Results
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£47.50
Praise to the Lord - Vaclav Nelhybel
Extra trumpet parts available: #50480960. Duration: ca. 10 minutes.
Estimated dispatch 7-14 working days
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£54.99Jammin On The Rooftop - Gary P. Gilroy
Whats that on the roof? You wont have trouble hearing the sound of hooves as your beginners have fun jammin on this fresh, fun arrangement of Up on the Housetop. Perfect for that very first winter concert, the simple rhythms and limited ranges make learning quick and easy. A few extra percussion instruments add to the fun and seasonal atmosphere.
Estimated dispatch 7-14 working days
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£179.99Diagram - AndrĂ© Waignein
The story of the origin of Diagram for Symphonic Band is a curious one. Andr Waignein was enjoying a meal together with his great friend Jean-Marie Vivier - representative director of l'Oreal Belgilux and the same man who made the performance of the famous Cantate aux Etoiles, with 750 performers possible. Jean Plaquet, an appreciated associate of both gentlemen was also present.As an acknowledgement, Andr Waignein wanted to dedicate a composition to the band where Mr. Vivier has been chairman for 20 years. In connection with this, Andr Waignein was supposed to receive some extra information about the 120 years old history of this band, which has always been led by a memberof the Vivier family. In a flash this history was presented : using a diagram Mr. Vivier drew the power-lines of this more than 100 year old band.And of course, the title was found ! The only thing left to do, was for Andr Waignein to transform this diagram into music.
Estimated dispatch 7-14 working days
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£84.99Latin Flutes - Wim Laseroms
In this sparkling, joyful composition for three flutes with band accompaniment, the emphasis lies on the predominantly syncopated structure with the supporting percussion group giving the Latin effect a little extra emphasis. This attractive short concert work, with the flute section in the spotlight, is technically uncomplicated and can be easily performed by three reasonably advanced flautists!
Estimated dispatch 7-14 working days
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£87.99
Intrada: Adoration and Praise - Claude T. Smith
This work is an impressive set of variations on the hymn tune "Praise to the Lord, The Almighty." The opening majestic statement is followed by challenging variations. Extra flair can be added with an optional antiphonal brass ensemble amid the dramatic conclusion. An impressive finale for concerts and ceremonies. A supplemental string set (CTS-7829-99) may be purchased separately for performances by combined band and orchestra.
Estimated dispatch 7-14 working days
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£76.99Dear Frog - Victor Trojan
Dear Frog describes the story of a prince who changes into a frog and then waits for a princess to kiss him so that he can turn back into a prince again. A musical satire for the trombone and orchestra. What is remarkable about this work is the use of the "wah-wah sourdine" throughout the entire piece, which gives it an extra amusing flavour.
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£109.99
Dublimania - Menno Bosgra
This new work is based on Irish folk music.In the first part, the main theme is presented as a ballad, starting with the piccolo (as replacement for the flute which is widely used in Ireland), moving on the wood section to end with the entire orchestra.It then changes to a kind of rock style theme: powerful, rhythmic accompaniment with effects in dampers, a pedal point and the use of the spoons which is typical of Irish music (Irish pub), high-range bongo drum (replacement for the Bodhran), etc.In this second part I introduced a second theme as a counterbalance, played by several groups, which has clearly a more legato character and therefore sounds more melodious.The climaxof the work starts in the low-range brass section with its marcato theme that is developed with a great deal of rhythmicity in the accompaniment, clusters, etc. into a percussion solo interspersed by the orchestra in five-eight time with frequent parallel movement in chords (folk music style).Towards the end, theme 2 recurs twice: first as heard earlier with an extra counter melody and accompaniment pattern, then in a canonical form, in which the theme is played by three groups. The conclusion is a repeat of the middle section in five-eight time.I have tried to use many of the colours of a wind orchestra by having the wood sections and brass section play alone and making extensive use of dampers. Percussion also has a prominent role throughout the work.
Estimated dispatch 7-14 working days
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£60.99Song for Hope - Michael Sweeney
Written as a memorial for a middle school band student, this sensitive and moving work opens with a chorale played by off-stage brass. A flowing melody stated in the low register is then developed before leading to a brieffanfare-like affirmation. The Korean folk song You and I is briefly quoted before returning to the off-stage brass and calm closing passage. A beautifully scored lyric piece for band. (Extra players are not required for theoff-stage parts.) Dur: 4:30
Estimated dispatch 7-14 working days
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£122.50The Phil Collins Collection
Phil Collins first burst onto the music scene in 1970 when he joined the rock band Genesis, not as their singer but as their drummer. In 1975 following the departure of singer Peter Gabriel, Phil Collins thought he would 'give it a go' at being the vocalist! Twenty years later everyone knows at least one of his hits. This highly entertaining medley features: 'Something Happened on the Way to Heaven', 'Saturday Night and Sunday Morning', 'A Groovy Kind of Love', 'Another Day in Paradise', 'Easy Lover', 'Against All Odds' and 'Sussudio'. Everyone will love playing this medley which covers many styles and emotions. Theoption to have the band make a vocal contribution can give an extra dimension during the performance.
Estimated dispatch 7-14 working days
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