Results
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£53.50The Brandenburg Gate (German March) (Concert Band - Score and Parts) - Vinson, Johnnie
Heralded by a fanfare-like figure for trumpets in the first strain, here is an appealing German-style march solidly scored for young players. Low brass take the lead on the second strain, followed by a contrasting lyrical section featuring the woodwinds. The full ensemble brings us to a rousing finish in this terrific-sounding march. Duration: 2.30
Estimated dispatch 7-14 working days
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£68.99Two German Dances (Concert Band - Score and Parts) - Beethoven, Ludwig van - Sparke, Philip
Duration: 1.45
Estimated dispatch 7-14 working days
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£74.99German Love Song (Concert Band - Score and Parts) - De Haan, Jacob
Dreaming of love. This is the theme of the folksong on which the composition was based. Its characteristic melody inspired Jacob de Haan to this instrumental romance with a transparent structure consisting of an introduction, the folk-melody, a development of the theme, the folk-melody accompanied by ornamental triplets followed by the final bars.Duration: 2:45
Estimated dispatch 7-14 working days
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£141.00
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£75.00A Child is Born in Bethlehem (Concert Band with Optional Choir - Score and Parts) - Scheidt, Samuel - Noble & Willcocks
Samuel Scheidt (1587 - 1654) was a German composer, organist and teacher of the early Baroque era, and was one of Germany's most distinguished composers at that time, especially in the field of keyboard music. His three volumes of Tabulatura nova (1624) are a monumental compendium of song and dance arrangements, sets of variations, fantasias, toccatas, fugues and liturgical pieces (often plainsong-based) for the Lutheran Mass and Office. Likewise his four books of Geistliche Konzerte illustrate the ways of elaborating a chorale, fusing declamatory ideas with contrapuntal writing. Scheidt was the first internationally significant German composer for the organ, and represents the flowering of the new north German style, which occurred largely as a result of the Protestant Reformation. Scheidt's music is in two principal categories: instrumental music, including a large amount of keyboard music, mostly for organ; and sacred vocal music, some of which is a cappella and some of which uses a basso continuo or other instrumental accompaniment. Edited for double chorus by David Willcocks, this arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£105.00Battles - Simon Dobson
Battles was written for the restoration of the epic 1927 silent film The Battles of Coronel and Falkland Islands, and was commissioned by the British Film Institute (BFI) in 2013. The work presents eight contrasting scenes as a continuous sequence: War, Introduction of Admiral von Spee, German Banquet, Building Steam/Preparing, Islanders, Call to Arms, Great Battle at Sea and Victory. The original score was written for a small chamber orchestra, symphonic brass and a substantial batterie of tuned and untuned percussion. Battles has been edited for symphonic wind orchestra with percussion and harp.Composer Simon Dobson says of hiscolourful score, "I wanted to keep things simple and clear, so there is a British theme, a fanfare march idea, often heard on trumpet, and a German naval theme, which is a more angular motif."
Estimated dispatch 7-14 working days
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£101.30Geburtstags-March - Ferdinand Kühne
Ferdinand Khne was a German composer who lived from 1858 to 1939. He wrote many marches, and this is the most well-known one.The march, also known as "Jour de Fete", is a march in traditional german style with a light hearted, optimisticcharacter suitable for marching as well as for concert purpose.
Estimated dispatch 7-14 working days
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£207.00Das Liebesverbot - Richard Wagner
This young, comic opera, composed in 1835 on one of Wagner's own libretti, based on a play by Shakespeare, was unsuccessful at the Magdeburg theatre in 1836 and even the composer considered it a "sin of youth". After attempting in vain to have his first opera, "Le Fate", performed in Germany, Richard Wagner decided that his lack of success was due to the overwhelming competition of Italo-French music. He listened to Bellini, and became aware of the objective reasons for the great success of this music, comparing the warmth of life of Italian music to the frozen and meticulous German style. Hence he composed " Das Liebesverbot " with the sole aim of giving intense pleasure tothe public, without worrying about succumbing to the clichs of French and Italian music. That is why, when we listen to this music without knowing the name of the composer, we find ourselves in an embarrassing situation. We could easily attribute the work to some French composer, Meyerbeer, or Auber, for instance, but then the melodic ease and constructive linearity would bring Rossini to mind. By paying closer attention, however, we notice a boldness, an aggressiveness and a wealth of ideas that, together with clever orchestration, reveal the touch of the great German musician. " Das Liebesverbot " deserves to be performed more often, and we feel sure that the transcription for band will be an excellent vehicle of diffusion for this symphony.
Estimated dispatch 7-14 working days
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£52.99Intrada - Schein
Adapted from the Banchetto Musicale of German composer, Johann Hermann Schein, this Baroque era transcription is characteristic of early German instrumental music. With limited instrumentation and ranges, this arrangement by Ed Huckeby provides an accessible and authentic way to introduce your students to the music of the past in a meaningful and educational manner. Great music!
Estimated dispatch 7-14 working days
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£84.99Alle Jahre wieder - Michael Friedmann
Alle Jahre wieder (Every Year Again) is an old Christmas song by Friedrich Silcher, who lived from 1789 to 1860. This well-known German song portrays the birth of Christ on earth, bringing peace to all people. The German composer/arranger Michael Friedmann has expertly made this contemporary arrangement of Alle Jahre wieder.
Estimated dispatch 7-14 working days
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