)
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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