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£102.99To my Country - Bernard Zweers
The Hymn To My Country is the trio part of the second movement, entitled 'In the Country', from the third Symphony To My Country (1886 - 1890) by the Dutch composer Bernard Zweers (1854 - 1924). This symphony was written at a time when a lot of composers were largely inspired by patriotic feelings. The compositions of Zweers have apparently been influenced by his contemporaries such as Antonin Dvor k, Jean Sibelius (Finlandia), Bedrich Smetana (who also wrote a work entitled 'My Country' (Ma Vlast) - a cycle of symphonic poems including the famous Moldau) and Edvard Grieg. Although his father, a music dealer and amateur musician, at first described his son's musical activities as'a waste of paper and time', Zweers did not abandon his vocation. When the 27-year-old Bernard Zweers conducted his first symphony in 1881, his father was so impressed that he allowed his son to devote himself completely to music. Thre arrangement of this chorale was written on the occasion of the 50th anniversary of the Liberation of the Netherlands on May 5th, 1995, and is dedicated 'To My Country'.
Estimated dispatch 7-14 working days
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£514.99
The Venetian Collection
The Venetian Collection by Johan de Meij consists of four movements which are all a musical reflection of the four paintings of the same names from the Peggy Guggenheim Museum in Venice.Voice of Space is the first movement of The Venetian Collection. The picture on which the music is based on was painted by the Belgian surrealist artist Ren Magritte. Along with Ensor, Permeke and Delvaux he was one of the most important painters of the 20th century.The Red Tower was inspired by the painting of the same name (La Torre Rossa) by the Italian artist Giorgio de Chirico, and was awarded first prize in the International Composition Contest in Oman. One of the towers of the mediaevalwalls of the Italian town of Soncino (home to the band for whom Johan de Meij wrote the work for) shows a remarkable resemblance to the tower in the work of De Chirico. Magic Garden contrasts starkly with the other movements of the cycle. As with the painting, Johan de Meij has tried to reflect the colourful, naive dream world of Paul Klee. The transparent texture, in which the woods play an important role, makes a striking impression throughout this serene movement.Empire of Light is also based on a work by Ren Magritte. He was a versatile and productive artist producing over 1100 paintings and 700 gouaches. Johan de Meij used the painting Empire of Light as his theme for the last movement of his Venetian Collection.
Estimated dispatch 7-14 working days
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£340.99A Savannah Symphony - Philip Sparke
Composer Philip Sparke had been attracted by the charming city of Savannah ever since his first visit there. It was therefore a delight to be asked to write a piece to mark this significant anniversary and, at the same time, honour America's first 'planned' city and its fascinating history.
Estimated dispatch 7-14 working days
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£50.50Colors of Christmas - Robert W. Smith
Featuring a number of standard holiday favorites, Robert W. Smith's "Colors of Christmas" provides a grand musical experience for the beginning band and their first holiday audience! Using only the first six notes introduced in most band methods, each section of the band is featured melodically. Scored for success and audience impact, this outstanding overture for the holiday season will be a favorite on your concert for years to come!
Estimated dispatch 7-14 working days
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£109.99Roger Cicero On Stage - Matthias Hass
The son of a jazz pianist and a singer, Roger Cicero (born 1970 in Berlin) stepped onto stage for the first time when he was only seven years old! He went on to study piano, guitar and singing, and appeared with well-known swing and jazz orchestras. After first working as a composer, he began performing as a vocalist and represented Germany in the 2007 Eurovision Song Contest. Peter Schller has combined three hits from an artist who makes the language of Goethe swing: Frauen regier'n die Welt, Nicht artgerecht and Zieh' die Schuhe aus. This arrangement contains optional parts for piano/keyboard, and electric or bass guitar.
Estimated dispatch 7-14 working days
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£109.99
The Bermuda Mystery - Wouter Lenaerts
The rather static character of the first part is built up of only 1 bar, which consists of a sequence of two extended triads above a pedal note (B-flat). The main motive, derived from these triads, is introduced by the horns giving a threatening initial atmosphere. This is abruptly taken over by the clarinet and the oboe, after which violence erupts.In contrast to the mysterious character of the first section, the second part shows a more resigned atmosphere with long drawn out phrases. These are constantly interupted by references to the initial material and develop into a dramatic climax. The main motif reappears for a final time on the trumpet, which, under theinfluence of the second theme, takes on a more resigned character as it gradually fades into silence.
Estimated dispatch 7-14 working days
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£109.99Showtime ! - Sven Van Calster
In this piece, which consists of four contrasting sections in which doubling of parts make it suitable for a wide range of bands. The first part is a kind of musical appetizer which has a heavy disco beat while the second part is a romantic ballad. The third part is inspired by an Irish dance and the last part is a variation of the first part with a spectacular ending. This work makes an ideal challenge for dynamic and young bands.
Estimated dispatch 7-14 working days
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£102.99Fanfare For A Friend - Bert Appermont
'Fanfare for a Friend' was originally composed as an introductory piece for the brass ensemble Musica Mosana and their conductor Mark Prils. The work begins with a brilliant brass fanfare that presents the main theme for the first time. This stately theme can be heard in counterpoints throughout the first 28 bars. This is followed by a contrasting and rapid part whereby a melodic theme can be heard against a more rhythmic accompaniment. A virtuoso and sweeping passage then leads to the grandioso in which both themes are played simultaneously in a grand finale.
Estimated dispatch 7-14 working days
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£159.99Ouverture To The Three Angels - Jelle Tasseyns
This overture was written in 2000 and pays homage to the composer Paul Hindemith. The composition is based on "Es sungen drei Engel. The song dates back to the 12th century and was originally a Christmas carol. Mahler used this melody in his 'Des Knaben Wunderhorn' and in the finale of his third symphony. Paul Hindemith also uses this melody as a chorale in the 'Engelkonzert' of his 'Mathis der Maler' symphony. This melody is not only used extensively in the 'Overture to The Three Angels', it also forms the main theme of the entire central piece. In this central piece, the melody can first be heard as a fugue by the woodwind instruments and then by the brass instruments andultimately ends in a grand tutti which features all the themes of the entire work. The first and the last part of the composition are not based directly on the chorale melody but constitute a contemporary commentary of the central part. These are not literal references but rather the sounds of the heralds.
Estimated dispatch 7-14 working days
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£109.99
Dublimania - Menno Bosgra
This new work is based on Irish folk music.In the first part, the main theme is presented as a ballad, starting with the piccolo (as replacement for the flute which is widely used in Ireland), moving on the wood section to end with the entire orchestra.It then changes to a kind of rock style theme: powerful, rhythmic accompaniment with effects in dampers, a pedal point and the use of the spoons which is typical of Irish music (Irish pub), high-range bongo drum (replacement for the Bodhran), etc.In this second part I introduced a second theme as a counterbalance, played by several groups, which has clearly a more legato character and therefore sounds more melodious.The climaxof the work starts in the low-range brass section with its marcato theme that is developed with a great deal of rhythmicity in the accompaniment, clusters, etc. into a percussion solo interspersed by the orchestra in five-eight time with frequent parallel movement in chords (folk music style).Towards the end, theme 2 recurs twice: first as heard earlier with an extra counter melody and accompaniment pattern, then in a canonical form, in which the theme is played by three groups. The conclusion is a repeat of the middle section in five-eight time.I have tried to use many of the colours of a wind orchestra by having the wood sections and brass section play alone and making extensive use of dampers. Percussion also has a prominent role throughout the work.
Estimated dispatch 7-14 working days
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