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£214.80Missa Solemnis - Serge Lancen
This Mass has been dedicated to His Holyness Pope John Paul II, to witness Lancens deep and respectful admiration for the Holy Father. The work was composed in 1986 and written for two solo voices: a soprano and a baryton-Martin (high baritone), mixed choir, harp (ad libitum) and symphonic band or organ. It has ten parts: INTROIT - KYRIE - GLORIA - OFFERTORIUM - SANCTUS - PATER NOSTER - AGNUS DEI - COMMUNIO - DEO GRATIAS - and as final part an ALLELUIA. Lancen expressed his views about this Mass as follows: 'The most important aspect of the Mass is the praising of God and the sacrificing to God; that is why I thought it suitable to use both the themes of the Sanctus and the Offertorium in writing the Introtus. It seemed to me also quite logical that the initial themes of the Kyrie and the Agnus Dei would be rather similar as these are two moments where the priest and the worshippers invoke God. The composition ends with a brilliant Alleluia in which I also briefly quote the theme of the Sanctus.' This Mass was premiered on 27 may 1989 at 'Our Lady's Church' in Maastricht, The Netherlands, as part of the celebrations of the fiftieth anniversary of the Roman Catholic Band Federation of the Limburg County. The Bishop Castermans celebrated the Mass, whereas Jan Cober conducted this first performance. The Missa Solemnis is an alternation of meditating, though often impressive, orchestral passages with angelical choral sounds and the pious singing of both soloists. This may not be the type of music we usually expect from Serge Lancen, but nevertheless the composer remains faithful to his own typical style of composition. You can call this work romantic, though it surely is 'contemporary' or, why not, 'from all times'. The instrumentation is varied and extremely rich, mostly due to Lancen's typical use of 'wind band colours'. This Latin Mass suits perfectly well in the tradition of Roman-Catholic Masses that have been written by several great composers.
Estimated dispatch 7-14 working days
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£61.00Prima la Musica - Terry Kenny
The idea for this came when I was reading a critic's review of an opera; the critic quoted an Italian saying: -Prima la Musica- the music comes first!Apologies to Verdi for the tune used in the trio section!
Estimated dispatch 7-14 working days
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£186.20Wald Sinfonie - Kees Vlak
It was during his stay at Freiburg, Germany, where he was attending a Music Festival, that Kees Vlak found his inspiration for this romantic work. At this festival he was awarded a prize for one of his compostitions, which was played by several bands from different countries. The composer was staying in the small village of Horben, hidden among pine woods on a mountain at the border of the Black Forest. From the balcony of his room he had a splendid view on the Schawinsland Valley, scarcely hidden by the tops of the huge pines. Each morning a blackbird singin in a huge pine next to his window woke him up. This bird song opens the composition.Whenever possible the composer and his wife went for a walk in the Black Rorest. The rediscovery of this wonderful area is expressed by the steadily increasing number of tone colours, used in the orchestration. Each village still boasts its own folk music and dances. More than one hundred bands were playing all around; the Black Forest seemed to be the scene of one huge festival. The image of the Black Forest is also linked to that of hunting scenes, so the next theme is being introduced by hunting horn themes. The second theme paints the lake "Titisee". At first the lake is very calm, but a stiff breeze sets both water and music alike in motion. The small town of Titisee is very popular with tourists and is famous for its woodcutting, its clockworks and musical boxes. It is a popular folk tune, played by a musical box that makes the link with the next theme. The joy and cheerfulness of the dancing village people is expressed by a movement which works out the initial theme.On leaving the little town, one can hear once more the hunting music from the wood as well as the song of the birds. The new theme is againg closely linke d to the hunt and played by the typical German helicon-like euphoniums.this theme interacts with the wecond theme and the word ends with a grnd finale meant as a musical hommage tot this wonderful area.
Estimated dispatch 7-14 working days
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£61.00Marche de Concert - Serge Lancen
This concert march was originally written for the piano in 1960. In the meantime, his friend Dsir Dondeyne whom Serge Lancen had met as fellow-pupil at the Paris Conservatoire National Suprieur de Musique had drawn Serge's attention to the symphonic band. Dondeyne had been appointed conductort of the Paris Metropolitan Police Band in 1954. The Marche de Concert was orchestrated by Dsir Dondeyne in March 1961 and it was the very first time that both great musicians collaborated. The march was premiered by the Musique des Gardiens de la Paix on the bandstand of the famous and beautiful Paris public garden 'Jardin du Luxembourg' on 8 July 1961.
