Results
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£53.95The Little Drummer Boy (Concert Band - Score and Parts) - Sebesky, Gerald
This song of the holiday season has become so much a part of that tradition that many people believe it to be a melody handed down through the ages. We hear it wherever we travel, and it typifies the atmosphere that surrounds us all during that festive time. For the youngest ensemble, this new and very simple scoring is perfect programming material. Duration: 2.00
Estimated dispatch 7-14 working days
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£66.951812 Overture (Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Williams, Mark
This powerful arrangement makes one of Tchaikovsky's most popular and dramatic orchestral works accessible for grade 3 concert bands. The expresive chorale that opens the work has been reworked for brass and bass clarinet, and its dramatic restatement near the end of the piece has been transposed down a perfect fourth so your trumpets will ring through right to the end. Mark Williams also offers some creative alternatives to achieve the cannon sounds. Close your next concert with this all-time classic!Duration: 7.15
Estimated dispatch 7-14 working days
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£54.95Dance of the Reed Flutes (Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Story, Michael
Tchaikovsky's delightful ballet The Nutcracker is the source of this ageless favorite. Although it is scored 'down to the very basics,' the flavor and charm of the original is more than evident. Marked with comfortable ranges and rhythms (making it easy to rehearse), and arranged for a full and complete sound, this work will deliver real pleasure to your holiday concert audience. Duration: 1.45
Estimated dispatch 7-14 working days
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£69.95Doyen (Concert Band - Score and Parts) - Richards, Goff
Doyen was written to commemorate the launch of the luxury motor coach of that name and is a sort of musical journey which includes sounds of the coach starting up, cruising at speed and slowing down as it reaches its destination. Grade 4 Performance time 5'00"
Estimated dispatch 7-14 working days
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£84.50Blue Moon (Vocal or Instrumental Solo with Concert Band - Score and Parts) - Hart & Rodgers - Barker, Warren
For Vocal Solo or optional Bb Tenor Saxophone, Clarinet or Trombone Solo. You can't keep a good song down! Written more than fifty years ago, this timeless ballad endures as new singers discover its delightful lyric message and very satisfying melodic and harmonic content. Warren Barker's oh-so-smooth scoring of "Blue Moon" guarantees that another generation will fall in love with this song. (Vocal range, A-flat below staff to third line B-flat, treble clef) Duration: 3:00
Estimated dispatch 7-14 working days
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£58.50Wipe Out (Concert Band - Score and Parts) - Sweeney, Michael
Surf's up dude! This tubular arrangement by Michael Sweeney let's 'em have it with the force of a mondo size wave crashing down as you Wipeout!
Estimated dispatch 7-14 working days
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£79.99Sousa! (Concert Band - Score and Parts) - Sousa, John Philip - Barker, Warren
Here's one of the most spectacular program number ever written! Only the talents of Warren Barker could produce this rhapsodic medley of Sousa's favorite marches, ending with a version of The Stars And Stripes Forever that's sure to bring down the house. Includes: El Capitan; Hands Across the Sea; High School Cadets; King Cotton March; Manhattan Beach; Semper Fidelis; Stars and Stripes Forever; The Thunderer; Washington Post March
Estimated dispatch 7-14 working days
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£59.95Rhapsody On An Old English Sea Song (Concert Band - Score and Parts) - Johnson, Stuart
The "Drunken Sailor" finally settles down and becomes respectable - though he does lurch about a little surprisingly from bar to bar! This is attractive music effectively scored.
Estimated dispatch 7-14 working days
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