Results
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£111.00Medium (Movement II from T-Bone Concerto) (Trombone Solo with Concert Band - Score and Parts) - De Meij, Johan
The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Parts I and II are written in the A-B-A form and allow the soloist to display both the technical and the lyrical characteristics of the instrument. Part III at first develops into a kind of neo-baroque style using the thematic material of the first and second movement, and finally leads to a triumphant finale and a virtuoso conclusion. Duration: 8.30
Estimated dispatch 7-14 working days
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£111.00
Rare (Movement I from T-Bone Concerto) (Trombone Solo with Concert Band - Score and Parts) - De Meij, Johan
The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Parts I and II are written in the A-B-A form and allow the soloist to display both the technical and the lyrical characteristics of the instrument. Part III at first develops into a kind of neo-baroque style using the thematic material of the first and second movement, and finally leads to a triumphant finale and a virtuoso conclusion. Duration: 10.30
Estimated dispatch 7-14 working days
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£134.99The Enemy God and the Dance of the Spirits (Concert Band - Score and Parts) - Prokofiev, Sergei - Van der Beek, Wil
The Russian ballet director Sergei Diaghilev commissioned many composers to write music for the theatre. This was what caused Serge Prokofiev to compose the four part Scytische Suite (also known as Ala and Lolli) in 1916, from which The Enemy God and the Dance of the Spirits can be heard on this CD. This suite is one of Prokofiev's first works, and received negative criticism following its first performance on account of its being "uncivilised". Prokofiev himself wrote after this first performance "...The timpani player beat the skin of the timpani to tatters, and the whole orchestra voiced a protest. A cellist complained that he only put up with the violence, created by the blaring brass, on account of his sick wife and three children...".Duration: 3:00
Estimated dispatch 7-14 working days
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£73.50The Irish Washerwoman (from The Irish Suite) (Concert Band - Score and Parts) - Anderson, Leroy
The Irish Washerwoman, the first movement of Leroy Anderson's Irish Suite, combines folk material with the composer's own whimsicality. The score was commissioned by the Eire Society of Boston and carries a dedication to Arthur Fiedler, who conducted its first performance on June 6, 1947 at Symphony Hall in Boston. The complete suite includes six melodies which range from the nostalgic to the humorous, from the plainly sentimental to the purely exuberant. Although the melodies come from overseas, the brilliant Irish Suite is typical of Anderson's nimble orchestration, ingenious charm, and happy inventiveness. This opening movement is a jig; brisk in tempo and gay in mood.This edition has been freshly re-engraved with a full-score for the first time, permitting articulation uniformity throughout the work.Duration: 3.00
Estimated dispatch 7-14 working days
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£84.99
Animal Kingdom Wind Band Set (Score & Parts)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30
Estimated dispatch 7-14 working days
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£139.99Cobra Wind Band Set (Score & Parts)
Shortly after the Second World War, a combative movement of Danish, Belgian and Dutch artists chose the cobra snake - extremely dangerous yet considered sacred - as a symbol of their resistance to strict guideliness of form. The name "Cobra" also happens to contain the first letters of the cities Copenhagen, Brussels ans Amsterdam, from where most of the movement's members came. The Cobra movement, which existed from November 1948 until November 1951, can with some justicication be called the last major avant-garde movement of the 20th century.The source of inspiration for the composition Cobra comes from four paintings: "Obhobning" by the Dane Egill Jacobsen; "La jeune fille et la mort" by the Belgian Pierre Alechinsky; "Orgeldraaier" and "Le rythme joyeux de la ville" by the Dutch artists Karel Appel and Corneille. Obhobning means "pile-up", which is represented musically in the first part by a melodic and harmonic pilling up of perfect fourth's. The first part is also characterized by a rhythmic feeling, which the painting gives through its use of numerous black stripes. In the painting La jeune fille et la mort, Pierre Alechinsky places a young girl opposite Death. The second part features the constantly pulsating motion of live while a creeping, dark, melodic line develops. The tension between life and death is tangible as a battle reveals itself. In part three, one hears the Orgeldraaier by Karel Appel, as cheerful and playful as an organ grinder's music. The painting Le rythme joyeux de la ville by Corneille is busy and extremely dynamic, a perfect source of inspiration for a powerful, rhythmic ending to this composition. 0:09:57
Estimated dispatch 7-14 working days
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£43.56Nature's Fury (Concert Band - Score and Parts)
Using only the first 6 notes taught in most band methods, "Nature's Fury" is a simple and exciting piece perfect for your beginning band's first concert. "Nature's Fury" first introduces the concepts of theme and harmony in unison for all players, and then presents these themes and harmonies together at the powerful conclusion. Sure to be a favorite with students and audiences, and makes a perfect bridge to part independence.
Estimated dispatch 7-14 working days
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£39.60
The Sword of Kings (Concert Band - Score and Parts)
Listen carefully to this regal sounding composition by Robert W. Smith. You may find it difficult to believe that it contains only the first six notes introduced in most major band methods. "The Sword of Kings" is inspired by the legend of Excalibur. It was composed as a concert or festival work for the beginning band. Whether at the end of the first semester or the first year of study, your band will sound surprisingly sophisticated while appealing to both performer and audience alike. Active percussion combined with engaging wind parts make this an excellent choice.
Estimated dispatch 7-14 working days
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£189.95
TUBA CONCERTO (Gregson) (Tuba/Concert Band) - Gregson, Edward
Score & Parts. The concerto is in three movements, following the usual quick-slow-quick pattern: Allegro deciso, Lento e mesto, Allegro giocoso. The first has a sonata form shell with two contrasting themes, the first rhythmic in character, the second lyrical. There is a reference made in the development section to the opening theme of Vaughan Williams's tuba concerto, but this merges into the other material in the development section. The second movement unfolds a long cantabile melody for the soloist, which contrasts to a ritornello idea. The central climax of the movement triumphantly heralds the main theme from the band. The last movement is in rondo form, alternating the main theme with two episodes. The first of these is a broad sweeping tune, the second is jazz-like in style. After a short cadenza, reference is made to the opening of the concerto, and the work ends with a triumphal flourish. Duration: 18 mins. American Grade 4.5
Estimated dispatch 7-14 working days
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£32.95
TUBA CONCERTO (Gregson) (Tuba/Concert Band) Extra Score - Gregson, Edward
Extra Score only. The concerto is in three movements, following the usual quick-slow-quick pattern: Allegro deciso, Lento e mesto, Allegro giocoso. The first has a sonata form shell with two contrasting themes, the first rhythmic in character, the second lyrical. There is a reference made in the development section to the opening theme of Vaughan Williams's tuba concerto, but this merges into the other material in the development section. The second movement unfolds a long cantabile melody for the soloist, which contrasts to a ritornello idea. The central climax of the movement triumphantly heralds the main theme from the band. The last movement is in rondo form, alternating the main theme with two episodes. The first of these is a broad sweeping tune, the second is jazz-like in style. After a short cadenza, reference is made to the opening of the concerto, and the work ends with a triumphal flourish. Duration: 18 mins.
Estimated dispatch 7-14 working days
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