Estimated dispatch 7-14 working days
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£131.30Hymns And Dances II - J. Slothouwer
In 1990 Jochem Slothouwer composed Hymns and Cances II. This work for symphonic band and harp (ad libitum) is based on Hymns and Dances I for piano, mixed choir and percussion. The compostition is based on the contrast between hymnlike melodies and dance music episodes. The work, in five connected parts, seems to look for a reconciliation of both melodic and rythmical elements. The initial theme with the horns and the answer of the band form the base of the first part.The second part, charcterized by a vitorous dance rhythm, is dominated by the percussionn and syncopated motifs with the brass. A melody with the euphoniums almost imperceptibly slips into the ensemble and gradually gets to the foreground. The dance and the hymn reach a real climax interrupted by a short and dark intermezzo (part three). The clear sonority of part four, a fiery tarantella with many small byt virtuoso solos, is a new contras. The final adagio reuses the previously developed ideas of part one and ends in sheer ecstasy.
Estimated dispatch 7-14 working days
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£186.20Voyages - Coby Lankester
In the suite Voyages (Travels) Mrs. Lankester has set to music six impressions collected during several stays in France. Originally the six pieces were part of different ballet music scores. In this excellent arrangement by Marcel Peeters they have been gathered into one suite in which the travel impressions serve as a guideline. The first part suggests a Village Fair, whereas the second part expresses explicitly the composer's admiration for Paris in The Invitation. The third part, Nostalgia (Le Lac) is a rather nostalgic reverie about a French lake. The fourth part Reminiscences of Daumier, has to be considered as a tribute to the 19th century painter Honor Daumier of Marseille, famous for his political caricatures. The fifth part, Homage to Mompou, honours the memory of the Spanish composer and pianist Federico Mompou, creator of the primavista style. The suite closes with a cheerful Final Dance (Le Retour), depicting the journey back home.
Estimated dispatch 7-14 working days
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£90.30Reach Out/I'll Be There
The famous American vocalist Diana Ross first made a reputation as leader of The Supremes before she started a briljant solo career. She got famous all over the world thanks to her great performances in the movie pictures Lady Sings The Blues and Mahogany. Josef Hastreiter wrote this arrangement of the pop classics Reach Out and I'll Be There, which were mad famous by the unforgettable version of Diana Ross.
Estimated dispatch 7-14 working days
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£116.40Introduction et Marche Triomph - Johannes van Bree
This solemn concert march proves that also in The Netherlands some good original wind band music has been composed during the first half of the 19th century. This romantic triumphal march, typical for that era, clearly illustrates the French influence on the compositions of J.B. van Bree.
Estimated dispatch 7-14 working days
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£140.80Suite of Unity - Henk van Lijnschooten
This suite in three parts has been commissioned by the Dutch Minister of Defense on the occasion of the fortieth anniversary of NATO. The first part is a festive fanfare in which you can briefly recognize a fragment of Marc Antoine Charpentier's 'Te Deum', better known as the 'Eurovision Tune'. The second part is a solemn chorale using several short excerpts of folksongs. The third part uses motives from the different National Anthems of the sixteen NATO member states and ends with the hymn 'Dona Nobis Pacem', give us Peace.
Estimated dispatch 7-14 working days
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£140.80Cinquantieme - Serge Lancen
Cinquantieme, the fiftieth composition for symphonic band by Serge Lancen, was composed in the fall of 1993. It is written in an overture form and built on four distinct themes. First there is a merry and dynamic March, followed by a Waltz of the same character; then comes a small melody and finally the March turns up again, but this time it ends with a triumphant theme. The overture is dedicated to Alain Thiery and his Symphonic Band of Pont-Ste-Marie/La-vau/Creney. It was premiered during the gala concert closing the 120th anniversary celebrations of that band. The number in the title 'Cinquantieme' (Fiftieth), indicates the richness of Lancen's wind band repertoire. Fascinated by the symphonic band's extremely rich range of tone colours, Lancen has devoted all his talent and passion to it. For this type of orchestra he has written symphonies, rhapsodies, several concertos and even religious compositions with choirs and soloists.
Estimated dispatch 7-14 working days
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